Tachibana was once called an angel by Yuri and others for a long time, and she was considered the messenger of the gods in the afterlife, and she constantly faced battles provoked by Yuri and others.

It is said that Tachibana is "emotionless, expressionless, and basically does not speak", and Tachibana's cold personality is more of a gradual transformation of the world after death, in addition to the influence of his personality during his lifetime.

She strayed into the afterlife in order to thank the transplanted heart that gave her life and youth. In the long waiting process of the afterlife, she used her gratitude and yearning for life to help many friends in the afterlife to be successfully liberated and reincarnated.

The sense of belonging to friendship is extremely unstable for Tachibana So, she has to frequently experience the loneliness after the disappearance of her friends, in which she gradually loses her normal ability to communicate with people, becomes clumsy, and only relies on her own concept of "liberating people who have a sad fate in life", and tries again and again to return Yuri and others who caused riots to the right path, and enjoy the youthful campus life that she could not enjoy during her lifetime.

Tachibana Kana's psychological factors contribute to the twists and turns that occur in the afterlife world due to the disorder of social needs, that is, the instability caused by the disappearance of friends one by one, causing a cold personality and clumsy behavior (Yuri and others create weapons to fight, and she only uses software to develop defense capabilities relatively).

From the various characters in the story, the theme of "Angel-Beats" can be fully seen - "It is a beautiful thing to be alive".

Iwasawa pursues his musical dreams despite his dreams, and Yuri transforms his self-blame for not being able to protect his younger siblings into practical actions to protect each of his partners, Hinata says, "Even a guy like me, who was a scumbag before I died, can give others an answer in this world"; Naoi gets recognition from Otonai and "regains people's hearts"; Yui "can't hit a home run, but his body has been fully exercised." So that's enough", and for a word of thanks, he never tires of running around for the "people who mourned their fate" in the afterlife. Even if isolated. Wounded and bleeding from bullet strikes again and again (the wound will recover automatically, but the pain of injury and death cannot be avoided). After being understood and accepted by everyone, he played to save his partner, and worked hard with the emotionless and cold-blooded clone......

The actions of these main characters make Angel-Beats exude a deeper idea: life is not just about living, but also about living a wonderful and worthwhile life. If you have something to pursue or something that needs to be protected, you can do whatever it takes to live a meaningful life for them.

In this way, the facts may be pessimistic and close to contradictory. Every character in "Angel-Beats" is trying their best to pursue a worthwhile life, but they all encounter tragedy in their lifetimes, life is hurried, the so-called pursuit is mercilessly shattered by various unexpected natural and man-made disasters, and death becomes their common destiny. It is because they cannot tolerate the unreasonable life of life that they embark on the path of confronting the gods and the messengers of the gods in the afterlife.

"Angel-Beats" gives each character a sad fate, a kind of exaggerated interpretation of real life on the basis of reality - art comes from life and is higher than life. Life inevitably goes through tribulations, fatal or not, and it's normal for real life. The tragic fate of the characters in "Angel-beats" is not only a metaphor for reality, but also a natural manifestation of the worldview of "mourning for things".

"Mourning" is a view of life and death. It pursues "momentary beauty", just as every character in "Angel-beats" is in his youth. On the way to pursue your dreams, life withers in an instant.

The liberation of the characters in "Angel-beats" from the sad fate of their lives is actually corroborated with the ideas of Zen Buddhism. The core idea of Zen Buddhism is "to point directly to the human heart, and to become a Buddha by seeing nature". Zen Buddhism believes that all people have Buddha nature, and the reason why people cannot become Buddhas and die in bliss is because Buddha nature is covered by human nature that is full of **, and they cannot really see themselves and the world in which they live. Enlightenment is required to become a Buddha, and Zen Buddhism believes that enlightenment is only between a single thought, that is, enlightenment is required to become a Buddha. But epiphany is not a source of water, it cannot appear for no reason, it requires a series of actions as a foreshadowing, and at a certain stage, the dusty mind regains clarity and becomes a Buddha (liberation) on the ground.

The liberation and reincarnation of the people in the story is due to the realization of their true hearts, and in short, they have reached a reconciliation with their lives in the past life and after death.

Of course, reconciliation is not achieved overnight, for example, Iwasawa was completely liberated by singing the song he had always wanted to sing, the satisfaction obtained from outside the body (sheltering his partner) gradually transformed into the internal satisfaction (he was unable to let go of his failure to protect his younger siblings during his lifetime) and untied the knot, and Yui completed the movement that he was paralyzed and could not carry out during his lifetime, and received Hinata's marriage reply to make up for his regrets......

Although there is a little external force in the process, but the satisfaction of all people's souls depends more on the power of "self-liberation and self-realization", from the clear mind to wake up to their own regrets before death, and make up for their regrets after death, no longer care about sorrow, the soul can be harmonious and transparent, everyone truly accepts that "living is a real life, there is no false life", get rid of the entanglement of sad fate before life, see nature and become a Buddha, and reincarnate calmly.

……

"Didn't Konaku get Otonachi's heart transplant to survive? So she must have died after Otonai, right? But why did Otono come to the afterlife after her?"

Asamiko is confused by this complicated relationship.

"I came here to complete the regrets of my life, you can think of it this way, although Otomu died first, but Lihua's regret is to say thank you to Otomu, so when I died, I had no regrets, and Otomu should not have been here at all, so I came here. He Chen said to Asamiko.

"He's here for the little play...... Asamiko said.

"The relationship between the two has actually been foreshadowed from the beginning, right?" Yi Jingjiao said, "One is called Lihua Song, and the other is called Yin Wuzuru." Knots and plays - Yin Wu's own life has come to an end, he donated his organs, and Lihua has come to the end of his life because of Yin Wu's heart, and once again was continued, he used his heart to renew a life string for Lihua, Lihua played a song of life with Yin Wu's heart. ”

Asamiko was moved to cry again.

Standing in the glitzy world, playing the sound of nature. (To be continued......)