Chapter 215: The First Person to Be Clean

Su Yuan opened the small box, which was covered with cotton, and there were three red cotton cloth wraps, took it out and opened it, and said in surprise: "Tianhuang three chain chapters!"

Among the three seals, the one on the left is a square with the inscription Qianlong Chenhan, the middle one is oval with the inscription "Lotte", and the one on the right is a square with the inscription "Lotte only".

The seal carving method of the three seals is different from the layout of the seal, the left one is Yangwen, the layout adopts the standard format; the middle one is also Yangwen, the word Lotte is in the center, and the left and right are decorated with the crest; the right one is the Yinwen, which is arranged in palindromic method, and the whole printing surface is full and symmetrical, harmonious and beautiful.

The most amazing thing is to use the technique of chain carving, hollowing out a piece of stone, carving out a whole movable stone chain, without any traces of crack bonding. Tianhuang stone is soft, and the slightest carelessness will cause the chain to break and the stone will break, and the difficulty of the process can be imagined.

When Pu Yi was expelled from the Forbidden City, he secretly took away many treasures, one of which was very small, but it was particularly precious, Pu Yi kept this national treasure in a cotton coat, and Pu Yi kept it with him for many days to come.

Later, he fled several times and came to the three eastern provinces, the island country was defeated and expelled by the Soviet Union, and the three-chain chapter that Pu Yi carried with him was missing, and the national treasure was lost to the people.

"Here?"

Su Yuan played with Tian Huang with his hand, warm as jade, could it be the trophy of the old North Wind beating devils or Lao Maozi?

This is an absolute national treasure, and even Lord Qianlong often sleeps with it, which shows its preciousness. In the 2006 Sufubi autumn auction, the Tianhuang stone carving Ruishi paperweight carved by the famous Ming Dynasty master Yang Yuxuan was auctioned at a sky-high price of 41.6792 million yuan, setting a world auction record for Shoushan stone carving, and each gram was 400 times the price of today's gold.

Su Yuan carefully put away the three-chain seal, counting this piece, he already has several emperors and queens seals in his hands, especially Kang Yongqian in the Qing Dynasty, he can already form a system and specially make an exhibition hall to inherit the seal carving and seal culture.

"Sir, whose painting is this?" Hei Feng watched Su Yuan slowly open the painting scroll, the picture was elegant, there was a lot of blank space, and a few strokes outlined a few green bamboos standing proudly in the wind, and the ethereal and lonely temperament jumped on the paper.

"Yuan Sijia, Ni Zhan!"

Su Yuan said with a smile: "Together with Huang Gongwang, Wang Meng, and Wu Zhen, they are called the four Yuan families. His paintings take landscape as the main theme, the composition is simple, and the artistic conception is bleak and lonely, depressed and indifferent. ”

Standing up, he picked up the painting and said, "Do you feel desolate and cold, and the temperature has plummeted by 20 degrees?"

Everyone gathered around, although the black tiger didn't know how to paint, but when they saw this, they couldn't help but feel a sense of sadness and loneliness from the bottom of their hearts, and they nodded one after another, what a cold painter!

"Since ancient times, there have been many people who have imitated Ni Zhan, but very few have actually entered the house, do you know why?"

"Because they can't learn Ni Zhan's psychological state, cleanliness, serious cleanliness, can be described as the cleanest artist in history!"

Su Yuan never forgets it now, reads all kinds of books every day, and has a lot of hobbies for artists, especially Ni Zhan, which is absolutely superb.

Toilets are generally dirty and messy places in the home, and Ni Zhan, as a cleanliness addict, of course pays special attention to the location and hygiene of the toilet. His toilet is made of a high-rise building, and there is an open wooden lattice under the high-rise building, which contains many goose feathers.

Whenever you go to the toilet, you need to climb to the top of the tall building first. When the excrement falls into the wooden lattice, the light, soft goose feathers will immediately fly up and cover the excrement.

He went to the toilet on it, and the servant waited by the wooden lattice, and when he saw that the master had finished using the toilet, he immediately changed into a new wooden lattice and new goose feathers to ensure that the toilet environment was clean and smelly.

