Mr. Peng continued his topic.

From the point of view of discovery, the imagery stone gives us a broader space to collect and appreciate the stone of words.

The pattern and shape of the strange stone are natural, and the reason why it has become a text stone is due to the result of people's subjective consciousness activities in the intricate texture and shape of the word and the meaning of the word.

The process of discovery lies in association, in understanding, and in the comprehension of similarities and dissimilarities.

The joy of discovery and aesthetic pleasure are the charm of the collection and appreciation of imagery and text stones.

For the text stone between the similar and the dissimilar, Kowloon is still easy to distinguish, after all, the shadow of a certain word can be seen from the strokes.

Moreover, this kind of strange stone is relatively easy to find in nature.

abstract

The difference between the abstract text stone and the figurative and imagery text stone is that the text on it cannot be referred to as or resembles a certain character, but it clearly has the meaning of the word in the change of texture or the shaping of the form, especially the meaning of Chinese calligraphy.

For abstract characters, people often say, "What kind of pen and ink charm does this have", or "What kind of font does this have".

Mr. Peng typed out a text stone with gold characters on a black background, and looked at the strokes, like a dragon and a tiger, flying and jumping.

Mr. Peng looked at everyone: "What is this word?

The crowd was gossiping, some said the word dragon, some said the word tiger, and some said that it was not a word at all, but like a soaring dragon, or like a tiger roaring.

Mr. Peng smiled: "I understand it as the four words 'dragon and tiger leap'. ”

Everyone nodded their heads, indeed, Mr. Peng named it like this, and immediately the word came to life, and the beauty of its dancing and jumping brushwork, the beauty of the dense structure, and the masculine beauty of the dragon and tiger galloping like a tiger were immediately presented, showing the humanistic spirit of Chinese calligraphy, which is too imaginative.

This level of naming, Kowloon will not be able to learn for a while, but it also allows him to appreciate the abstract beauty of the text stone, and this trip is really worth it.

Mr. Peng typed out another stone, and on this stone, there was no word to be found at all, that is, a collection of several strokes, such as dots, horizontals, apostrophes, and pinching, which were reflected on the red and cinnabar red stones.

"I named it 'Word.'"

Facing everyone's puzzled looks, Mr. Peng smiled: "The naming of this 'word' does not mean that these strokes form a 'word', but represents these strokes, which express the feminine beauty of the dots, horizontal, apostrophes, and light state like a pearl falling on a jade plate, so they are all indispensable strokes that constitute the 'word', and I named it 'character'." ”

Kowloon thought about it for a long time, and finally understood that this name was unexpected, and it was reasonable, wonderful!

The abstract beauty appreciation of the text stone made Kowloon feel the purpose and taste of calligraphy art, and even got more rich and rich aesthetic interest at this time.

This kind of strange stone, Jiulong sees, and may not pick it up, which requires rich imagination to interpret the charm of the strange stone.

The reason why this kind of abstract stone is difficult to judge is that it is not an abstract stone except for figuration and imagery, it must have some special charm, if not, it is an ordinary stone, and there is no ornamental value at all.

And this charm will test your cultural level, therefore, abstract stone, low culture stone friends, can not play at all.

Mr. Peng changed his words and talked about calligraphy and calligraphy.

Chinese characters are probably the most written in the world, including Kai, Xing, Cao, Li, Seal, Oracle Bone and so on.

Chinese characters are the most particular about calligraphy, and calligraphy can be called the quintessence of the country.

In fact, for calligraphy, it is no longer the main function of the font itself, it is more to express the writer's personal thoughts and emotions through the elegant rhythm of the line, the reversal of the positive side of the pen, and the dryness and wetting of the ink.

Therefore, the word stone has been transformed from practical to art, and it has become calligraphy.

China's thousands of years of calligraphy art has formed a variety of calligraphy schools, such as Wang (Xizhi) style, Yan (Zhenqing) style, Liu (Gongquan) style, Shu (Tong) style, as well as Wei tablet style, thin gold style and so on.

These calligraphic fonts provide a rich humanistic and historical environment for the interpretation and appreciation of the text stone.

In particular, it should be emphasized that in the appreciation of the character stone, it is far from enough to see whether the stone pattern stone type resembles the character.

The taste of the character stone should be examined from the perspective of calligraphy: whether its lines or shapes have the beauty of pen movement, whether its knots have the beauty of virtual and real construction, and whether its cloth white has the beauty of overall harmony.

Appreciating the text stone with the eyes of a calligraphy artist, even a little horizontal can give people more enjoyment of beauty.

Mr. Peng typed a picture of a stone with only one point, and he named it "Xi's Legacy Ink", which is very rich in the charm of Wang Xi's calligraphy, which is very rich in the charm of Wang Xi's calligraphy, and some people commented that "the ink is golden and bright, and the power penetrates through the ages".

A simple point, Mr. Peng can see its charm, it can be seen that their own calligraphy is certainly not bad, the more Kowloon listens, the more dignified the complexion, a word stone is so complicated, to thoroughly understand the word stone, it really takes a lot of effort.

Kowloon was thinking about this, and Mr. Pang led the topic to text stones and graphics.

The origin of the world's writing began with pictograms, but the unique Chinese characters did not eventually evolve into pinyin characters like other scripts.

"Shuowen Jie Zi" says: "At the beginning of Cangjie's writing, the cover was based on pictograms, so it was called the text; ”

Therefore, most of the current Chinese characters have more or less pictographic or symbolic meanings.

Therefore, in the calligraphy art of our country and RB, there is a category of image calligraphy that integrates calligraphy and painting, such as writing the word "eagle" into the graphic appearance of an eagle.

In the impression of Jiulong, there is this kind of brushwork on the Spring Festival couplets, which is calligraphy and graphics, and there is also this kind of calligraphy in the text stone? Jiulong has never encountered it, so listen to Mr. Peng's class, and the next time you encounter a similar stone, you will definitely collect it well.

Mr. Peng played a picture of the word "horse" stone, from the graphic point of view, a lying horse, but the four hooves have been kneeling and standing, giving people a sense of dynamism; from the glyph, it can also be called the superior work of the master of calligraphy, with the pen concise and smooth, anxious, in one go, its soaring gesture and the graphic situation of the horse are in one breath, the beauty of the font and the beauty of the graphics are perfectly combined.

He then typed out a picture of the word "cai", which resembled the appearance of a young woman, with a slender figure, long hair and a shawl, one arm bent back and one arm stretched forward, in a yearning shape, and the body language of her lower limbs showed that she was already in action.

Use one specific word stone after another to express the point of view, easy to understand, unlike some so-called experts, pretending to be profound, often writing some obscure poems, people can't find the north, and even cause many stone friends to be daunted, don't know how to play with the stone, Mr. Peng's down-to-earth explanation, indeed Kowloon admires.