Chapter 1576: Anger
Jian Er raised her eyes, glanced at the two people in front of her, hooked the corners of her mouth with a smile, and then a cold sneer erupted from her nose, and then she stopped talking. Pen @ fun @ pavilion wWw. ļ½ļ½ļ½Uļ½Eć ļ½ļ½ļ½ļ½
It's not their delusion, looking at the attitude of the person opposite, it's not that it's possible that they're in a bad mood because of something else (of course, this possibility also includes a few days of low mood that is unique to ladies), but it's a clear opinion about them, no, it's not just an opinion, they have even clearly read the hostile attitude from this lady.
Miyamoto Naoto subconsciously glanced at Masao Tanaka, after all, after receiving Masao Tanaka's report in the museum, in order to prevent Jian Er from leaking out the precious portraits of their emperors and wunders of the Great J Empire, a bunch of "predators" fought with them for the ownership of this portrait. Not to mention that this possibility does not exist, even if the lady who owns the portrait of His Majesty the Emperor does not take the initiative to release the news, it does not mean that the news will definitely be kept.
In the end, Naoto Miyamoto has not forgotten, Tanaka Masao once said when he reported to the museum, at that time, in addition to him, there was also the nouveau riche Yujiro Okamoto, in addition, there were also some collectors in country Z, and the people at the museum in Sh City.
Although they had a good relationship with the SH City Museum, they had already telegraphed them to help keep it secret as soon as they received the news, but what about the collectors in country Z? Miyamoto Naoto has not forgotten that Masao Tanaka once said that the attitude shown by the collectors present at that time did not seem to have a good impression of their empire. As long as they want to, it is very simple to spread the news to them and find some competitors, if nothing else, just to be able to add some blocks to these people.
Naoto Miyamoto has personally experienced similar incidents (this selectively forgot that before this, they first maliciously raised the price when the collectors of our country Z wanted to auction back the lost cultural relics of country Z, so they retaliated), especially now, the lady on the other side has clearly said that she does not sell those portraits of the emperor, but only accepts barter! The more competitors there are, the more things these people in country Z will get, and the more precious they will be. Even if these things end up in the hands of collectors in different countries, they will make this choice for the sake of their national plot.
Even if you take 10,000 steps back, even if these people don't talk about it, or their channels can't spread the news so quickly, Miyamoto Naoto doesn't think that their museum can sit back and relax, after all, compared to these Z people, their biggest "enemy" is their compatriot - Yujiro Okamoto!
You must know that Okamoto's reputation is really not good in the collection circle of country j and even in the entire cultural circle, relying on a few stinky money in his hand, this guy has done a lot of things to cut off from others.
Although according to the requirements of the owner of the collection this time, Okamoto definitely does not have enough chips to compete with their museum, but this also means that this guy has a great possibility that he will be a super "death stick" after seeing the ending that he will lose, and directly send the news back to China, after all, this kind of thing that is not good for others and harms others is not unpleasant.
It is precisely after foreseeing this possibility that their museum will send him, the deputy director of the museum, as soon as they receive the news from Masao Tanaka, in fact, if it were not for the fear of startling the grass and attracting the attention of other museums in China, their curators would have planned to go on this trip in person.
And what are they doing all this for? Not to be able to reach an agreement with the owners of the collection in the first place, and to get those portraits of the emperor into their pockets before all parties react!
In order to achieve this goal, Naoto Miyamoto took a plane, threw his luggage to the hotel, and after hastily taking care of himself, he couldn't wait to ask Tanaka Masao about the situation at that time, determine the details of the collection (Tanaka Masao did not say much about it on the phone), and formulate a strategy for the upcoming negotiations, so that he could hit the first meeting with the collector and reach an agreement!
But what did Masao Tanaka say at that time? Although the portraits of the emperor were not carefully appraised, at the first glance, except for a small part of them were painted by the court painters of the time, most of the others were painted by the most famous painters of that era, and they have extremely high research and collection value. Any one of them can be used as a treasure in any museum, not to mention that there are so many of them today.
The most important thing is that from Emperor Minda to Emperor Meiji, spanning thousands of years, there is no one broken, and there is a portrait of every emperor!
And what did Masao Tanaka say about that collector?! That lady should still have a good impression of their big J empire.
Although the lady rejected Yujiro Okamoto's proposal to help her naturalize their Big J empire more than once, in the eyes of Masao Tanaka, it should have been just a lady's reserve, or because there were other collectors in country Z at the time, the lady refused. However, judging from the fact that she hired a large number of citizens of their Big J Empire to serve her (Jane: This is definitely a misunderstanding), there is absolutely no doubt that the person has a good impression of their Big J Empire.
And the lady didn't seem particularly interested in the portraits (judging by the fact that she would carry them in a small grocery cart), and the lady should have preferred the artifacts of their country Z.
In addition, there is a very important point, that the lady is very, and this young man is obviously better than dealing with the "old fritters".
All of this seemed to be good news for them, and it also made Miyamoto full of confidence in his trip. But now, although I haven't seen the portraits, I can't judge what Tanaka said about those collections. But what about the lady's behavior in front of him? What about the friendliness of the lady? The good thing about the good impression of their big J empire? Why didn't he feel it at all?!
Is that guy Masao Tanaka daring to say anything?Or is there something going on here that makes the lady in front of him angry with them (Xiaohai: You, it's really like!)!?