The two people who came together wanted to look at two paintings at the same time, Liu Yue, who was wearing a famous brand, and Tang Feng, who had a shabby appearance, also had to join in the fun. The guy looked at the three of them for a while, and asked in a stylized polite and visual tone of suspicion, "Excuse me, do you two really want to buy it?"

"What?" Liu Yue regained her indifferent expression, and she asked, "Can't you take out the paintings here and look at them?" or do you think we can't afford them? Or do we need to find someone who can call the shots?"

Everyone has a different family background, a different upbringing, and a difference in social status. These external factors affect everyone's inner character, which can be seen from Lin Muyu and Liu Yue's behavior. Lin Muyu, who was born in an ordinary family, will hide her true thoughts in a timely manner for some practical reasons, because she can't gain a foothold in the city without work, so even if she hates Jiang Yuan, she doesn't want to offend him. And Liu Yue, who was born in a rich family, doesn't need to look at other people's faces at all, so she speaks more directly.

Life is like a primeval forest full of killing, whether it is vegetarian or meat, everyone has a set of survival rules that suit them.

The reason why Tang Feng dislikes Liu Yue is because of her angular and hurtful personality, and I believe this guy is the same. Of course, this doesn't mean that Tang Feng will sympathize with this guy, this guy is also a little too snobbish.

"I'm sorry. The guy still said politely, "I need to ask." "Since he is at the bottom of the food chain, he has no rights at all, and the guy has no choice but to swallow the fly that Liu Yuesai gave him. Tang Feng can leave the Huang family with a few hundred yuan because of the jokes of a few little girls, he can not give face to a rich man like Jiang Yuan, and he can also bully Su Qing and Liu Yue appropriately, because he has the confidence and strength, and not everyone has these two things.

After a while, a middle-aged man who was neatly dressed and looked like a leader walked over, and he smiled and said, "I'm sorry, that employee just now is new and can't speak." You can take out this painting and see it if you want, you three please go to the office and wait a while, and they will send you the painting you like later. ”

Tang Feng won't believe that guy is really new, this is a trick to stimulate consumption, some pretending people are often easy to be fooled, look down on Lao Tzu, right, Lao Tzu can stone you to death if he has a lot of money, and today he will take a few of the most expensive paintings home and hang them in the toilet.

The four of them came to the office, the other man served tea, and after a while, two paintings were also delivered.

The middle-aged man unfolded the first painting, which was Liu Yue's "Empty Mountain Bird Language", the so-called research is to judge the authenticity of ancient paintings with the help of the painter's biography, calligraphy and painting records, relevant poems, historical knowledge, etc. This painting is a scroll banner with the appreciation seal of "Huating Wang's Treasures" on it. The appreciation seal of the ancient painting is the same as the ancient book, indicating that the painting was once collected by the owner of the appreciation seal. And the owner of the appreciation seal of "Huating Wang's Treasure" is not unknown in history, he is Wang Hongxu, the leader of the 12-year imperial examination of Kangxi in the Qing Dynasty. Wang Hongxu's word Ji You, known as Yanzhai, also known as Hengyun Mountain, official to the household book, he is proficient in appreciation, calligraphy and painting collection is quite rich. Like Dong Qichang, he is also a native of Huating, Jiangsu, and his calligraphy and painting book "Pingsheng Spectacular" has this record of "Empty Mountain Bird Language".

Calligraphy and painting bibliography refers to a catalogue book that compiles the names of calligraphy and painting works of calligraphers and painters in the past. It records the texture, size, content, name, inscription and other materials related to the painting and calligraphy.

Liu Yue took out her mobile phone and flipped out the information and compared it with this "Empty Mountain Bird Language", and said: "It is indeed in line with the record of "Life Spectacular". "There are historical records of this painting that at least show that this painting was not fabricated out of thin air, and it is time to go back and look at the authenticity of the painting itself.

There are three ways to fake paintings and calligraphy, one is complete forgery, the second is mixed authenticity, and the third is ghostwriting. There are four methods of complete forgery, which are copying, copying, imitation, and forgery. Imitation is completely in accordance with the original painting, mostly seen in the painting of figures, flowers and birds; it is written on the basis of the original painting, mostly used for freehand painting and cursive calligraphy; imitation is to imitate the author's brushwork or general intention on the basis of no original painting, this technique is extremely demanding, and the forger is often a calligrapher and painter with profound attainments; he forges out of thin air regardless of anything, and most of these people are craftsmen who specialize in forgery, and they also have high painting attainments. There are also four techniques of mixed authenticity, namely addition, subtraction, cutting, and demolition, which are all based on ancient paintings to change the ancient, and some ancient paintings with low market value are transformed into famous models. Ghostwriting is like a modern gunman, who paints on behalf of the author when the author knows, and then chops up the author's own calligraphy and painting seal after completion.

After a series of research, it can now be basically ruled out that this "Empty Mountain Bird Language" is a possibility of mixed authenticity or ghostwriting by others, as long as it can be ruled out that it is a copy, a copy, an imitation, and a fabrication, then this painting is nine times out of ten is genuine.

Su Qing raised her wrist and looked at the time, it was almost half an hour, although she was a layman, she felt that she thought. This painting is supposed to be genuine, and it is a kind of evidence in itself that two masters can be appraised together for so long without finding any flaws.

With the recommendation of time, the real and fake scales in Liu Yue's heart began to tilt to the real side. The painting is not very well preserved, the silk looks almost waxy yellow, the silk and paint look very crisp, and this effect of transformation is not something that can be seen in the short term. And there are still some traces of insect infestation on the silk of this painting, which increases her confidence. She was still looking at it here, Tang Feng over there suddenly lowered his head and sniffed the painting, Su Qing next to her saw Tang Feng sniffing the painting with his nose, and felt very strange in his heart, can he also use his nose to smell calligraphy and painting?

After Tang Feng heard it, he asked Liu Yue, "Does Miss Liu want to buy this painting?"

Liu Yue's side is still researching step by step, and her confidence in thinking that it is genuine is also increasing step by step. Hearing Tang Feng's question, she raised her eyes to look at Tang Feng, nodded and said, "If it's true, there is indeed this idea." ”

"Then you can dismiss that idea. Tang Feng said bluntly.

Suddenly hearing Tang Feng say this, she asked in disbelief, "What do you mean... This painting... Is it fake?"

Tang Feng nodded and said, "It's definitely fake." ”

"Why?" asked Su Qing and Liu Yue at the same time.

★ There are still many essences, brothers who need to be watered, send a book review quickly. ★