I have to change the water in the bath more than a dozen times a day, and I have to wipe the clothes and hats I wear thousands of times. After the guests come to visit and leave, the places where the guests have sat and touched must be scrubbed clean, and the servants at home pick up the broom and rag as if they have eaten a certain brand of chewing gum and can't stop at all!

Even the rockery in the garden was spotless, and even several sycamores died, why? Because when he saw the bark and leaves of the sycamores, he didn't feel the slightest vitality, but how he looked at it and felt dirty.

The cane has a needle on its head, picks up the fallen leaves and throws them outside. There is soil on the bark of the tree, and the plane tree is scrubbed every day! The Forbidden City also treasures the pictures of the washing of the tung trees that he specially painted and the poems he wrote. A good plane tree is tortured to death by bathing every day!

As a Coats, Ni Zan likes to drink tea very much. Once talking about poetry with friends, the tea was prosperous, so he sent the boy to the Qibao Spring in Deng Wei Mountain to fetch water. After the water was brought back, Ni Zan asked the boy: When you carry water, which bucket is placed in front of you? Which bucket is behind you? The water in the bucket in front of you can be used for sencha, and the water in the bucket behind you should be used as foot washing water!

When everyone heard this, they didn't understand very much, and asked Ni Zan why? Ni Zan replied: The former has no turbidity, so it uses sencha. The latter may be deflated, so it is thought to be a sufficient ear. It turned out that he was afraid that the boy would have indigestion on the road, and he farted and smoked the water in the back bucket.

One day, a friend stayed at home, and for fear that he would defile his home with bright and clean windows, he squatted at the door of the room all night to eavesdrop.

But this friend coughed and was heard by Ni Zhan. In the morning, when the friend left, Ni Chan ordered the child to search all over the house to find out where the friend had vomited the phlegm.

The boy searched for a long time but couldn't find it, so he picked up a leaf in the courtyard, pointed to the dew-soaked marks on it, and said: I found that this is a phlegm mark. Ni Zan asked the boy to cut up the leaves and throw them miles away.

After hearing this, everyone looked at each other, not knowing what to say! Su Yuan said with a smile: "His cleanliness is so deep, and he hates the affairs of men and women even more, and he has never married a wife in his life. But when friends get together, it is inevitable to invite a few singers to cheer up. ”

"The singer Zhao Maier was once very favored by Ni Zan and went to spend the night at home. When he arrived at home, Ni Zhan's cleanliness habit began to attack again, so he asked Zhao Mai'er to take a bath first. After taking a bath, he touched Zhao Mai'er's body and felt that it was not clean, so he ordered Zhao Mai'er to wash it again. ”

After washing, Ni Zan touched it again, it didn't seem to be clean, so he washed it again.

Go wash it again.

Go wash it again.

Wash again.

Wash......

Finally, Ni Zan ordered: There is no need to wash it now.

What's wrong?

It's dawn, let's go!

There are many famous painters in Chinese history, but painters like Ni Yunlin are very rare, Ming Li Rihua sighed: "This gentleman is really painting immortals", this is a very creative artist, influencing the process of art for more than 600 years.

Yunlin painting creates a unique form of space, although it comes from the vein of everyone since the late Tang Dynasty, but it is the way to become a family. There are two main items in the picture: one is landscape painting, which is more than the sparse forest trees in the thin water of the cold mountains; the other is the bamboo and stone drawings of the wood, which are opened by Wen Tong and Su Shi, and are often just a fist of strange stones and a few green bamboos, which are just a little interesting.

The shape is simple, and even the picture is repetitive. But it is such a form of space, which countless people in later generations imitated, such as Shen Zhou, Wen Zhengming, Dong Qichang and other masters of a generation who sighed that it was difficult to exhaust its mysteries.

The interpretation of its space, such as finding the historical context and characteristics of the era of image formation from the motifs and picture structure, and then rising to the analysis of ideology, is not without value, but it is also often incompatible.

The space of Yunlin is a unique universe of life, which is subject to his philosophy of survival and artistic concepts, and it is a perspective that cannot be ignored to analyze the reasons for its formation from the depth of his thoughts.