Yang Ming's appearance method also made everyone's eyes shine.

Under the attention of the public, a piano slowly rose in the center of the stage, and Yang Ming sat in front of the piano, smiling at the audience.

At this moment, whether it was at the scene or in front of the TV screen, Yang Ming immediately became the focus of everyone's eyes.

This way of appearing is really too stylish, isn't it?

It seems that everyone in front of him has simply become the existence of Yang Ming, which seems to be a bit too high-profile!!

Many people turned their heads to see something from Minister Guo's face, but Minister Guo was still as calm as before, and the only change was a little more danger.

And Yuki Matsukawa in the guest seat had a gloomy face, he really didn't expect Yang Ming to appear in this way.

However, his face instantly returned to normal, and a sneer appeared at the corner of his mouth, everything still depends on strength to speak, it is easy to be high-profile, but if you want to come down at that time, it will be difficult.

Keiyou Oki, who saw this scene backstage, didn't care about Yang Ming's way of appearance.

His eyes were full of suspicion, and his eyes were fixed on the piano on the screen?

The name of the song is "East Wind Breaking", which is definitely going to the Chinese style, but how could the other party choose piano accompaniment? Even if the piano is used, there is no need to interpret it yourself, right?

However, at this time, the picture on the TV screen was repeated, the camera switched, and I saw that not far from Yang Ming, Zheng Mengsheng was sitting there with the company's band.

Dulcimer, pipa, erhu, drum kit.

What the hell is this?

Kei's brows furrowed tightly, things merged?

In this regard, he felt that Yang Ming was simply messing around, if it was pop music, he wouldn't mind the other party doing this, but he guessed that the other party's song was likely to be a Chinese-style work, and the soundtrack would be made into this non-foreign style, he even wanted to rush to Yang Ming and ask him, will you engage in Chinese style?

In order to perfect the various elements of Chinese style, he did not hesitate to add a lot of Chinese folk instruments to his music, but even so, he still felt that there were too few.

But he really didn't expect that Yang Ming not only used a few Chinese national instruments, but also used piano accompaniment.

In an instant, he thought that this Chinese genius was sensationalizing and regarded this stage as his own concert.

However, a moment later, when the music slowly started, Keiyou's expression suddenly changed, and he looked at the TV screen with an incredulous expression.

There was only one thought in his heart.

How can it be?

The gentle piano playing, the intoxicating pipa and erhu accompaniment, are entangled, as if there is an immediate chemical reaction, making people feel as if they are in Meiyushui Township, looking at the lights of thousands of homes, and imagining.

The prelude of the song is an antique minor tune, smooth and slow, as if telling the heart, there is no high emotion, there is no high-pitched excitement, it is the kind of melody that slowly soaks people's hearts and touches the heart.

When Yang Ming closed his eyes slightly, playing the piano and the piano at the same time, the entire National Center for the Performing Arts seemed to stand still in time, and everyone seemed to be pointed, opening their mouths to look at the young man in front of him who was shrouded in bright lights in the center of the stage.

A light of sorrow, standing alone in the window;

I'm behind the door, pretending you're not gone;

If the old land is revisited, the full moon is more lonely;

The candle flame in the middle of the night couldn't bear to scold me.

A pot of wandering, wandering the world is difficult to enter the throat,

After you leave, the wine is warm and reminiscent of being thin,

The water flows eastward, how to steal time,

The flowers ripen once they bloom, but I miss them

The pipa music in the accompaniment seems to linger in time and space, as if it is accompaniment, and it seems to be crying.

Yang Ming's low-chanting, antique, and poetic lyrics are like a wisp of clear spring injected into everyone's hearts, plucking the melancholy strings.

The antique minor tune style, supplemented by the integration of piano, erhu and pipa, makes it easy for people to enter the world and reverie of Tang and Song poems.

At this moment, whether it is at the scene or in front of the TV, the audience who hears this song "East Wind Breaks" seems to see the same scene.

In the endless helplessness of parting with sorrow and hatred, on the ancient road of barren smoke, came a poet wearing a robe and a horse coat with a thin and melancholy face. He was in front of an old desk, holding the slender hand of a woman in a floral cheongsam.

Perhaps, it's not about love, it's a wanderer's wandering feelings, melancholy, and wanting to seize the passing time!

Perhaps, because of this graceful song, everyone evokes a trace of melancholy in their hearts, which is not the same, but the word sorrow will not change!

