Every time Guo Dalu's movie is painted, Ma Chengdu, the general manager of Tianxi Film and Television, will personally meet Guo Dalu and report to him on the box office statistics.

This time was no exception.

When he came to the Baolan City Film and Television Base, as soon as he entered the filming site, he saw the competition between Huang Feihong played by Song Qingyun and Yan Zhendong played by Guo Changgeng.

This competition was Yan Zhendong's first fight with Huang Feihong, fighting in the rain, smashing Bao Zhilin's signboard, and also falling Huang Feihong's majesty.

Yan Zhendong in the movie, pitiful and hateful, from the beginning when he came to Foshan, it can actually be seen that this person still has a little conscience, he has an amazing stunt, in order to make a living, he has to perform on the street, but he didn't think about robbing his house and stealing and robbing, just rushing to this point, it can be seen that he still has a bit of discipline in the troubled times.

It's just that later, the days are getting more and more difficult, and people are getting more and more anxious, and they are bent on becoming famous, so they want to challenge Huang Feihong, just to make a reputation, open a museum in Foshan to accept apprentices, and carry forward the Yan family's kung fu.

This person is just a martial artist on the rivers and lakes, with moral integrity, but he is easily shaken by the outside world, and when he is poor and crazy, all benevolence, righteousness and morality will be left behind, and he will become a ghost who acts for the tiger.

In this film, why Huang Feihong is called a chivalrous man is because he has good martial arts, has a bottom line and principles in life, and does not do bad things, this is the style of chivalry. Yan Zhendong and Huang Feihong are so compared, even if his kung fu is higher than Huang Feihong, it is also despicable.

But this person is precisely the portrayal of many ordinary people.

When you put yourself in Yan Zhendong's position, you will feel how difficult it is to stick to the principle of the bottom line, and life will force you to constantly relax your principles and bottom line until you become the kind of person you hated at the beginning.

In the background of this movie, it is the time when the great powers invade China, firearms have been used on a large scale, the last glory of the warriors is about to disappear, and the role of kung fu is becoming smaller and smaller.

This is the sorrow of the times, and it is also the sorrow of the warriors, and this sadness is more and more poignant when viewed in the social background of the time.

is like what Yan Zhendong said to Huang Feihong when he was dying: "Master Huang, no matter how good our kung fu practice is, we can't stop foreign guns!"

His experience fully demonstrates the tragedy of the times when the West's scientific and technological progress and the East's complacency led to backwardness.

This also led to Huang Feihong's change of thinking that he was finally willing to accept new things in the West, and no longer rejected the attire of wearing suits and leather shoes, which was also an improvement for him.

Only progress can be self-reliant, and we can only be more and more backward, and finally abandoned by the carriage of the times and become the dust background of history.

The movie "Huang Feihong" is good here, he is no longer the kind of brawl for fighting for some martial arts cheats, nor is it a revenge martial arts story, but puts the protagonist in such a broken country, family, mountains and rivers in such an environment, through the protagonist's words and deeds, the social state at that time and the thoughts and actions of people from all walks of life are all expressed.

This is a movie with an atmosphere here, and other movies are just small stories of revenge and fighting, but this movie has risen to the height of the country and the nation, and from the perspective of conception alone, it has crushed most action movies.

Guo Dalu, as a martial artist, is deeply touched by the views expressed in this movie, he is now a great master of martial arts, and he can no longer threaten him with idle firearms, but martial artists who are worse than him have become familiar with firearms when facing firearms, and they are no better than ordinary people.

Warriors, in this era, can only be reduced to physical fitness, and their significance on the battlefield has been reduced to a minimum.

The reason why Song Qingyun wanted to play the role of Huang Feihong was also moved by the spirit expressed in this script, and at the same time, he had a great sense of identification with the role of Huang Feihong. He is also a martial artist, and he also has a very confused psychology in this era, and this movie just reflects the current situation of these martial arts people.

Filming scene.

Song Qingyun wore a long shirt, and Guo Changgeng fisted and footed in the heavy rain, splashing in the fight, one hiding needles in the cotton, with an elegant figure, and the other fighting hard, the momentum was mighty, and the fighting styles of the two were obviously different.

During the filming of this drama, Guo Dalu deliberately called Song Qingyun and Guo Changgeng to him, taught Song Qingyun Hong Boxing, Cross Boxing and Shadowless Feet, and passed the iron cloth shirt to Guo Changgeng.

In fact, in Guo Dalu's world, the force value is much more powerful than the combat power expressed in this movie, but this is just a movie, and there is no need for Song Qingyun and others to show their real kung fu.

Like these boxing techniques in another world, in Guo Dalu's world, some have, such as hard qigong, golden bell cover iron cloth shirt, but some boxing techniques, such as Hong boxing, cross boxing, are not in Guo Dalu's world, no one has heard of it, even Huang Feihong does not exist.

In order to strive for truth, Guo Dalu taught the two of them boxing qigong, and saw that the two of them were proficient in practice, which allowed them to start this fight scene.

In this fight, Guo Dalu didn't make any design at all, and didn't interfere too much with the two, so that the two of them fought completely according to the kung fu they passed on to them, and they both had to show real skills.

When the two were fighting, a sprinkler truck next to them unhurriedly controlled the size of the "rain" to create a realistic rain effect.

Three cameras were running at high speed, and the staff started long-shot shooting at the request of Guo Dalu, and one camera specialized in close-ups.

The fighting action, the shooting method of the camera is extremely important, it does not mean that you fight well, it is shocking when it is played on the big screen. Only by stretching and shrinking the lens and switching the angle can the fight be more infectious and explosive.

Shooting skills are more important than actors' fights, a good photographer can shoot a shit-like action fight into a thrilling life-and-death battle, and a bad photographer can shoot a wonderful fight scene into a piece of shit. The quality of a movie's cinematography completely determines its box office performance.

Although the fight on the scene was shot with a long lens, because of the multiple angles, it was much more convenient when it came to post-editing, and various desired effects could be made.

"Bang Bang Bang"

In the scene, Song Qingyun and Guo Changgeng fought for three or four minutes before Guo Dalu shouted at the two to stop, and finally let Guo Changgeng kick Song Qingyun and kick Song Qingyun away, and the fight was over.

"Guo Ye, Guo Ye. ”

After the filming of this scene was completed, Ma Chengfang walked to Guo Dalu's side, "Our movie has been painted, and the total box office has been counted." ”

He smiled toothlessly, "Let's make money again!"