After listening to this, Jin Sanye sat down again, took a sip of tea to suppress the shock, and calmly analyzed: "I understand, the so-called salvage company is just a pretense, the antiques are the most important and clean, not only do they not have any legal problems when they come out, but they don't even have to pay taxes." ”

"But the little devil is not a fool, so it's better not to come out in this matter, just manipulate it behind the scenes, and leave the rest to the people below, which is safer. ”

Su Yuan smiled after hearing this, and said confidently: "I know that there are tigers in the mountains, and I prefer to go to the tiger mountains, which is interesting!"

"Su came all the way and overcame obstacles, didn't he face difficulties this time?"

"If you don't have absolute confidence, you won't be dragged into the water, brother, this matter is risky, and if you want to hurry, you can't reach it, you must act at the opportunity. ”

Jin Sanye let out a long breath, understood that Su Yuan had a plan, and said with a smile: "Okay, the salvage company will be handed over to me, and it will be done in two months, and I will never drag my brother back." ”

"As for the rest, how about waiting for the opportunity and waiting for the opportunity?"

The two looked at each other and smiled, and decided to go their separate ways, Jin Sanye was scheming and knew the roots, and was the best partner to work with.

In recent years, the most talked-about is the Nanhai No. 1, where 80,000 cultural relics are preserved in the cabin, which has brought great shock to the cultural relics and archaeological community. It has been sunk to the bottom of the sea for more than 800 years, but the hull is remarkably well preserved.

The whole ship did not roll on its side, but sat on the bottom of the sea, and the wood of the hull was relatively hard, which is also extremely rare in the history of underwater archaeology in the world.

There are many professional sea treasure hunting teams abroad, which persistently wander on important historical routes every year, constantly exploring the treasures submerged in the seabed. Due to the vague definition of the relevant laws, there are countless legends of overnight wealth in the sea treasure hunting.

On July 20, 1985, after more than ten years of hard work, Fisher finally found the legendary Lady Atoka. The wreck, which claims to be the largest treasure under the sea, contains 40 tons of treasure, including nearly 8 tons of gold and 500 kilograms of precious stones, all worth about $400 million.

A few years ago, the world's salvage giant, the American Odyssey Marine Exploration Company, announced the seizure of 17 tons of colonial-era gold and silver treasures, with a total value of at least $1 billion, from an ancient shipwreck on the bottom of the Atlantic.

Of course, marine salvage not only requires high-tech equipment, but also burns money. It seems simple, but it is extremely difficult. A good salvage boat can cost at least a few million dollars, and the top one can cost tens of millions of dollars.

Only a few countries have mastered the core technology, and money in the country cannot buy it.

In fact, Su Yuan's requirements are not high, invest 10 million, get two salvage ships at will, and go to sea. Because treasure hunting is all about luck, and many times high-tech doesn't work.

Ming repaired the plank road darkly, released the news of successful salvage, and the rest of the water came naturally. As long as the things are excellent, coupled with his current fame and status, no matter how shrewd the little devil is, he can't escape a greedy word.

Back in the workshop, Su Yuan took out the Dehua stale mud that he bought at a high price, which was the biggest secret. It took thirty or forty years to dig up the soil from the ground and build it into a large mound of earth, which was left to the wind, rain, and sun, and never moved.

The soil has been treated by nature, and the texture has become more pure and refined, which is suitable for making all kinds of utensils, and then the porcelain is fired in a kiln or furnace. Therefore, people dig up the mud and mounds to store the materials for the production of porcelain for their children and grandchildren.

Instead of adding a white coloring agent to the soil or glaze, the white porcelain fired in Dehua kiln uses porcelain clay and glaze with less iron content, and then after decades of aging, its iron content is reduced to a minimum. In the oxidation of high-temperature reduction, the white porcelain tire and pure transparent glaze can be fired to produce a work with extremely high whiteness.

Begin to carve Kannon. His Guanyin is otherworldly, mellow and full, mellow and all-encompassing, compassionate and peaceful.

The world has clouds: unless Guanyin leaves the South China Sea, how can the master appear in his true body.

Su Yuan picked up the knife, closed his eyes, felt it with his heart, and He Chaozong's technique kept flashing in his mind, because he had the foundation of the exquisite knife, he quickly understood it and mastered the essence.

In the Ming and Qing dynasties, the body was demolded, and it was generally decomposed into three parts: the head, the body and the base, and each part was cut into two pieces before and after.

Because it is a mold clamping production, the general height is more than 10 cm, except for the head, hands and other parts are inserted after the mold is closed, the inner bottom should be transparent, with obvious connection traces.

In particular, the proportions of the characters are very accurate, the faces are plump and round, the expressions are vivid, the demeanor is kind and kind, the knife skills are round and smooth, and the folds are elegantly processed and perfect.

Su Yuanfu was like a heart, he opened his eyes violently, and his sword skills flowed smoothly, like an antelope hanging on its horns, and it was magical.

I saw Guanyin stepping on the treasure bottle, the lotus flower in the treasure bottle, the treasure bottle seems to be hidden in the waves of the sea from time to time, the sea water beads, clusters of water splashes, like a string of white pearls, majestic and magnificent, very courageous.

The knife technique is round, soft and deep, and the depth is appropriate, accurately depicting the rhythmic lines of the clothes and the multi-level skirts fluttering in the wind, especially the facial features and hands and feet of the Buddha statue, which are more meticulous and meticulous, and especially the skill between the hairs.

Guanyin lowers his head and lowers his eyes, the face is long and round, he can see the shadow of the Buddha statue of the Tang Dynasty, luxurious and solemn, he feels that he is approachable and feels that he does not eat the fireworks of the world, between the savoring tastes, the charm is extraordinary, and it is shocking.

The shape is charming, the expression is calm and peaceful, the eyes are narrowed, the heart is thoughtful, the lips are closed, and a sweet smile appears on the corner of the mouth, which makes people feel that there is really such a sincere and gentle heart beating.

Like a young loving mother, after a long day of hard work and sleeping baby, she quietly leans on the edge of the bed and naps, with sweetness and vigilance in the corners of her mouth.

I don't dare to fall asleep, and I always pay attention to the slight noise of the child. It seems that she has a gentle temperament, a virtuous character, a kind heart, and a holy temperament, which is a typical example of traditional ancient women's beauty.

Su Yuan put down the knife, studied it carefully, and was very satisfied with the work. The exquisite knife and fiery eyes are seamless, and they have made He Chaozong, who has been lost for hundreds of years, see the light of day again!

Start again, indulge in it, continue to absorb the essence, the two knife techniques are integrated, blended, and gradually sublimated, forming unique characteristics.

The next ten days of closed doors, finally reached the realm of Dacheng, Guanyin statue, wearing a shawl, eyes slightly open and looking down, the expression is free and kind, and the image is plump.

A little auspicious mole in the forehead, the hands are crossed and the sleeves are arched between the right chest and abdomen, the wide robe is knotted on the chest, the left foot is half exposed to the lotus, and the right foot is submerged in the waves of the dress.

The overall shape is full of dynamics, stretching and elegant, depicting the transcendent state of Guanyin and the momentum of crossing the sea by the wind, the composition technique is refined, and the carving is meticulous.

It's the pinnacle!