Time passes, I miss too much, I can't catch it, and I can't steal it if I want to. Maybe the people who used to be have forgotten themselves a long time ago, maybe they didn't even remember their contact information.

At this time, Yang Ming used a song "East Wind Breaking" to arouse the infinite sorrow in everyone's hearts.

The media reporters, guests, friends, and celebrities in the audience couldn't help but show unbelievable expressions on their faces, and the expressions on their faces were not quite the same.

At this time, a large number of domestic media reporters who came to attend the party today, staring intently at the stage of their colleagues, like a volcanic eruption in their hearts, surging, suppressed for three years of grievances, all released at this moment.

What is a classic, this is!

What is the Chinese style, this is it!

The person who can sing the charm of China's 5,000 history and culture can only be Chinese, and can only be Chinese!

How could such a supreme glory be attained by a citizen of the lower kingdom?

The media reporters present today, perhaps like ordinary reporters, will dig out their hearts and minds to wipe out those celebrities who are beautiful in front of them and expose their true colors, but it cannot be denied that they also have Chinese blood flowing in them.

No one wants the glory of their own nation to be usurped by a descendant, and these media reporters are no exception.

Not long ago, they also lamented that this year's cultural and artistic exchange party had allowed a singer from the lower country to dominate the competition, even if they were uncrowned kings, they felt that their faces were gloomy, no matter how they embellished them with words, they couldn't hide the facts.

Just when these media reporters were racking their brains in frustration and how to write press releases, Yang Ming, who was not expected by everyone, suddenly came out, illuminating the entire theater, attracting everyone's attention, and at the same time giving them a big surprise for these reporters.

All media reporters have the same idea in their hearts at this moment, Yang Ming is the hero of the Chinese music scene tonight!!

No amount of praise or praise is enough to describe the excitement and excitement in the hearts of media reporters at this moment.

In the guest seat, other Chinese celebrities also had the same thoughts, and they couldn't help but breathe a sigh of relief, they really didn't expect that in the end, a young man who had been neglected by everyone before saved the face of the Chinese music scene.

I really didn't expect this Yang Ming not only to make such a good movie, but also to break the global box office record, and also have such an outstanding talent in music.

Shadow and song are amazing!

Such an amazing genius, throughout the history of the Chinese entertainment industry, is definitely a unique one.

The guests of other countries in East Asia that are Chinese are almost the same as the domestic celebrities, everyone is of the same origin, although it is now a different country, but the discerning people know that it is only a formal difference, in fact, in reality, whether it is economic or social, these Chinese countries are basically no different from the Chinese mainland.

To be able to see that there are such talented young people in China who stand up to defeat Japanese singers, they are also related!

Compared with the surprise and happiness of the Chinese side, the feeling of everyone in the Japanese delegation is not so good.

Matsukawa Yuki's face was even more gloomy as water, if it wasn't for the fact that it was a fair occasion, he would have been eager to smash his side again, and then yell a few times, how could it be?

originally thought that it was already a victory in hand, and the ironclad thing was reversed at the last moment.

In a short period of time, he fell from the peak to the ice at once, such a huge drop, no matter how much Yuki Matsukawa comforted himself in his heart, he couldn't let go of the depression and pain in his heart.

Thinking of this, he couldn't help but turn his head and secretly look at Minister Guo who was not far in front of him.

Seeing the calm smile on the other party's face, he realized that the daring lover had long known that as long as Yang Ming appeared, he would inevitably have an amazing song.

No wonder from beginning to end, this senior executive of the Chinese Ministry of Culture has always been so calm and calm.

That's the chance to win!

At this time, Yuki Matsukawa's heart suddenly gave birth to the feeling that he was like a clown.

He looked at Minister Guo with complicated eyes, and then at the young man sitting in front of the piano on the stage in front of him.

It's a demon genius.

The Japanese are depressed and depressed, the North Korean delegation is better, they didn't expect to get today's best, in addition to China, Japan's Oki Keiyou is like a mountain blocking the road in front of everyone, difficult to cross.

But all the singers of the North Korean delegation were more surprised, and it was not Zhang Jianbai, who was expected by everyone, who defeated Keiyou Ohki, but a young man who was known as a genius in China.

I really didn't expect this guy to not only make the movie so well, but also have such a bewitching talent in music.

Jin Zijie was also looking at the TV screen with an amazed face in the background, he didn't expect that someone would really conquer all the audience with a song full of the unique charm of Chinese culture.

