A local wizard has spotted an anomaly in the current.

It is the duty of the wizard to foresee the good and the bad, and the wizard will keep observing the small changes of the current, and finally find that there is something somewhere in the upper part, and then he will look closely, and keep imagining and thinking about the shape and appearance of the thing, and match the fluctuations of the current. The barefoot wizard had been standing on the shore for a whole day, and then he suddenly figured out what shape the base of the thing was.

Something unknown should exist!

Then the sorcerer was afraid. The fear of knowing the general shape, knowing that there is something but not seeing, invades the wizard's brain. Stimulated by this fear, the wizard finally saw the thing for what it was!

The huge battleship, which was clean, neat and shining all over its body, appeared in front of the wizard's eyes.

The sorcerer summoned the horde to the tribe and pointed to the sea in the distance to announce his discovery. He saw the gods coming!

Like words, the feathered serpent god has emerged from a distant and unknown place!

But the rest of the tribe couldn't see it.

The sorcerer said, "Because you have no magic power, you are not blessed to see the gods, and I am blessed by the gods, so I can see." Now I give you my vision, so that you can see the same miracles as I do!"

Then the sorcerer pointed to the ship in the distance, pointed out the anomalies of the currents and waves, described the appearance of the god's warship, and then recited the ancient and solemn incantation.

Inspired by the wizard and with everyone's absolute trust in the wizard, these inspired people immediately saw the steel battleship, right on the sea in the distance. The neat and majestic huge battleship appeared in everyone's vision.

This is what the eye sees and what the heart sees.

Foreign objects are transmitted to the eyes, and the eyes are transmitted to the mind, and the mind responds, and if the mind cannot respond, then the thing is the same as not seeing.

Zhao Hong doesn't know how to paint, and painting is a thing with different styles, not to mention in two different spaces, that is, they are not separated by a hundred miles, but the two places with their own culture will derive their own painting styles, which are related to the local culture, and may affect each other, but they will not be the same. Except for the realistic paintings, which strive to be exactly like what you see in the real world, which are popular everywhere, and the rest of the works that contain their own cultural tendencies, no one is qualified to evaluate.

Zhao Hong has seen a lot of paintings at home, their paintings are mainly realistic, the number of brushes used in a painting is at least 30 kinds, in order to keep improving, there are people with advanced skills, a portrait of a person, the use of hundreds of tools, is also common.

The paper used in Zhao Hong's books is carefully made, Zhao Hong does not know how to make paper, but he also knows that the paper used in his scripture pavilion is different, light as a feather, as thin as a cicada's wings, partial and tough, the knife does not hurt, and is not afraid of water and fire. Even writing is not a pen, but animal blood that has been harmonized with drugs.

Take a cup of fresh blood from animals that have died of aging, supplemented by medicine, and refine it by a special person. Except for this special blood ink, nothing else can be written on that special paper.

Only this kind of special thing can be written on it, and it can permeate it.

It is also possible that such a divine book can be preserved for thousands of years.

It is the most able to resist the invasion of time and is suitable for heirlooms.

It is said that this kind of book will have to be remade after a certain year, and it will not last forever, but relatively speaking, it is the most suitable.

Sugigun was originally on the territory of the Deadwood Gate. The Zhao family has not been passed down for several generations, so Zhao Hong has not seen what this kind of book looks like when it is old.

Zhao Hong knew that the paper he used on weekdays, although it was light and thin, was very brittle and easy to break.

Comparatively speaking, the paper on the Cursed Land is better than the paper used by the Zhao clan in Shanjun on weekdays.

Thanks to the technical reasons in the Cursed Lands, the paper there is as white as snow, thick and not easily damaged, but it is a little heavy. It was the best paper Zhao Hong had ever seen.

But the painting in front of Zhao Hong is obviously different, the painting exudes a faint fragrance, and it is a pigment mixed with the juice of many plants.

The paper used is ordinary local paper, but Zhao Hong knows that paper is very valuable here, and the paper is not white, but green, which may be related to local papermaking technology or materials.

But neither the paper nor the ink marks are the point.

Again, the focus is on the painting itself.

Zhao Hong didn't know how to draw, but in his stable dream, he saw that it was recorded in the solution chapter.

The content of the introduction of the divine pattern says that all kinds of objects in the world may contain the spiritual ink necessary for the divine pattern.

Nowhere is this more evident than in artworks and musical instruments.

For example, musical instruments, after long-term use with advanced skills, may gradually become infected with aura, and various works of art will also appear due to the level of the maker, and this aura will appear in the flash of inspiration at the time of production.

There are also some antiques, long years, plus the love of the owner, will appear this aura.

Even weapons, armor, clothing, and accessories will have aura entering them for various reasons.

This aura is worthless to ordinary people, and the damage to items naturally dissipates.

However, it is very important for drawing the god pattern.

There are three stages of painting.

Look for something that has an aura.

Without harming the aura, destroy the item, channel that trace of aura, and make it into spiritual ink. Use it for yourself.

Use the aura as a brush to draw the divine pattern.

For example, if you want to bless the gods and demons with runes on a ring, Zhao Hong couldn't do it originally.

But after seeing the production method of the god pattern utensils, Zhao Hong can do it.

For example, the original infusion of divine power can only be used on oneself.

But now, Zhao Hong can draw a rune infused with divine power with spiritual ink on the ring. Replace the divine pattern on your body with the divine pattern on your ring, so that you can use the power infused by divine power without strengthening your body. Achieve the purpose of strengthening strength.

What's more, after doing so, the curse in the body will not find itself, but will go to destroy the ring on the hand!

In other words, it's also a way to slowly channel the curse out of your body!

It's hard to make a god pattern, but Zhao Hong can learn it slowly.

The point is that the aura that can be used to make spiritual ink is not easy to find. Not all painters can leave a flash of inspiration when they paint, leaving works with aura. Some people are gifted, and every painting has an aura left, this kind of person is a genius among geniuses, and almost all of them are masterpieces.