Chapter 662: The Design of the Cemetery

Although there is a solution to the problem of feng shui in the cemetery, it is not just a matter of just piling up a hill to make up a feng shui pattern of five dragons holding saints.

First of all, it takes too much manpower and material resources to make a hill, if it is just a man-made hill, it is a bit worth the loss, and it does not show his level.

The second is the location of this artificial hill, and the choice of location will also be related to the design of his follow-up plan.

Su Leqing looked thoughtfully at the drawings on the table, if you want to make the subsequent design more eye-catching, then this artificial hill must be in the center of the other four hills, so that there will be a sense of symmetry and coordination.

The stone Buddha can be placed on top of the artificial hill in the middle of the four hills, synergizing with the four directions.

But such a plan is too ordinary! Su Leqing shook his head and thought in his heart.

With such a plan, even he can't pass this level himself, let alone Zang Long's level.

"Even Zang Long knows to put the stone Buddha on the top of the hill, if I design it like this, doesn't it seem mediocre?" Su Leqing muttered to himself.

Su Leqing thought about it carefully, if he wanted to be unexpected and want Zang Long to think that his plan was amazing, then he couldn't follow Zang Long's idea, he had to do the opposite.

"The ...... the opposite"

Su Leqing thought for a moment, and his eyes suddenly lit up.

Since it is to be done the other way around, then this stone Buddha should not be placed on the top of a hill, but on the ground.

Thinking of this, Su Leqing hurriedly took out a sketchbook and quickly sketched a Buddha statue on the sketchbook, and then Su Leqing drew two diagonal lines on both sides of the Buddha statue, which was the slope of the hill.

This is exactly the plan designed by Su Leqing.

Since placing the Buddha statue on the top of the hill is a little mediocre and vulgar, he puts the Buddha statue in the belly of the mountain.

The whole hill is built like a crater, and inside the crater is a fifteen-meter-high stone Buddha, with the Buddha's head half exposed outside, and under the hill, a passage into the belly of the mountain is built.

In this way, when entering the passage, you can only see the feet of the stone Buddha, as you go deeper and deeper, the body of the stone Buddha will slowly appear in front of you, and finally enter the belly of the mountain, the front of you is wide, from the bottom up, the huge Buddha statue and the blue sea and blue sky outside are imprinted into the eye.

This kind of plan is very easy to understand, there is a word called sitting in the well and watching the sky, which is a bit similar to the plan designed by Su Leqing.

The whole mountain belly is like a cone-shaped well, and there is a huge Buddha statue in the well, the Buddha statue just exposes half of the head outside the well, and at this time there is a passage at the bottom of the well, come in from the passage side, at the beginning can only see the feet of the Buddha statue, the more you go forward, the big Buddha also gradually presents from the bottom to the top, only really enter this well, you can see the whole picture of the whole Buddha statue.

The moment you walk out of the passage, there is a light in front of you, because the light shining from the top of your head makes the Buddha statue solemn and solemn from the perspective of the people who come in from the bottom up.

Su Leqing planned to design this hill as a Buddhist hall buried in the belly of the mountain, this Buddhist hall is different from the traditional mahogany yellow pillar blue-roofed hall of the Buddha hall, its special thing is that the entire Buddha statue is "buried" in the ground, and finally achieves a very impactful visual effect, from the other four hills, only half of the Buddha's head can be seen outside the hill.

In the passage into the mountainside, Su Leqing plans to use fair-faced concrete directly as the main body.

First of all, the color of fair-faced concrete is similar to the color of the stone Buddha, and secondly, the color of fair-faced concrete is relatively cold and simple, and this is exactly what Su Leqing wants to express, in the cemetery of the deceased, there is no need for a luxurious Buddhist hall, only a Buddha realm that can make people's hearts and souls wait.

And in the cone-shaped space of the mountainside, the surrounding interior, Su Leqing intends to design a strip fold, which is also easy to understand, just like a cone, with the highest point as the center, and the appearance becomes a strip fold like a paper fan, so that it looks as if it is centered on the highest point, shooting rays around.

In this way, looking up from the bottom of the cone-shaped space, it is like a beam of light from a prop elephant, which is subtle and shocking.

Now that the mountains have been determined, the next thing is water.

Su Leqing groaned slightly, and then drew a river outside the belly of this mountain.

There is no doubt that since such a temple is to be built, the entrance to the entire cemetery is obviously directly opposite this temple.

Therefore, the road to the cemetery is centered on the entrance of the Buddhist hall, which connects the entrance to the Buddhist hall and the road to several other hills.

After entering the cemetery first, a road goes straight to the entrance of the Buddha Hall, and the road also has a fork in the road on this side, on both sides of the road is the road to the other four hills, and on both sides of the road are fair-faced concrete poured walls, to prevent others from climbing to the top of the artificial hill, that is, the Buddha's head.

On the side of the entrance and passage, there is still a distance, and in this distance, Su Leqing plans to design a pool as the living water of the entire cemetery.

Like the "Chapel of Light" he had designed before, there is a pool of water at the entrance.

But there is also a clear difference between this scheme and the "Church of Light".

The "Church of Light" has two pools in front and a path in the middle, which gives you a sense of mystery and religion.

And here, Su Leqing doesn't plan to design it like this, and he doesn't plan to use the same design twice.

However, in another form, there is actually a similarity.

That is, a long water garden is designed in the middle, and there is no small bridge between the water gardens, so if you want to enter the Buddhist hall, you must walk through the wall-side paths on both sides of the water garden, which adds a sense of mystery and ritual.

Then Su Leqing began to draw the construction drawings, first of all, the first thing was to build the rosette of the stone Buddha, the stone Buddha is about fifteen meters high, and the whole rosette is about three meters high.

Once the rosette is built, the stone Buddha can be placed on it, and then the entire cone-shaped belly shape is built with steel bars, and then the passage is built with concrete plates.

Because the rosette is three meters high, to see the legs of the stone Buddha, the lowest part of the passage needs to be four meters high, and the highest part must be four meters high, and the top of the passage presents an arch.

After the conical space and passage are built, you can directly pour fair-faced concrete, wait until the concrete is solidified, and then the soil covers the entire passage and cone-shaped space, creating a hill.

In this way, not only the feng shui treasure cave of the five dragons holding the saint was formed, but also a very distinctive fair-faced concrete Buddha hall also appeared in this cemetery.

Su Leqing also plans to plant lavender around the Buddha's head on the entire artificial hill, so that the lavender blooms all over the hill, stretching from the top of the hill to the foot of the hill, adding a vitality to the concrete building.

In winter, the snow covers the hills, and in the vast snowy scene, only the Zen head of the Buddha is revealed......

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