Chapter 594: Thousands of miles of mountains and rivers enter the drawing
In the world where Guo Dalu is located, martial arts still exist, and martial arts masters are not just a legend like in another world, just like Guo Dalu, now martial arts are complete, and in the Western world, that is a superhuman existence.
There are martial arts sects, but aside from Shaolin and Wudang, there are actually many sects with a longer history, such as Qingyin Gate, Sword Weapon Gate, Stealing Door, Stealing Door, and Doctor's School, which are much longer than Shaolin Wudang, and even Guo Dalu's family inheritance is much earlier than Shaolin Wudang.
Compared with the family, the sect is much worse in terms of historical background!
Now, in order to hold the opening ceremony of the Olympic Games, Guo Dalu directly invited some people from the hidden sect to come out and let them perform on stage to promote the quintessence of the country.
For example, just now the Qingyin Gate of Guan Zhizhong, he himself is the contemporary Qingyin Gate master, in the music attainments have already reached the peak of the peak, this guy is proud of himself, Guo Dalu posted to ask him to go out of the mountain, he was not willing to come out, until Guo Dalu personally out of the horse, under his mountain gate played a song "Guangling San", and after three days of discussion with him, he happily went out and followed Guo Dalu to Kyoto.
There is also Gongsun Hongniang of the Gongsun faction, Guo Dalu directly taught them a "Ni Dress and Feather Song" in order to invite her out of the mountain, and promised to build a special performance company for them, Gongsun Hongniang walked out of the mountain gate to personally appear in this grand event.
These guys in the martial arts sect all admit to death, and ordinary people can't invite them at all, so Guo Dalu, the great martial arts master, has face, so he summoned them together.
Guo Dalu is now an all-round monster, proficient in poetry, calligraphy and painting, when communicating with these people, he repeatedly makes witty words, which makes them greatly inspired, and they feel that following Guo Dalu for a day is more than studying in the sect for a year.
It is because of this that they are really convinced by Guo Dalu, and they have no objection to Guo Dalu's arrangement, and they will do whatever Guo Dalu asks them to do.
After Guan Zhizhong's song "Mountains and Flowing Water" was played, he left the case with the qin, and then the green-shirted scribe next to him stretched out his hand, and a piece of rice paper flew in and spread it on the ground outside the octagonal pavilion.
This piece of rice paper is so big!
The size of a house, the middle-aged green-shirted scribe stretched out his hand, and a large brush the size of a mop was lifted in his hand, and then he leaped up and landed on the huge white paper.
At this time, a boy in Tsing Yi came to his side with a large bucket, and the scribe in Tsing Yi poked the big brush into the bucket, and when he brought it out, the brush was already stained with ink, and it turned out that this big bucket was filled with ink.
Under the curious gaze of the audience, the scribe Yi held a large pen in his hand and began to run back and forth on the snow-white rice paper, and the large pen dragged around the paper like a mop.
There is an adjective in Huaxia called a huge pen like a rafter, to describe the high power of people's pen, but the big pen in the hand of the green shirt scribe at the scene is really as thick as a rafter, and it is really like a rafter giant pen.
When he splashed the ink, the sound of music began to sound, from soothing to intense, the brush in the hand of the scribe also accelerated with the rhythm of the music, with the pen like the wind, the pen walked the dragon snake, as if the drunken grass saint wrote crazy grass, there is a strange beauty in the technique.
"This is Danqing master Huang Boran painting on the spot!"
"Director Guo Dalu said, this master Huang Boran is the head of Danqingmen, the traditional Chinese art of calligraphy and painting has reached a very high level, splashing ink, freehand, fine brushwork, all fine, calligraphy attainments are also very superb, and today's society is ugly for the beauty of calligraphy is completely different! Oh, the last sentence is what Director Guo Dalu said, I just repeat!"
During the scene, Huang Boran walked around the paper with a large pen in his hand, then returned to his original position, took out a slightly smaller arm-sized brush, and continued to paint on the drawing paper.
The brush in his hand is drawing faster and faster, and the blank space on the paper is getting less and less, and in the end, Huang Boran's body is suddenly suspended in the air, and the two brushes in his hand keep clicking and swiping on the picture, and every time the brush in his hand draws a stroke, his body will rise a few inches taller, and when it falls, the brush adds another one to the paper, and the weight of the whole person is pressed on the two soft brushes, as if his body is like a human-shaped balloon that weighs only a few taels.
"No Wia!"
Yamada Murafu, the commentator of the Wa Kingdom, said loudly: "I can't see the traces of Weiya hanging on this painter's body at all! Could it be that this painter is still a martial arts master in China? I remember that our martial god Mr. Sojiro Noda also showed a similar light-weight technique, could it be that this painter used the legendary light-weight skills in China at this time?"
In the surprise of Yamada Villager, Huang Boran's body who was painting in the air suddenly rolled rapidly in the air, the whole person was like a spinning wheel, and the paintbrush in his hand drew ink marks on the drawing paper every time he rolled.
Huang Boran held the seal in his hand, walked to the lower left corner of the drawing paper, and covered the huge seal with a bang.
After the seal was covered, Huang Boran bent down and took the drawing paper in his hand, shook it slightly, and the huge painting paper Huo Ran flew out flat, and there was no change in the air, and it remained in a flat state.
At this time, there was suddenly a huge picture frame in the air, and when this huge painting flew flat in front of the frame, it suddenly stood up and stuck straight to the frame, and with a "click" sound, it was pasted straight on the frame, without any wrinkles, as if it had been framed in advance.
A beam of light shines on the picture, and you can see the mountains on the picture, the long river rushing, and the red sun rising in the east, and the momentum is amazing.
This painting is extremely atmospheric and imposing, and it seems that all the mountains and rivers are included in the painting, giving people a magnificent atmosphere.
Just after this painting was seen clearly by everyone, Huang Boran, who was standing under the stage, suddenly shouted softly, took a large pen from the hand of the boy in Tsing Yi, and once again stained it with thick ink, waved his arms, and threw the large pen onto the giant painting.
The audience at the scene was taken aback, I don't know why Huang Boran behaved like this, this big pen dipped in ink, if it was thrown on the drawing paper, a good painting would be destroyed by him.
At this moment, the figure flashed in mid-air, stretched out his hand and copied the big pen in mid-air, the whole person stepped in the void, suspended in front of the giant painting, holding a big pen, the pen walked the dragon and snake, and wrote a few big words in the blank space above the giant painting: There are so many beautiful rivers and mountains!
This line of words is complete, thousands of miles of rivers and mountains, all into this picture.