Chapter 149: The premiere of the big coffee concentration
The premiere of "My Father and Mother" was held in Beijing, and the atmosphere was much more relaxed than that of "National Anthem", and the invited guests were mainly in the entertainment industry.
At this not grand premiere, Zhou Bai saw almost all the big names in the industry, and Zhang Yimou's status was undoubtedly revealed.
Jiang Wen, Wu Tianming, Guo Baochan, Zhang Huijun, Chen Kaige, Gu Changwei, Hou Yong, Zhao Jiping, Ge You, Chen Daoming, any one of these people is put in the entertainment industry, they are all absolute big names, and many people don't have time to come, but even if these people are already star-studded, when they sneeze, the entertainment industry will be shocked.
Zhou Bai and Sun Honglei are among the small characters, if they are counted according to their ranks, these people are the demon kings of all walks of life in the Journey to the West, then Zhou Bai and Sun Honglei can only be regarded as the level of small diamonds.
Zhou Bai hates this kind of situation, no matter who he meets, he only bows and greets, all of them are awesome characters, and no one can be offended.
Jiang Wen didn't know what psychology he had, he actually came to participate, and now he hasn't been banned, but many people are already eyeing him, or it won't be long before he will be banned because of "The Devil is Coming", and now there is a lot of noise, and when he participates in Cannes next year, he will officially announce GG, and finally have to abuse Lu Chuan.
To say that the relationship between Jiang Wen and Lao Mouzi is quite complicated, their relationship is very deep, they have cooperated in "Red Sorghum", this is Lao Mouzi's debut, Lao Mouzi's second movie is also with Jiang Wen, the two can be said to be sympathetic to each other.
He, Lao Mouzi and Cao Youping, when the three of them were filming "Red Sorghum", they lived together in a grass hut without soil for about a month, at that time they were still young and had no scruples, and they talked about their ideas about the movie, where they formed a deep friendship.
It's a pity that as the differences in creative concepts get bigger and bigger, they finally broke up, of course, there are many rumors, but they are all some statements that can't be put on the table, the biggest difference is that the creative ideas of the two people are completely different, and they can't pee on a pit at all.
Jiang Wen felt that Lao Mouzi had lost his original intention, and there were more and more distractions about making movies, it was not the same Zhang Yimou as before, Lao Mouzi felt that the times had changed, and his change was just to better achieve his inner artistic pursuit, and commercial things were not necessarily failures.
The relationship between Wu Tianming and Lao Mouzi is not simple, in Lao Mouzi's heart, Wu Tianming is the most important nobleman in his film career, he has taken good care of Lao Mouzi since "Yellow Earth", "Lao Jing" let Lao Mouzi win the Tokyo actor, and then Zhang Yimou filmed "Red Sorghum", Wu Tianming paid 30,000 yuan to let him plant sorghum in the field first, and then there was the famous "Red Sorghum".
After "Red Sorghum", Lao Mouzi also filmed "Code Name Jaguar" and "Ju Dou" at the Western Film Studio under the command of Wu Tianming at that time, and it can be said that the first half of Lao Mouzi's film career was related to Wu Tianming.
Guo Baochan is also one of the people who first brought Lao Mouzi, after seeing Lao Mouzi's photographic works, Guo Baochan specially asked the Guangxi factory to ask Lao Mouzi from Nortel, he taught Lao Mouzi a lot, filming "One and Eight", it is also Guo Baochan's strong support behind the scenes, after two years, Guo Baochan filmed "Mansion Gate", and will also invite Lao Mouzi to make a cameo appearance in Li Lianying, they seem to be absolute old friends.
There are also Zhang Huijun, Chen Kaige, Gu Changwei, Hou Yong, Zhao Jiping, Ge You, Chen Daoming, all of whom have been friends with Lao Mouzi for more than ten years.
Therefore, all the people who attended the premiere were Lao Mouzi's good friends, either they had cooperated, or they had a lot of origins, and Zhou Bai finally felt the weight of Zhang Yimou.
Zhou Bai said hello and said hello everywhere, and took this opportunity to make a familiar face in front of the bigwigs from all sides, not that he wanted to hug these people's thighs, but as a small character in the entertainment industry, politeness is a must.
The reason why it is not grand is that the venue and scale of the premiere are not particularly grand, but the specifications of the guests attending are definitely first-class, Lao Mouzi's status is there, and the friends he knows are not simple roles.
The media interviews were also very simple, and they were all focused on Lao Mouzi, and it didn't take long for the film to start screening, which was definitely a very simple process.
If this is put in the future, you will have to give you the whole two hours for the premiere of a little-known movie, all kinds of guest talks, media questions, and program performances, which is similar to a party, but the movie screening is not important at all.
Zhou Bai also saw the whole picture of "My Mother Mother" for the first time, and after the movie began to reflect, all his thoughts were put on it.
The beginning of the movie "My Mother Mother" starts with a road, Lao Mouzi uses the treatment of black and white pictures, and the snowy surroundings, a winding long road, Sun Honglei's monologue sounds, which opens.
The first part of the film is based on Luo Yusheng's subjective vision, he receives the news of his father's death and rushes back to Sanhetun to discuss the funeral of his father Luo Changyu with the elders in the village and his mother at home.
Even if it is a black and white picture, Lao Mouzi's handling is quite in place, the rhythm of the movie and the dialogue are very stable, and the story is eloquent, from Luo Yusheng returning home, seeing the loom, and then the village chief and the two people explain the cause of his father's death, and sketch the image of Luo Changyu.
Sun Honglei's performance is decent, neither brilliant nor a failure, this is also related to his role positioning, during the filming of the movie, Lao Mouzi told him, "If someone asks you for an autograph, you will fail." ”
Sun Honglei completed Lao Mouzi's task well and integrated it into the movie, and his main role is to play a role of threading the needle through the development of the previous plot.
The elderly Zhaodi's actor performance is more brilliant in performance, this is also an old drama bone, her stubbornness, and her grief for her husband's death are well shown through her performance.
The shots of the movie follow Luo Yusheng's memories, and then also change time and space, and also change colors, in this section of Lao Mouzi's use of montage, it is very brilliant, and it does not make people feel abrupt at all.
Soon, Zhou Bai appeared, and in that scene where the whole group was present, he took a carriage and came to Sanhetun.