I didn't expect that there would really be someone who could overpower Kei Ohki's right in the Chinese style.

Even, this is the real Chinese style.

Who is playing with the lute, a song of the east wind breaking,

The years peeled off on the wall to see when I was a child,

I still remember when we were all very young,

And now the sound of the piano is faint, I am waiting for you have not heard,

Who's playing a song with the pipa to break the east wind,

Maple leaves stain the story, I can see through the ending,

I'll lead you through the ancient road outside the fence,

In the years of barren smoke and grass, even the breakup was very silent.

The ancient rhyme of the lyrics, the retro style of the music, the arrangement of the pipa, the erhu and the piano with the ancient instruments, and Yang Ming's low chant sent the soul of the listener to the world of Tang and Song poetry.

"It's hard to say goodbye when we meet, and the east wind is powerless. ”

"Xiaolou had another east wind last night, so the country can't afford to look back at the moonlight. ”

Many audiences with relatively high literary literacy, when they heard this song "East Wind Breaking", they not only thought of similar poems.

The powerless and sad east wind blew the literary complexes in the hearts of many intellectuals, and they couldn't wait to take advantage of the emotions brought by the songs at this time to recite one or two ancient poems to show their nobility.

Yang Ming's "East Wind Breaking" is too much in line with the tastes of these literati.

Or to paraphrase a proverb, it is a dish specially prepared for their group of people.

However, some professionals in the music world, while indulging in Yang Ming's singing, are also thinking about the significance of this young man's creation of this "East Wind Breaking" to the local music scene.

Although no one has had a clear definition of the so-called Chinese style before.

Even though Keiyou Oki has made certain achievements in this regard, it is not recognized by the Chinese music scene.

In addition to the dignity factor of the pride of a great country, the Chinese-style songs composed by Keiyou Oki and represented by "Jiang Yue" have indeed not reached the point where everyone is convinced.

But at this moment, as soon as the song "Dongfeng Breaking" sung by Yang Ming appeared, many professionals in the music industry realized that this is the real Chinese style.

From ancient poems to songs, let ancient poems and modern pop music be integrated, breaking the current model of separating new poems and lyrics.

Yang Ming uses his outstanding talent, the lyrics alternate between ancient and modern, and there is a sense of time and space, "Dongfeng Break" is a new term that represents this song.

This is the Chinese style.

If it is only from the surface, that is, adding some ancient Chinese allusions to the song as the creative background, and singing the classical taste with modern music, it is the Chinese style.

But if it's just that simple, then Damu Keiyou will not be recognized by everyone for his status in Huaxiafeng.

Even if Keiyou Oki has added a lot of Chinese folk instruments to today's "Moon Shadow", it does not make people feel dazzling and amazing.

But Yang Ming did it.

It can be said that the Chinese style of Keiyou-Oh is just a form rather than a god-likeness.

Yang Ming's song "East Wind Breaks", although he expressed a subtle euphemism and a touch of sadness in his lazy and gentle singing voice on the stage, in terms of singing skills, he did not surpass Oki Keiyou.

But the song itself surpasses "Moon Shadow" too much.

Although "Moon Shadow" itself has traces of Chinese style, it is still lingering outside the door, but "East Wind Breaking" is different, this song has pushed open the door of Chinese style and told everyone that this is the real Chinese style.

The style of music is biased towards traditional oriental performances, and some oriental instruments are added, and the tone of the song is tactful and looping, which has a traditional oriental beauty.

All professionals in the music industry, when they hear this song, can't help but think of ancient Chinese music, the main theme of "palace tune".

The pentatonic pattern is a unique national tone in China. The names of the five tones are: Gong, Shang, Jiao, Zheng, and Yu.

"East Wind Breaking" is a good blend of ancient Chinese music styles in this regard, and "Moon Shadow" is too far behind in this regard, not that you use many Chinese folk instruments in the soundtrack and accompaniment, that is, Chinese style.

The lyrics with the color of traditional Chinese ancient poetry, taking the route of five-tone palace tune, with the Chinese classical mournful and graceful style, lazy and gentle singing, and intoxicating pipa and erhu accompaniment.

Yang Ming used a melodious and elegant song, as if he was composing a beautiful landscape painting, raising a long wind that secretly went east, and in the wind painting, the sad and secluded "East Wind Breaking" told the world - this is the real Chinese style!