Unfortunately, the classical art and foreign art columns are not a very popular section right now.

But fortunately, this critic turned out to be a retired drama critic who is very famous in the industry.

And his article naturally attracted the attention of insiders.

Many art critics who knew about this cultural exchange but didn't take it seriously also ...... Gu Zheng's performance on this trip Expressed great interest.

So, when this review spread on a small scale, such a phenomenon began to appear on the website of the ticket center on the opposite side.

The vacancy rate of a drama theater is less than 5 percent.

As for the remaining seats, they are not suitable for enjoying Peking Opera, and they are not recommended for sale by Chinese personnel.

This practice of respecting the viewing habits of foreigners did not resonate with the other side.

After this group of interested people found out that they couldn't buy tickets at all on the official website, they were in the drama review area...... Found a post about the right way to watch Chinese opera.

This is a complaint post from a student studying in France about the completion of ticket sales.

Because according to this native Chinese, in distant Chinese towns, when watching a big play, you can even hang on a tree, crouch on a wall, and stand on a stool to watch.

There is no such thing as a custom of not letting people in when tickets are sold out.

And this group of hateful French people actually treats their own people like this!

We strongly demand that China's traditions be upheld.

As a result, a strange phenomenon appeared in the performance hall where Gu Zheng sang at the end.

It's still the Paris Opera, the original theater.

In the audience seats, which were still staggered in the first scene, it turned out to be a crowd of people.

In the words of the official planning director, this is to let the Chinese who come to cultural exchange feel the intimacy of performing in their own country, and perfectly restore the style and characteristics of a theater garden.

After looking at the messy front desk, the audience with their own binoculars, and the standing ticket position that was just a small bench, Gu Zheng felt that if he sold some melon seeds and peanuts in the corridor, he would feel even more.

And this kind of viewing sensation is too new for foreigners who are accustomed to quiet and solemn.

As the promotion director of the French side, he naturally also thought about the impact of different appreciation methods on the audience.

Therefore, after this method of ticket sales was launched, he also specially invited a group of nurseries to be the audience leader of this curtain call.

This is a group of old people who came to France to start a business and settle down in a very early period, and all the traditions that belong to China in their bones have been preserved.

Naturally, it is not only the homeland that makes them dream, but also many things that belong to the motherland, and they all have longing and inexplicable yearning.

So, when they were placed in the front row of this stage, the most suitable position for applause and play.

Hidden in their aging bodies is the divine power called the Flood Desolation...... I started to get excited to try.

And when the leader on the stage, the real Liang Mu Guiyinggu came on the stage, these divine powers exploded uncontrollably.

'Whoa'

"Color!"

"Okay!"

"Reward!!"

The old guy who was just about to take off the jade wrench in his hand and throw it on the stage suddenly found that this was no longer his homeland for eagles and birds.

Ah, the old country, it's time to go back and see.

……

If you die in that hometown where every smile and smile is all drama, and every movement and stillness is love, you really don't have half a regret in your life.

……

I don't know why, looking at it, the old people who were still laughing excitedly and shouting loudly shed uncontrollable tears.

They were like a fish in their throats, unable to cry, and no matter how cheerful and passionate the drum beat, they could not make them smile again.

They hugged their heads and cried, and made the decision they had always dreamed of for the rest of their lives.

Go home, go home, and see what they've been missing for so many years!

To contribute the last bit of meager strength to one's own country, one's own family, one's own clan, and one's own roots.

Go home!

Go home!

This performance about the end of the curtain has become a prelude to the recognition of relatives and homecoming.

And in this kind of scene, a photo that can go straight to the heart...... It was recorded in the hands of the reporters who seized the opportunity.

This photo, called Miss, won the winning prize in the later portrait photography contest, and it was a long time after Gu Zheng and his group returned to China, so let's not talk about it for the time being.

But when the performance officially ended, Gu Zheng and his party were surrounded by a crowd of audiences, expressing their excitement and praise without money, as if they were the guides of each other's hearts, letting them know what they should do most in the remaining years......

For this kind of scenario, the teachers have only one sentence to express.

That is, their cultural exchange this time, as well as the task of touring abroad, have been completed so successfully.

They, on fire in France.

……

Sure enough, when Gu Zheng had to be temporarily separated from the actors of the Grand Theater because of the competition, those Chinese personnel who originally planned to return to China were retained by the French Cultural Exchange Association after being reported by the local media because of this explosive closing performance.

And the reason to retain them is also quite sufficient, cultural promotion.

Accept the invitation of the country's larger promotion platform, the TV station, to be interviewed by the other party, and shoot a related column for this program for popularization and promotion.

Of course, they gladly accepted it, after all, the ultimate goal of their tour is to bring this kind of art drama to different countries, so that more people can feel its true charm.

Correspondingly, the Chinese media responded most quickly.

They changed from a perfunctory report with only a press release at the beginning, but made the most wonderful feedback on the success of this cultural dissemination in the first time.

The official media that came with the group was China.com, and for this purpose it also made a separate column in the cultural section for the successful trip to France.

They crammed into this column the meticulous records of a trainee reporter about the tour, and sent an extremely rich column related to pursuit for the Chinese who knew nothing.

Let more people understand how popular traditional Chinese opera is abroad, which they have never paid attention to.