Green landscapes

After receiving a few snakeskin bags, Yuan Qiuhua looked at it and worried: How can I get it back?

Xiao Lizi's taxi is in the parking lot, and you can drive it back and transport it back. The ghost market is not over, and the car can't drive in, so you have to get it to the side of the road first. The inside of the bag is full of stones, dead heavy, and it is scattered, scattered, and there are edges and corners, piercing hands, it is inconvenient to carry, it is inconvenient to carry, it is inconvenient to hold, and it is inconvenient to carry it on the back, so it can only be carried by two people. Yuan Qiuhua grabbed the corner of the bag, gritted her teeth and pulled it up, walked side by side, just walked a few meters, twisted her shoulders and twisted her feet, she was still struggling, her hand slipped, the bag fell to the ground, and it smashed heavily on the foot of Xiao Lizi, making him scream in pain. Yuan Qiuhua hurriedly bent his knees, squatted down, moved the bag away, and hurriedly took care of himself: I'm sorry, I'm sorry, I didn't mean to.

Before dawn, I couldn't call a small worker. Xiao Lizi sat on the ground, took off his shoes and socks, rubbed his red and swollen instep, and worried: What should I do?

What he meant, before, how did you get it back? Yuan Qiuhua was like a wooden stick, poking straight next to the goods, his face flushed, and he was speechless. There was no one to rely on before, she wouldn't have made so much, didn't you threaten to take care of me? I have to let you open your eyes, gain a long insight, and understand the coldness of real life.

He Pengcheng put the stall away in advance, stepped forward on the tricycle, took out the packing tape, and put the bag on a solid note: one is a delicate son, the other is a weak girl, this kind of rough work is suitable for handing over to me.

He Pengcheng and Xiao Lizi carried the goods onto the tricycle and delivered them to the side of the road.

Xiao Lizi went to the parking lot to drive the taxi over, and Yuan Qiuhua and He Pengcheng looked at the goods in place.

When the car arrives, open the trunk, how do you get into the car?

Yuan Qiuhua didn't speak, hugged his arms, shrunk his neck, pretended to be cold, pretended to be weak, and deliberately didn't take a handle.

Xiao Lizi's bewildered expression was really embarrassing.

He Pengcheng said: I have to load and unload again, it's so troublesome, just send it to my home to save trouble.

When you get to the place, you can see the high-rise buildings, how do you get upstairs?

He Pengcheng and Xiao Lizi carried them to the door, and Yuan Qiuhua opened the door to take a look, but found that Lan Xinyan was not at home. The gilded copper incense burner burns a sandalwood incense, and the cigarette smoke curls and the fragrance is gloomy.

Yuan Qiuhua invited He Pengcheng into the house to drink tea, and used the Yixing purple clay pot to make Longjing fragrant tea.

The living room is near the window, and there is a flat-headed case of the eight immortals carved in mahogany. There are four treasures of the study room on the head, and there is a piece of old ink from all directions obliquely placed on the ancient inkstone with inscriptions, and the red sandalwood carved large pen holder is inserted with a carving knife, the wolf hair, the bamboo flute of the Xiangfei concubine, the ink and jade flute, and some jade ornaments, ivory carvings, chicken blood seals, Tianhuang stamps, and coral snuff bottles. On the left side, there is a jewelry box of Huanghuali Luodian (called Baibao inlay in the Ming and Qing dynasties), jade wrenches, gemstone rings, diamond pins, crystal necklaces, and rare sapphires, cat's eyes, emeralds, the morning sun is reflected on it, it is really antique, dazzling. Under the jewelry box, there is an enamel carved lacquer six-grid plate, which contains white jade, glass, agate, coral, amber, beeswax and other loose beads. On the right is the mahogany "Siku Quanshu" bookcase, surrounded by earrings, headbands, hairpins, rings, bracelets, pendants, bead chains, and necklaces made of white jade and pearl tourmaline.

