When "Titanic" was drawn, the global box office had reached more than 27 billion, which was extremely amazing, and once again set a new record for Guo Dalu's movie box office.

It once again caused a global sensation, and the topic of Guo Dalu in the media, about the movie "Titanic", has not been interrupted from the beginning of filming to the present, and everyone is amazed by Guo Dalu's amazing shooting ability, as well as the amazing box office of this movie.

Even the Mexican people who have been offended by him have commented on the Internet: "Although Guo is an extremely despicable guy, his movies are undoubtedly good." I hate Guo Dalu, but I love his movies!"

After the film was painted, Guo Dalu earned no less than 3 billion yuan in income, making a lot of money, and countless domestic filmmakers were envious again.

But when many people started to carnival, Guo Dalu no longer paid attention to these things in the film and television industry, Wang Xiaolu gave birth again, it turned out to be twins, or dragon and phoenix fetuses, Guo Kaishan and Wang Shiquan were not happy, Guo Dalu was also very happy.

This is his fourth child, and in a country like Huaxia, which pays attention to many sons and many blessings, the family is happy.

It's just that after Wang Xiaolu gave birth to a child, she argued that she would not regenerate in the future, as a mother, she really felt too guilty.

The four children in the family all have to be brought by her, although Guo Kaishan and Wang Shiquan share a lot of burdens, but they still feel very tired.

Guo Dalu also knew that his wife was suffering, and the two discussed it, and decided that they would no longer have children in the future, three sons and one daughter, enough for two people to be busy.

In order to take care of his children, Guo Dalu has no intention of getting involved in the entertainment industry, but as an international director, he usually does not produce a work for a few years, and once a work is released, it must be a masterpiece.

The majority of fans actually agree with this kind of big director's approach, so although Guo Dalu temporarily withdrew from the entertainment industry, except for a limited number of high-level executives such as Ma Cheng, no one in the outside world knows about it at all.

After all, it's normal for a great director not to produce a work for a few years.

However, people in the film and television industry are easy to deal with, but readers in the industry are not very easy to explain.

At this time, it is not yet time for Guo Dalu to announce the closure of the pen, and for readers who are accustomed to Guo Dalu's high-output works, Guo Dalu has not had any new works for a year or two, which is simply unbearable.

Therefore, he urged Guo Dalu to change, urging the people who opened the new book to shout, and then Guo Dalu pushed out the book "Smiling Proud Jianghu". When the physical book began to go on sale, it exceeded 300,000 copies on the first day.

When the book was finished by readers, Guo Dalu turned into a big troll and began to spray the entire Chinese literary scholars, saying that they were not farts, and they didn't even have basic literary background and literacy.

Especially some literati who claim to be masters are not bullshit.

A set of programs in Huaxia has set up a program called the Hundred Lectures, and the invited guests are some about history, some about literature, some about collections, and some about art and painting, and these people are basically all sprayed by Guo Dalu.

Especially a group of people who talk about history and literature were scolded by Guo Dalu for being incomplete.

"A guy who is not as good as a piece of still dares to talk about history and literature? Who gave you such courage? In today's Huaxia, don't say any masters, even if you find out a few people who can break sentences in ancient Chinese! What kind of master? What about the ghosts, then you!"

The so-called experts and professors in these hundreds of forums are, in Guo Dalu's view, really bullshit.

What everyone is explaining is not the professional knowledge they have learned.

For example, a woman who talks about the Analects of Confucius, she is just a teacher, she has neither studied the Four Books and the Five Classics, nor has she done a detailed understanding of ancient Confucianism, she will say some correct nonsense, and it is full of loopholes, and she does not understand some allusions and words at all, which is far-fetched and makes people laugh out of their big teeth.

There is also a man who speaks literature, his job is a professor at a university, and his major is ancient Chinese, not literary studies.

There are many people like this, basically eight out of ten people who come to power are laymen, and these laymen are crowned with the title of masters, Guo Dalu naturally can't bear it.

A group of people who are really immersed in research are too lazy to give speeches at all, because doing knowledge itself is a very boring thing, and it is extremely difficult to explain knowledge, and some knowledge is difficult to popularize, and it is only suitable for a few people to study, and it is not popular at all.

Not to mention anything else, just talking about the "Analects", just such a book is still controversial, whether it is true or false, whether it is the book of that dynasty, and whether these quotations that have been passed down to the present day are what Confucius said back then? Or is it not the record of his disciples at the beginning.

After thousands of years of Chinese history, the "Analects" that have been handed down today is still not the original "Analects", and are Confucius's original ideas the ideas that everyone recognizes today? When was this book compiled? Have the rulers of all dynasties and Confucian children made additions or deletions? Can some sentences stand up to scrutiny?

This series of questions requires the argumentation and research of researchers, and some places are still doubtful.

But some people dare to say it when they get it in their hands, and they still say that the head is the Tao, and they dare to talk nonsense without even knowing the source and truth of this book.

It's hard for others to be so thick-skinned, and they dare to talk about their reading experience on TV, which is really fearless for the ignorant.

Guo Dalu scolded these people, and they couldn't get off the stage directly, and the program of the Hundred Pulpits, after seven episodes, couldn't be held, because no one dared to give a speech on stage, and everyone was afraid of Guo Dalu, an old troll.

But some people refuted Guo Dalu on the Internet, saying that he doesn't have a backache when he stands and talks, and he has the ability to come to the stage to talk about it himself, you say that people can't do it, you come!

Guo Dalu was waiting for this sentence, and immediately issued his voice on his personal Weibo: "Lao Tzu is too lazy to talk about this bullshit knowledge, because you can't understand it, let alone listen to it! Doing knowledge is a very boring thing, and you need to concentrate on research. Well, now I'm starting to write in classical Chinese, aren't you experts and scholars awesome, okay, see if you can give me a broken sentence. If you can't even break the most basic sentences, then die!"

Then Guo Dalu published "Strange Tales from Liaozhai".

He is very bad, every time he publishes a story, he @ some Weibo accounts that claim to be literary scholars on the Internet, and ask them to break sentences for their articles, but he didn't let go of any guy who claimed to be a literary master.

This time, a group of so-called experts and scholars are very embarrassed, this kind of pure classical Chinese without punctuation, if you want to make clear sentences, you don't have a deep foundation in Chinese studies, and you may not be able to break it clearly.

Whether a person has the most basic cultural literacy can be found by trying these words.

Guo Dalu's ghost stories have not even been published yet, and many so-called literary masters have taken the initiative to cancel their titles on Weibo, and some even deleted their Weibo accounts directly, not daring to jump from the Internet anymore.

In this impetuous era, there are really not many people who really have literary literacy and heritage.