Chapter 60
The atmosphere of the scene was relaxed, and everyone originally thought it was funny, but after seeing Su Huai holding the pen, the whole atmosphere changed, and they all unconsciously felt that there was laughter at this time, which was a little indecent, and the huge live broadcast room was quiet. Pen & Fun & Pavilion www.biquge.info
The director in the studio also noticed the change in the atmosphere, and hurriedly shouted: "Hurry up~ Follow his pen, and the camera will be pushed up for a close-up." ”
I saw Su Huai's slender fingers holding the brush, naturally relaxed, the palm was stretched out and bundled, the wrist remained straight, the thumb was upturned against the barrel, the middle finger was hooked, and the pen holding posture was completely different from the clumsy pinch of the pen by other painters, which was both elegant and chic.
Many female viewers, seeing the graceful bearing of the handsome Su Huai holding a pen, their hearts pounded, leaving an indelible impression in their minds......
The eyes can no longer be separated from him......
I only saw Su Huai using his slender fingers to control the brush, drawing lines with the tip of the hair at a slight inclination on the paper, turning the pen barrel, and then adjusting the pen at any time as he draws, and all kinds of lines will change in a thousand ways......
It's just that the lines drawn by everyone in his peculiar painting method are very strange, they don't look like any shape at all, and they can't see what they draw at all.
"What kind of painting is this, it looks weird, I can't see what it looks like at all. ”
"This "Spring Tree and Autumn Frost Picture"...... There must be mountains, trees, right? Where is this like a mountain, where are the trees?"
"I don't know what he's drawing. ”
Suddenly!
Everyone saw that on the big screen, the ink flowed slowly from the tip of Su Huai's pen, and it magically contained the spine and blood of the mountain range, and then the tip of the pen turned and dragged, and the mountain peaks and peaks were gradually revealed.
Just looking at the first few strokes, the audience only felt novel, but Professor Shen and Yokokawa were like being struck by lightning, and their eyes suddenly widened with an expression of disbelief, as if they had seen the most unlikely thing in the world.
And Su Huai did not pause at all, his wrist turned lightly, and the ink on the tip of the pen flowed and turned, one point was a slope, one was a platform, and a hair and hair magically transformed into trees and grasses, and the ink and ink breathed between them, and they turned into clouds and gas.
This magical scene made everyone's eyes look straight, and the same word appeared in their hearts at this moment - "wonderful pen and flower".
And then with the spread of the ink and water, not only the streams and streams, the houses and huts melt out, but what is more amazing is that you don't feel that this painting with only white paper and black ink is more monotonous and stereotyped, everyone sees the black ink flowing, and there is wisdom and spirituality on the snow-white painting paper.
You can clearly see that it is a landscape, but you can clearly feel its fresh vitality, as if he is flowing, growing, and diffuse...... On that small piece of paper, with the speed of the lines, the ink color fluctuated as if it was rumbling and trembling, making a loud noise, giving people a huge sense of majesty.
Professor Shen and Yokokawa had already opened their mouths wide and walked over to Su Huai's side, looking at the drawing paper carefully.
"What kind of trick is this!?" Professor Shen exclaimed.
"It's called the Dharma. Su Huaiti explained: "There are five kinds of methods, one of which I use is specifically for drawing mountains and rocks, you look carefully at the tip of my pen." ”
And Yokokawa's eyes widened even more, his pupils trembled, and the shock in his heart was indescribable.
The audience in front of the TV watched the two professors pass, and their brains couldn't react, could this Su Huai really know how to paint in ink?
As Su Huai put down more and more brushes, everyone found that they could feel the magic of this ink painting, and the towering mountain had gradually taken shape, even if people who didn't know how to paint could feel the majesty of this majestic mountain.
Obviously just looking at a plane, you stand in front of him, but you can clearly feel the huge gravitational force and potential energy accumulated in the mountain.
Da Wu Xiao Wu walked over and looked dumbfounded, Da Wu exclaimed repeatedly: "Why can this mountain give people such a thick sense of coercion......
Professor Shen said in a trembling voice: "Can't you see it, the structure of this picture is very profound, the upper part is the mountain, the middle is the tree, and the lower is the people, and the greatness of this momentum is all created by the little 'person' in the lower corner." ”
Su Huai's composition was really an eye-opener for Professor Shen, it turned out that the vastness of this world was not based on the simple scenery, but on the most inconspicuous person......
"But this doesn't conform to the principle of perspective at all......" Xiao Wu didn't understand why Su Huai dared to draw like this.
Professor Shen suddenly realized, shook his head and said hatefully: "Wrong! Wrong! We are all wrong! It should not be colored at all, the biggest feature of this ink painting is that it flows and jumps, and the ink is impermanent, so it can be changed into all things, it is a charm of the imperial brush, and it does not need to be similar at all! It does not need to be like~!"
Su Huai's painting method gave Professor Shen, who had been immersed in the study of "ink painting" for many years, a blow to him, making him realize that all his direction and efforts were in vain, and at the same time, it brought him to an unprecedented field.
Ukiyo-e and oil painting both use bright colors to depict the shape of things, and try to make the shape as similar, but ink is like a stream of clear water, with black tones, on the white rice paper like a fairy natural and flexible flow, it will produce an extremely comfortable, refreshing, natural and extreme beauty.
This amazing thing in front of him really made Professor Shen sad and happy.
He looked at Su Huai, and saw that the same ink was used in the tip of his pen, but it turned into mountains and rocks, and at one time it was born at a dangerous peak, and at another it conjured up a forest of grass and trees.
Su Huai's pen nib uses a variety of never-before-seen brushstrokes, obviously using the same color, but can magically outline the flow of clouds, water, streams, people, completely different things in heaven and earth.
While other schools of painting all depict the types of all things in heaven and earth, Su Huai's paintings clearly show the spirit and momentum of all things in heaven and earth......
The spaciousness, the majesty, and the magnificence have gone far beyond the boundaries of this small canvas and led people into another realm.
It belongs to the primordial beginning, the magnificence of the opening of the world, the vast boundary......
In the amazement and intoxication of the people, Su Huai had already finished the last stroke, and after the momentum was closed, people only felt that thousands of mountains and rivers were all returned to the small brush, and put the pen back into the pen holder...... It is only then that people's minds return to real space.
Everyone's first reaction was to look at the time on the big screen, how much time did Su Huai spend painting this "Spring Tree and Autumn Frost Picture", was it within a quarter of an hour?
At first glance, I suddenly opened my mouth wide, and it only took 11 minutes...!?