In front of the case, a red sandalwood carved Taishi chair. There are four large blue and white scrolls in the corner of the wall next to the desk, which are full of hand scrolls with a scroll, calligraphy and painting, which are respectively equipped with Ming Dynasty paintings, Ming Dynasty calligraphy, Qing Dynasty paintings and Qing Dynasty calligraphy.

Xiao Lizi picked up the chicken blood seal, Tian Huang seal, twisted a piece of rice paper, stuffed with eight treasure seal mud, on the paper seal, stamped, each stamped with a Zhu and a white two seals, the big seal seal, Zhu carved is "good as water", white seal is "elephant invisible". Wild and free, the book chases the Qin and Han dynasties, the ancient strength is pine, the thick and simple, and the strength penetrates the back of the paper. He was so excited that his face glowed red, and his glasses flashed with surprise: "You carved this stamp?"

Yuan Qiuhua smiled slightly: Talking about self-entertainment is just a playfulness of pen and ink, and it is not really learned.

After all, He Pengcheng has a thin foundation of poetry and books, staring at the inscription left and right, like a book from heaven, neither knowing the words, nor what to read, let alone what it means. He consulted Mr. Lee.

Xiao Lizi has a kind face, with gold-wire glasses, a bookish air between his eyebrows, and speaks slowly and softly, with a slow and soft tone. He not only answered all questions, told what these words read, what they meant, which dynasty and which person, which article and which paragraph, but also linked the context, the background of the times, and the source of culture, and spoke a meridian unitary, which made Zhen Pengcheng sincerely admire it.

During his explanation, he glanced at Yuan Qiuhua from time to time, his eyes flowed, his love was lingering, and he was tender.

Yuan Qiuhua sat there, holding a clay cup in his hand, Ying Ying smiled, drinking tea with low eyebrows, the corners of his mouth raised, and his cheeks showing two small dimples.

Xiao Lizi coughed lightly, Yuan Qiuhua raised his eyes, looking forward to the brilliance, and the two looked at each other and smiled. He smiled and groaned, raised his eyebrows at her, blinked, shrugged his nose, and pouted, but she was too ashamed to raise her head again, and the roots of her ears were crimson.

He Pengcheng picked up the coral snuff bottle and played with it, about one inch and eight minutes high, with a flat abdomen, oval feet, open on both sides, and two sides of the chisel gilded yang pattern folded lotus pattern. On top is a chiseled gold-plated copper cap, which is gently unscrewed off, and an ivory spoon is attached underneath. He looked at Yuan Qiuhua's workbench, was amazed, touched his head and sighed: Hey, you are a jewelry designer, I thought you were a jeweler.

Xiao Lizi smiled lightly: If you don't open a store, you are a second-class seller. The world is long, the passers-by are in a hurry, and the tide rises and falls. Grievances and grievances, life and death, how many people can see through?

He Pengcheng looked at Lan Xinyan's workshop, a large head case of Zinan inlaid cypress wood carved Ganoderma lucidum, and a mahogany painting box on the table, which was filled with calligraphy and paintings. On the wall are calligraphy, Wei tablet, golden script, seal script, official script, regular script, line script, cursive script, Chinese painting, landscape, people, flowers and birds, bamboo and stone, animals, insects and fish. He exclaimed: Wow, you are still a calligrapher and painter? Oh my God, what a surprise!

Yuan Qiuhua said: This is a shared house, and my roommate is a calligrapher and painter.

Xiao Lizi said: Revolutionary friendship is extremely pure, and it all depends on conscience. Co-living, not cohabitation. Big girl, you really don't understand? The sea is all water. Horses, four-legged.

He Pengcheng said: No wonder.

Yuan Qiuhua said: Huh, what do you see? Tell me about it!

