The excitement of "Dream Eater: Bursting" can be expressed with comics. However, the rest of the other works can't be like this, such as "White Box", "White Box" will appear in the part that colors the original painting, if you use black and white line drawings to paint, people can't intuitively see the changes in the original painting, can't appreciate the charm of it, can only make up for it.

Of course, in this way, you can also use color comics to express xiàn, add one or several colored assistants, He Chen can launch color comics, for He Chen, this is nothing. But in addition to the color, the most important point is the sound - the animation has a sound, the BGM sound, the dubbing sound.

This is something that comics can't show in any way.

Just using pictures and words to make the audience's brains make up is never as profound and real as listening to it with their own ears. Dubbing is a very important part of animation, and it is also a protagonist in this story, if it's just a comic, then everyone can express xiàn, but she can't express xiàn, and she loses the taste of the protagonist.

Another example is "K-On", as a comic, it can only be regarded as average - because the comic has no songs, although "K-on" is "cute" to shock the world, but the songs in this work are its very important plus, which is a point of the anime's complete comics. It can even be said that if there was no animated version of "K-on" and those songs, there would be no future moe overlord "K-on".

Therefore, the remaining works of the "Dream Eater" series ("White Box", "K-On", "LoveLive", "Idol Master") are all animation first, and these projects are planned. Even earlier than the Dream Eater: Burst project - because of these stories. There is growth. Whether it is "K-on" or "Idol Master", if the newcomers enabled by He Chen are trained first and then "play" the newcomers afterwards, even if they can have the master-level Cheng Dù who is familiar with Yi Jingjiao, it is far inferior to the ignorant recording they used when they were newcomers - no matter how they act, it is impossible to be more like a newcomer than a real newcomer.

Therefore, the dubbing of several works began completely from the time when they had not been systematically trained. For example, Shizuka Sakaki in "White Box", she dubbed the voice of the newcomer when she applied for dubbing in the story, which is the true character of the newcomer selected in He Chen's rookie plan when he only went through the initial rough training, and completed this part in the initial stage, and then dubbed the front part in turn after the training, so that it can give people a sense of growth.

The same is true for everything else.

The cost of this is very high, the cost is very high, and the average person will not spend a lot of effort to do such a dispensable thing in order for a work to appear "real". But for Tianman. But it's not difficult - because Tianman has its own university and has excellent talent reserves for them to choose from. There is a mature training system, as well as a large number of works for Tianman's newcomers to practice, if you want to achieve He Chen's goal, Tianman can do it effortlessly.

And this is also Tianman's unique and unique advantage, which is above everyone, and there is no need to be punished by God if there is an advantage, what reason does He Chen have not to make this kind of "perfect" work?

Anime, anime, anime and manga, the two have always been inseparable. A Dream Eater: Burst tells the story of a comic, while a Dream Eater: White Box depicts a group of behind-the-scenes animation practitioners who are almost never noticed.

Since it is also a "Dream Eater" series, the theme of "Dream Eater: White Box" is naturally dreams.

This is a shallow and general theme, but the excellence of "White Box" is that it does not tell the process of chasing dreams - realizing dreams in a single thread, but discusses and promotes the big concept of dreams from multiple aspects in this group drama.

The five protagonists actually represent five very different realistic dreams: Meow Mori is a person who dreams of making zuò animation but has no obvious skills, although he is already engaged in the animation industry but has no clear goals, and often feels lost when he sees that everyone around him has dreams; Ema has a talent and dream of painting, and has indeed become an original artist, but has encountered many practical difficulties in his work, and has been stumbling forward; Shizuka has always been determined to be a voice actor, although he entered the studio but has never been able to debut, but he is still tirelessly walking on the road of chasing his dreams; although Misha is engaged in the 3D production of his dreams, but found that the monotonous and boring work in reality day after day is contrary to the original assumption; before graduating, Xiaolu is the initial beauty, is the most idealized embryonic stage of dreams, and is still excited in front of the door with a vision for the future - although the five heroines hold hands and hold the common tree of dreams, their respective realities are different, representing the different situations that everyone encounters when chasing their dreams in reality.

There are two story lines in "White Box", one bright and one dark: the bright line is the pursuit of each and the common dream of the five members of the high school club, while the dark line is the various beings in the animation world implicated by the production of the two animations of Tianman.

Tianman still advertises himself, and he has no shame in the name of Tianman, obviously a giant in the industry, but in the story, it is just a small company hovering in the middle and lower reaches of the second grade. As the founder, pioneer, and leader of this industry, Tianman itself will not happen to Tianman at all - the system is too complete, even if there is a problem, there are mature emergency remedies. Therefore, Tianman's animation will never have such and such problems. However, Tianman has produced a story that countless small companies have experienced to a greater or lesser extent.

For those small companies who still struggle with dreams in their hearts, the significance and emotion of this work is self-evident to them, although they do not appear in this story, but for them, this work is to describe their story.

On the surface, the story of "White Box" seems to be warm and simple, like an idealized utopia, but it also reflects the reality of the industry. Individuals who each have their own beliefs, and it is difficult for them to simply distinguish between right and wrong values. How to compromise reality and dreams, how to choose ideals and survival, everyone faces similar problems and has different answers.

Compared with young people, those who are slightly more mature, especially those who have just stepped into society, are more touched by this work. (To be continued......)