Among the four similarities, Mr. Peng particularly emphasized the importance of similarities in font size and calligraphic meaning.

But in some cases, it can be the opposite, and it can be interesting if it can form a contrasting relationship.

Mr. Peng specially typed out a picture of the word "ZQ", like a pair of seals of Zhu Wen and Bai Wen mirroring each other, although there is a difference in font, but there is nothing bad to see, but it gives people a unique aesthetic feeling.

There is also a situation where the combination of words and phrases is too good, and it is not easy to make it together, and both collectors and appreciators can understand it.

Mr. Peng typed a group of text stone combinations "*****, good", and the focus of collectors and appreciators is no longer the amount of calligraphy interest, but the natural text on the stone actually expresses the voice of the Chinese people.

The naming of the text stone

The naming of the text stone is to give the word stone a name.

If the name has an evocative connotation, it can also be called a proposition.

Anyone who has collected word stones has the experience that you can only search for ideal things with the mentality of reading and debating words.

Therefore, the naming of the vast majority of text stones was completed at the time of discovery, that is, they were named after the characters.

However, there is a difference between the discovery of the stone at the time of collection and the subsequent appreciation.

In the appreciation of the word stone, through association and imagination, contemplation and epiphany, the appreciator can often jump out of the fetters of naming the word, and create a new and interesting name in the name of the word stone.

The word "stone" is more common in the text stone, and it is often named "stone", "stone in stone", and "stone on stone".

There is a black background and white lines of the word "stone", the Tibetan named it "white stone", there is some novelty.

There is also a stone, there is a ring outside the word "stone", named "bouldering", and there is also the same magic.

There is another stone, purple lines on the gray background, the word "stone" of the book body is alive, but the part of the word "mouth" is almost filled with purple, how to promote its long, avoid its short? After the author considers, this stone is named "the stone, the real also".

There is also a kind of naming that promotes strengths and avoids weaknesses, Mr. Peng typed a picture of the word "Fu", the word "Fu" itself is very decent, but there is a disproportionate "one" word above the word "Fu", if the name is "Fu", some of the names do not match, if the name is "Yifu", it does not show any special meaning.

Mr. Peng thought about it for a long time and thought that it could be named "Blessings start from one blessing", which encompasses the two characters on a stone and expresses a prayer for blessings, which is the best of both worlds.

Mr. Peng typed out a picture of the word "benevolence" again, and the word "benevolence" was thick and vigorous. It is a pity that there is a small dot next to the word "benevolence", such a small flaw can be ignored, after all, it does not affect the overall situation of the font, but the collector does not think so, he cleverly titled this stone point "a little more benevolence and righteousness", so that this seems to be a small point of redundancy, but has become an indispensable highlight.

The purpose of the naming of the word stone is not to discuss the words on the word, but to inject the thoughts and emotions of the appreciator through the association between the meaning of the word and other aesthetic elements of the word stone, through association and imagination, and to express the beauty of the artistic conception when people, stones and words are integrated.

The word "person" stone is also the more common one in the word stone, the word "person" on a stone occupies the upper end of it, and occupies a larger area, and the Tibetan named it "people-oriented", expressing the concept of humanistic thought.

There is also a combination of the words "big" and "small", the word "big" is small in stone shape, and the word "small" is large in stone shape, and the proposition is "big in small, small in big", which vividly expresses the Tibetan understanding of the dialectical thinking of the short ruler and the length of the inch in things.

The names of the stone combinations in the previous examples, such as "One Stone in One Life", "Five Thousand Years Up and Down", and "Moonlight Song", are the result of efforts in this regard.

If the limitations of the name of the stone or the proposition are not enough, the appreciator will give the text beauty.

The beauty of the text is a further exertion of the naming of the word stone, a lyrical and memorizing of the aesthetic feeling of the word stone, and even an understanding of the philosophy of life.

Its genre is usually poetry and prose.

Shi friend Li Qiang has the word "wine" on one stone, which is chic and elegant, like a calligrapher who swiped his pen after drinking, and the appreciator is often intoxicated.

Mr. Peng felt the lyrical poetry in this way: "The mellow fragrance of fine wine does not remember the year,

The heavenly pen is hearty.

In the middle of the night, I was fascinated by the lights,

But there is this stone not envy immortals. ”

There is also a ZQ longevity Li Anyu who picked up a stone by the Yangtze River in the spring of one year, and he only felt that the stone pattern was smooth and he was in his pocket.

Later, some stone friends saw it and said that it was not a vine full of melons?

Suddenly, one day a friend surnamed Lin came to visit, and after playing, he exclaimed again and again: "Isn't this the word 'longevity'?

When Li Anyu saw it, he immediately sweated profusely, and he was ashamed not to know the heavens!

Mr. Peng wrote a poem on this matter:

"Longevity" conjoined by the river,

Clever hands even get willow smoke.

Fruitful truth,

The sky is insignificant.

When Lin Jun came to see the discernment,

Yunji Li was ashamed.

Shiju Yaxuan Ke Anyu,

The longevity of human settlements is self-assured.

Nanjing Shiyou Wang Ruzhou in the spring of 2009 in the Liuhe Hengliang Stone Museum is about to close, inadvertently found the same as the last word of his name "Zhou" word Yuhua Stone, the golden "Zhou" word on the dark brown background is very eye-catching, Wang Ruzhou liked it, so he wrote a title "Yuhua Stone Fun - found himself" of the narrative prose, the text is like it, but also very interesting.

It is not impossible for Kowloon to write beautiful texts, but like Mr. Peng, who writes rhythmic poems by hand, Kowloon will not be able to do it for a while, but if he wants to write with free verse, it is okay.

Finally, Mr. Peng finished the key points of appreciating the word stone, and then made a summary, he said: "The motherland's writing and calligraphy have a long history, and the strange stone resources of the motherland are all over China, and I look forward to: to make more beautiful discoveries, more beautiful creations, and bring more surprises and wonders to the world of people, stones, and words!"

Thank you teachers for listening to me for a long time, if there is anything to add, you can also put it forward, let's discuss it together.

From the beginning to the end of Mr. Peng's lecture, the scene was silent, and everyone listened attentively, for fear of interrupting Mr. Peng's train of thought.

There can only be one explanation for this, Mr. Peng's class said to everyone's heart, everyone is a person who plays with stones, who doesn't want to learn a few more tricks.

At the beginning, when he saw the words "Fog Capital Challenge", in the eyes of Kowloon, he thought it was also a gimmick to let others participate in an ordinary stone exhibition.

Now it seems that after listening to this lesson, the trip is worth it.