Xiao Lizi selected a few paintings from the mahogany painting box, untied the ribbon, picked them up with a painting fork, hung them on the wall, and calmly looked at them slowly, pondering them repeatedly. With his many years of experience in identifying calligraphy and painting, he looks at the charm of the brush and ink, the artistic conception style, the inscription seal, the paper color and silk, and then distinguishes the collection seal and the collector's inscription. When you're done, take it off and roll it up again, and gently put it back in place. Then, he picked up a few more volumes of calligraphy, looked at them carefully, first to see that they were "knotted with a pen and cared for spiritually", and then to see that "people are ingenious and really artificial", and then to the inscription, seals, paper, and ink, confirming that they are all genuine.

He Pengcheng said: I heard that when the ancients painted, the ink and color were all deployed on the spot, and the brushes and silk paper used were also from the hands of exclusive papermakers, so it can be said that the ink color, the thickness of the silk paper, and the depth of the pigment are all unique, similar to human fingerprints.

Xiao Lizi said: Lofty ambitions, good and great, too public, seems to be showing off, there is poetry and calligraphy in the belly, and it is a real celebrity and self-style!

Yuan Qiuhua said: The ancients painted porcelain, burned blue, and used color, all of which were deployed on the spot, have you heard of it?

He Pengcheng said: The pigments for color matching, grinding by themselves, matching by themselves, not buying them on the market, and the exclusive formula must be different, that is, "it can't be imitated or faked".

Xiao Lizi said: Antiques are toys for adults, not only to "play with treasures", but also to "play with taste". The premise of the collection is to know the ancients, and to know the ancients is to learn the knowledge of history, culture and identification, and the research results, appreciation theories, and lessons of the predecessors can be "used by me" through reading and learning.

Yuan Qiuhua said: The source of color in ancient Chinese paintings, such as the green and green in the green landscape paintings, contains the green and green. Green, from the limestone, now we call it azurite, green, from the lime green, that is, malachite, red, from cinnabar, and the flame agate, the blue of the blue sky, these gold and stone colors, all from the gemstones, they are ground into powder, and it has become the pigment of our Chinese painting. And the best ones are used to make paints, and the inferior ones are used to make ornaments.

Xiao Lizi said: Before the end of the Ming Dynasty, pigments were not widely produced and sold, so most of the pigments used by ancient calligraphers and painters were refined by their own "small handmade workshops". First, we must personally go to the mine-producing area to select raw materials; second, we must manually classify the selected ores, and then we will continue to crush, wash and remove impurities; third, we must grind them into powder, which will take more than half a month to grind alone. "Color-making" has become a unique technique of ancient painters, crushing these precious gems and painting them on paper, not a family collection, not a sale, I am afraid that only those calligraphy and painting madmen are willing to give it.

He Pengcheng said: Most people can't imagine that in ancient times, how did the ancestors obtain colors?

Yuan Qiuhua said: cyan, there is also a kind of lapis lazuli, originated from Afghanistan, where the quality of lapis lazuli is the best, so the lapis lazuli grinding out of this blue, used in Chinese painting, used in porcelain painting, used in cloisonne, spread all over the country, Europe, China, the whole world is fascinated by this blue.

Xiao Lizi said: The traditional Chinese painting pigments first have mineral pigments (the color of gold and stone), and then there are plant pigments (the color of plants and trees). Just like using ink, there is pine smoke first, and then oil smoke.

Ochre Pengcheng said: If the forgery of ancient calligraphy and painting is mixed with modern chemical synthetic colors, will it not reveal the horse's feet once it is tested? It can be seen that no matter how well the fakes are made, they will also leave traces!

Yuan Qiuhua said: The pigments used in Chinese painting are divided into two categories: gold and stone color and plant color. The gold and stone color is developed from minerals, such as limestone, stone green, cinnabar, realgar, clam powder, ochre, stone yellow, * mud gold, mud silver, titanium dioxide, etc. It is powdered, and peach gum or bone glue must be added when used. Plant colors include garcinia cambogia (poisonous), cyan, rouge, eosin (chemical synthesis), etc. Soak it in water for a while. The stone color is heavy, the covering power is strong, and the plant color is thin and transparent, and it is easy to mix.

