As he spoke, Hong Si placed a tray on the table, and the two paintings inside were rolled into scrolls, and he slowly spread out the scroll of "A Thousand Miles of Rivers and Mountains", and held up the paintings so that everyone present could see them clearly. Pen Fun Pavilion wWw. ｂiquge。 ｉｎfo

Wang Ximeng is a generation of painters, although he died young, and there are not many paintings handed down, but "A Thousand Miles of Rivers and Mountains" is indeed a rare genuine product.

Wang Ximeng's painting method is combined with the combination of a batch of hemp and axe splitting wrinkles, showing the mechanism of the mountains and rocks and the changes of light and shade are extremely delicate, just like the "Thousand Miles of Rivers and Mountains" in front of him, the scenery is varied, the weather is thousands, and the composition seeks to change in the dense momentum coherently, which is really very ingenious.

No matter in terms of layout artistic conception or fineness of fine brushwork, this "Thousands of Miles of Rivers and Mountains" on the stage can be said to grasp the essence of Wang Ximeng very well, but as long as you know a little about ancient court paintings, you can see that this painting is a fake.

Not to mention whether Hong Si can get the authentic handiwork, just to say that the silk used in this painting is very problematic.

The real "Thousand Miles of Rivers and Mountains" is drawn by the volume, using a kind of Mijia silk made by the Mi family in Jiaxing, Zhejiang, this kind of silk paper is uniform and thick, and is dedicated to court painters.

But the silk paper used in the painting in front of me is of inferior texture at first glance.

Moreover, the ancient silk is very old, and after being framed, it is extremely tough, and the age of this painting is too far from the original, and it should only be a few decades old.

The silk paper is not the most important flaw, and there is another point that anyone with a discerning eye can see the authenticity of the painting.

The authentic handiwork of "A Thousand Miles of Rivers and Mountains" has the inscription of Cai Jing, the minister of power, but there is no one on this painting, so at a glance, although the artistic conception of this painting is magnificent and magnificent, it will always make people feel that something is missing.

When this painting was exhibited, many people showed disappointment, they all said that people with sharp eyes, such a painting could not fool them at all, let alone 30,000, even 3,000 no one wanted.

Hong Si naturally knew that the painting in his hand was a fake, but black market auctions generally did not directly tell buyers the authenticity of the items, and it was up to the buyers to judge whether they were true or false.

Seeing that no one came up to see, he was not annoyed, and after putting down the imitation "A Thousand Miles of Rivers and Mountains" in his hand, he unfolded another painting.

"This painting is connected with the "Thousand Miles of Rivers and Mountains" just now, because I don't know the source, so this painting is just the addition of the "Thousand Miles of Rivers and Mountains", interested friends can come up and take a look, maybe you can pick up a leak. ”

Naturally, Hong Si's words made everyone present scoff and wanted to pick up the leaks in the black market auction, isn't this wishful thinking? With the skills of these people, they will let the buyers take such a big advantage? Basically, no one with a brain will believe Hong Si's nonsense.

Hong Si slowly opened the painting in his hand, and everyone looked at the strange splashed ink painting almost with the mentality of watching a joke.

This painting, like the previous "Thousand Miles of Rivers and Mountains", is also a landscape painting, with a total length of about two meters and a width of more than 60 centimeters, but the things painted on it made Huo Sining's figure freeze instantly, and he couldn't come back to his senses for a long time.

She stared at the scroll in a daze, with doubt, shock, and an indescribable emotion in her eyes.

In the center of the silk silk of this painting, there is a cursive script with the words "Buzhou Mountain", indicating that the name of this painting is called "Buzhou Mountain".

On the other side of the silk paper, among the mountains and mountains, there is a strange cliff canyon, the valley is full of smoke, only a waterfall is seen flowing down thousands of feet, and under the canyon is a long valley, winding and winding without knowing where to go.

What puzzled and shocked Huo Sining was not these scenery, but by the waterfall under the cliff, a Taoist boy stood by the water of Qingtan Pond, bending down as if he was muttering to the water.

In the pool, a young girl hides most of her body in the clear spring, leaving only one head to rest on a black stone next to the clear spring.

But what was surprising was that the lower half of the girl's body, which was soaked in the clear spring, faintly emerged from the spring water, and the part that came out was actually a fishtail, and there were gray-black scales shining on it!

Although this ancient painting is a splashed ink painting, it also uses a technique that can only be used in landscape paintings, but it depicts a picture of gods and monsters.

In fact, in ancient China, some Danqing masters had special habits in addition to painting landscapes, animals and plants, or human figures.

For example, the use of fog concealment to make real fakes, such as the integration of paintings into other objects, there are also some painters who prefer to paint monsters and monsters and rely on their own imagination to paint.

Like the well-known Zhong Kui catching ghosts, a hundred ghosts walking at night, chatting about fasting and having fun, Nezha making trouble in the sea, etc., these gods and monsters have been painted countless times by ancient painters.

The ancients depicted gods and monsters generally based on ancient myths or legendary stories, Buzhou Mountain is the name of the mountain in ancient Han myths and legends, and the painting in front of you should be depicted according to the "Classic of Mountains and Seas".

Because on the left side of the painting, there is obviously a passage: beyond the Northwest Sea, in the corner of the great wilderness, there are mountains that do not match, and the name is not good. This sentence is obviously taken from an excerpt from the "Classic of Mountains and Seas: The Great Wilderness of the West".

It's just strange that this painting has no money, no private seal, except for the three words of the central Buzhou Mountain, there are no superfluous traces, no wonder Hong Si said that this painting does not know the source.

After Huo Sining saw this painting, she had a strong resonance in her heart, especially when she saw the clear pool and waterfall shrouded in disgust in the cliff canyon, which made her instantly think of a strange dream she had a long time ago, and that strong sense of familiarity made her stunned.

Although the source of this "Buzhou Mountain" is unknown, the painting is extremely delicate, whether it is the landscape or the expressions of the characters are extremely vivid, plus the looming mermaid on the painting, adding a bit of mystery to this painting.

Maybe I had never seen such a subtle pattern of gods and monsters, but there were three or two people on stage to check it out.

However, after these people came on stage to see it, they still didn't understand who the painting came from, so they shook their heads and walked off the stage directly.

"Huo girl, are you okay?" seemed to notice that Huo Sining's expression was a little strange, and Qin Lianshan on the side couldn't help but ask with concern.

Huo Sining came back from his apprehension, and the blankness in his eyes gradually dissipated, replaced by curiosity and inevitability for this painting.

"I'm fine, Elder Qin, don't you go up and take a look?" No one on the stage looked at the painting anymore, Huo Sining couldn't help but ask. (To be continued.) )