When I saw Huang Botao filming "Heaven and Dragon Slayer", the more Guo Dalu watched it, the more wrong it became, and the more he watched it, the more unhappy he became, and he always had a sad feeling that his work had been ruined.

Although these martial arts are things that inexplicably appeared in his mind, after all, this is knocked out from his hand word by word, and it is also a work that produces a certain feeling, seeing Huang Botao shoot such a work like this, Guo Dalu became more and more uncomfortable, and in the end he couldn't stand it anymore, and said to Huang Botao: "Lao Huang, I'll do this drama, you give me a hand!"

Huang Botao actually has the idea of letting Guo Dalu shoot, it's not that he doesn't want to continue filming, but directing film and television works in front of Guo Dalu, there is always a feeling of playing with a pen in front of Confucius, and every shooting idea and every action instruction of his own has a serious lack of self-confidence.

Guo Dalu's aura is too strong, even if he doesn't say anything, as long as he sits next to him, the entire crew is worried and doesn't dare to make a loud noise.

In this case, not only Guo Dalu was uncomfortable, but Huang Botao and others were even more at a loss, and they didn't feel right to do anything.

Now Guo Dalu took the initiative to ask himself to be a director, whether it was an actor or Huang Botao, everyone breathed a sigh of relief, and a group of people felt that this was a normal painting style, and the previous shooting was simply messy and too disobedient.

Once the director was replaced by Guo Dalu, the ideas, lines and action design of the whole play were all modified by Guo Dalu, and even the crew members were replaced by him, and several of Guo Dalu's younger brothers and sisters were also called by him to serve as supporting roles and action stand-ins on the set, and the entire crew immediately improved several grades.

He filmed with Huang Botao, and the company's attention and investment inclination were not at the same level at all.

When Guo Dalu was filming, all the resources of Tianxi Film and Television were used by Guo Dalu all day long, if you want an actor, even if the actor is filming in another crew, then you have to temporarily stop work to obey Guo Dalu's arrangement, the actor is like this, and other staff are like this, such as photographers, makeup artists, these people have to serve Guo Dalu as soon as possible.

This kind of resource tilt has become the norm of Tianxi Film and Television, and few people will be dissatisfied, Guo Dalu's profits for the company are obvious to all, unless you can make a lot of money with every film like him, otherwise you are not qualified to argue with Guo Dalu at all.

When Huang Botao was directing, although the actors were also very obedient, there was always a lack of an indescribable passion, and the actors worked very hard, but there were always some places where they didn't do well, not that they didn't work hard, but there was something missing, and as for what was missing, many people couldn't say it themselves.

But after Guo Dalu came up, the emotions of the entire crew suddenly came up, whether it was the actors or the crew, they all glowed in a different state, with a sense of vitality and vitality that they didn't have before.

When Huang Botao was directing, he rarely lost his temper, basically communicated slowly with the actors, and tried his best to let the actors perform the picture they wanted, but once it was Guo Dalu's turn, the roar of the tyrant suddenly sounded on the set, and many actors were so nervous that they couldn't sleep, and no one dared to relax, and the filming progress was more than twice as fast as when Huang Botao was directing.

In less than half a year, this drama has been filmed by Guo Dalu, and the theme song of this play is also made by Guo Dalu himself, the name is "Sword Like a Dream", Guo Dalu originally wanted to find a singer to sing this song, but later found that it was not very suitable, and then he simply went on the stage and recorded the song himself.

"Lao Huang, I won't shoot my martial arts TV series again in the future. ”

After the drama was completed, Guo Dalu called Huang Botao in front of him, "Filming this thing is time-consuming, energy-consuming, and especially not profitable." In the future, my martial arts will be handed over to the people in the company to shoot. ”

Guo Dalu is a good talker, and since then, he has never filmed martial arts TV series, and his energy has shifted to action movies.

This also led to the Condor Trilogy becoming a masterpiece, and more than a dozen directors after Guo Dalu once wanted to remake the Condor Trilogy, but they did not have Guo Dalu's strength and talent, but the more they filmed, the worse it became, and the trilogy filmed by Guo Dalu was simply incomparable.

Therefore, the Condor Trilogy filmed by Guo Dalu has become the pinnacle of the entire martial arts TV series classification after many years, and no drama can surpass these three TV series. Even after decades, the special effects are getting more and more sophisticated, but the unique martial arts flavor of these three dramas still can't be filmed.

The filming of "Heaven and Dragon Slayer" wasted a lot of time on Guo Dalu, and Zhang Jianzhong, who was preparing to shoot "Red Sorghum", has been calling Guo Dalu, "Guo Ye, the sorghum is red, when will you come to shoot, the crops are unpleasant!"

It turns out that Zhang Jianzhong has always been obsessed with "Red Sorghum", he is a person in the system, and he has a lot of free time, after deciding to be the assistant director of Guo Dalu, this guy deliberately chartered more than 100 acres of land in a remote poor rural area, and planted red sorghum all for the purpose of filming the movie.

Now it's almost autumn, sorghum heading, I'm afraid it will be red after a while, if Guo Dalu doesn't come to shoot, his sorghum will be white.

Therefore, Zhang Jianzhong was very anxious, and called Guo Dalu twice in three days, urging him to end the filming of the TV series as soon as possible and shoot real works of art with him.

Guo Dalu was annoyed by this guy's harassment, but after all, the project of this movie was made by himself, and it was not good not to go, and now after the Yitian crew was finished, he rushed to Zhang Jianzhong's place.

It was a very remote village, and this place still had adobe houses and faded wooden doors that were rarely seen in modern society, except for the green grass and trees, the rest of the place was earthy yellow, and it was a place of extreme poverty.

When Guo Dalu drove into the village, many bare-bottomed children ran excitedly behind the car, and when he got out of the car, a group of children surrounded him and spoke in dialect and reached out to Guo Dalu to ask for something.

Zhang Jianzhong walked out of the courtyard, scolded these children away, and said to Guo Dalu: "Guo Ye, don't worry about them for now, you are here, if you don't come again, my brother and I can't hold it anymore! This place is really uninhabitable!"

Zhang Jianzhong rented a farmhouse yard here, and the crew had been living here for a while at this time, and several rooms in the house were empty, which was the real four walls of the house.

Because of the small windows, the whole room is not well lit and very dark.

After Guo Dalu entered the house, his face was not very good-looking, "Why is this place so poor?