Xiao Lizi said: In addition, there are also materials such as wood charcoal and silk that are burned by fire, and their ashes are ground and processed into black powdery pigments with different gray and black degrees.

Yuan Qiuhua said: The ancient method of using color, the "knowledge points" are all broken and crumpled, and I am afraid that it is really impossible to finish it in three days and three nights. The distinctive characteristics of mineral pigments are that they are naturally beautiful, not easy to fade, and bright in color. Most of the people who have seen Zhang Daqian's splash paintings in his later years have this impression, and the large area of stone blue, stone green, and cinnabar makes people feel refreshed!

He Pengcheng said: Why should others look down on me, isn't it because I have neither power nor money? Now I understand that even if I have the power and money, I am still looked down upon by the masters because I have no education! We are just small businessmen, and we cannot appreciate the wisdom of the ancients and the profundity of traditional culture, which really makes me ashamed!

Yuan Qiuhua said: Some collectors think that they are celebrities, feel that they are powerful, rich, conceited and arrogant, but they do not know the depth of antiques, they look down on antique dealers, and they still buy a room of fake antiques when they invest millions of yuan. The reason for being deceived is nothing more than that they regard antiques as too worldly, say that "knowledge is useless," disdain antiques, and still want to make a lot of money by buying and selling them? Just like the saying goes, "taking the land lord is not a fairy", and if he is wrong, he is not allowed to refute it by others, and he will not fall into the pit, so it is strange.

Xiao Lizi's eyes radiated a little star of love: You buy so many lapis lazuli, malachite, turquoise, and all kinds of agate, I am still curious, how to sell it?

Yuan Qiuhua rolled his eyes: What's the matter? Do you plan to let me absorb the essence of the sun and the moon, absorb the aura of heaven and earth, and then become a goblin?

Xiao Lizi said: You can transfer this hard business to others and be the boss behind the scenes. I'm tired of being a porter today!

Yuan Qiuhua said: A merchant loan from a bank, even if it is an antique mortgage, not only is the valuation difficult to accurate, but the procedures are also very complicated, I have long wanted to open a pawn shop, I am afraid that one person will not be able to hold on.

Xiao Lizi said seriously: What are you afraid of? And I have a back, isn't it?

Yuan Qiuhua said: You are the owner, but you are short of an old courtier in the antique world "pentathlon"?

He Pengcheng said: Calligraphy and painting, porcelain, bronze, we don't understand, the congenital cultivation is insufficient, so we can only look up to the mountains. Zhuyu, miscellaneous identification eyesight, we can learn and practice at the same time, ensure quality and quantity, ensure the completion of the task, think about it!

Yuan Qiuhua said: Okay, wait for my news. But I don't accept apprentices, I want to be a small shopkeeper, but I still have to test, first pass the three levels and then say, one precept is self-righteous, what you don't want, don't do to others, accumulate virtue and do good, two have self-knowledge, not arrogant or impatient, humble and easy-going, three precepts greedy for fame and profit, mighty and unyielding, rich and not evil.

Xiao Lizi said: The lake and mountains can be called beautiful scenery, the delicacies of the mountains and seas are called food, the bright eyes and bright teeth are called beauty, Huang Zhongdalu is called Meiyin, the ancients are not fools!

He Pengcheng said: Thank you for giving me the opportunity!

Xiao Lizi said: No need to thank anyone, make the impossible possible, life has always relied on yourself to fulfill yourself!

Yuan Qiuhua said: I am good at seal carving, seal management, and I will turn to calligraphy and painting in the future. The business of the color of gold and stone, the inspection and delivery of customized jewelry, will be handed over to you, running the trick, hard work!

He Pengcheng hurriedly bowed to Mr. Li and said, "Thank you!

Yuan Qiuhua said: Flattery and patting horses are so useful, Mr. Li!

Xiao Lizi said: Raise your husband, give her husband face, wronged, Ms. Yuan!