Li Dabao expressed his confidence in himself, in "Forrest Gump" and "Titanic".

These words contain the pain of not being understood.

He didn't know why these people were so easy to jump to conclusions without knowing their own films.

He took out a bottle of wine and a bag of peanuts.

I started drinking.

It was the first time he remembered to drink alone, and he had never actively drunk before.

But this time he didn't know why he wanted to drink.

He took out a box of Chinese from his pocket, took out one and lit it with an electronic lighter.

Many people saw Li Dabao drinking and smoking in the office.

Especially for what Jayne said, I have to thank Jayne.

This is nothing, and there are still a lot of people who like it.

Most of them are Chinese.

He didn't understand, why didn't the Chinese people support the Chinese people?

And to support a foreigner?

Is it because he is a big director in Hollywood?

He never cared before, but this time he was really injured.

The office was very quiet, because Li Dabao was in a bad mood.

This is a first for them.

I didn't even make a sound when I walked.

Many people looked at Shangguan Qing'er anxiously, and at this time, only Shangguan Qing'er dared to go in.

Of course, they knew that Li Dabao's plan to shoot "Titanic" was completely ruined.

And there are very few people who support "Forrest Gump".

Shangguan Qing'er whispered: "Xiaoli, you go to the hotel opposite and ask for a sauce elbow, a plate of sweet and sour peanuts, a plate of cold vegetables, and a plate of sweet and sour carp."

You can report the money to the finance later. ”

Xiaoli nodded and was about to run out.

"Wait a minute. Li Dabao's voice came out.

"It's good to order cold dishes, from today onwards I will be a vegetarian, eating meat is a simple killing, sweet and sour carp and sauce elbow don't be, give me three specialty cold dishes." ”

Xiaoli looked at Shangguan Qing'er.

"Go ahead, just do what he says. Shangguan Qing'er said with a smile.

Cold dishes are much faster than hot dishes.

After a while, the cold dishes came up.

Shangguan Qing'er took it in.

saw that Li Dabao had already drunk most of the bottles of Guojiao Moutai.

In this way, Li Dabao was drinking, and Shangguan Qing'er poured him wine, and then made a pot of hot tea.

After drinking wine and tea, he began to wander aimlessly through the street alone.

The weather was still very cold at this time.

Probably because of the drinking, Li Dabao did not feel cold at this time.

Let the cold wind blow in his face.

He thought back to all the moments he had come here.

Suddenly, he heard the sound of the piano.

Li Dabao walked out the window.

From the window, I saw a little girl in her teens playing the piano.

In fact, she didn't like the piano very much, but because of her parents' arrangement, she was forced to learn piano tunes helplessly.

Li Dabao can hear a kind of grievance, a kind of reluctance in the piano music.

Li Dabao slowly walked in through the side door.

It is a piano classroom for a university.

"Don't you like the piano?" asked Li Dabao softly.

The little girl stopped, turned her head and said helplessly, "I don't like piano music very much, because my friends have gone out to play, and I have to sit here and learn piano music."

I only had one day off on Sunday, but it was so full of photos that I didn't have any time to rest.

It's even longer than school. That's probably the main reason why he doesn't like the piano.

"Can I use your piano?" asked Li Dabao.

"Of course, if you can play the piano. You can use as long as you want until my teacher doesn't come back. The little girl said happily.

The reason why she said this was also because she felt that the person in front of her was very much like a person, very similar to Li Dabao on the first day of Huaxia.

Li Dabao sat in front of the piano.

At this time, he wanted to play a classic piano piece.

Beethoven's Symphony No. 5 in C minor, Op. 67, also known as the Symphony of Destiny, is one of the most famous works of the German composer Ludwig van Beethoven, completed in late 1807 and early 1808.

The prestige of this piece is high and the number of performances is so large that it can be described as the "crown of symphonies".

Beethoven begins the symphony's first movement with a thought-provoking warning: "Fate is knocking at the door", which is thus cited as the symphony's attractive title.

This theme of the work runs through the whole piece, making people feel an indescribable moving and shocking.

Beethoven had already had the inspiration for the Third Symphony before it was completed, and it took five years to complete it. The music embodies the author's lifelong struggle with fate, "I want to choke fate, it cannot make me completely submit", this is a magnificent triumphant song of heroic will over fatalism and light over darkness.

Engels once praised this work as the most outstanding musical work. It is said that Goethe had the idea of befriending Beethoven after listening to this piece.

Beethoven's Fifth Symphony is built on the four-note "fate motive", which is the core of the entire symphony, and the "fate motive" is repeated and transformed in each movement, and a series of thrilling battle scenes unfold in this motive, expressing the composer's determination after overcoming personal emotional frustration and physical illness and painful despair—"I will fight against fate, and I must not be conquered by it." ”

The "Symphony of Destiny" continues the image of the hero and the revolutionary fighting spirit in the "Heroic Symphony", pushing the drama of the symphony to the highest peak.

Beethoven began to conceive and write the Fifth Symphony in C minor in 1804, when he had already written the "Testament of Heiligan" and his deafness had lost all hope of healing.

His lover, Countess Julietta Ciati, also left him for reasons and became the Countess of Gallenburg.

A series of mental blows put Beethoven on the brink of death.

However, Beethoven did not choose to die because of this.

In one of his letters, he wrote: "It would be inconceivable that I could leave this world without creating anything."

During the most painful period of his life, Beethoven embarked on a vigorous creative climax: Symphony No. 3 in E-flat major (Heroes) had not yet been written, and Symphony No. 5 in C minor (Destiny) had begun to be written.

Before Destiny was completed and published in 1807, the lively and romantic Symphony No. 4 in B-flat major was performed in 1803, along with the premiere of Symphony No. 6 in F major (Pastoral), the Piano Concerto No. 4 in G major, and Fantasia for piano, chorus and orchestra.

During this period, he also completed notable works: Piano Sonata No. 21 in C major (Walstein), Piano Sonata No. 23 in F minor (passion), three Russian string quartets, Beethoven's only opera "Fidelio" and three "Leonora Overtures", Beethoven's only violin concerto in D major (which is also a world violin classic), and Mass in C major. Wait a minute.

All of these works are masterpieces, and each of them has since become a masterpiece.

This is Beethoven's precious spiritual legacy to the world.

The Fifth Symphony is divided into four movements, and the total duration of the work is 33 minutes.

When Li Dabao started debugging, the music teacher had already returned.

This is an old musician.

I'm in my fifties.

Nowadays, there are too few young people who like the piano, and it is rare to meet someone who likes the piano.

He took out the DV casually, and he wanted to record it, and then when he finished playing, he would comment on it and let him listen to the sound of his own playing.

Just like this little girl, she is very talented in music.

But he has no interest in the piano.

This is the biggest headache for him right now.

Just when the old musicians were fantasizing, Li Dabao had already begun to play the first movement.

Passionate Allegro of the first movement, in 2/4 time, sonata style.

This movement shows a scene of struggle, and the music symbolizes the power of the people

The flow is overwhelming, and it launches a fierce impact on the dark forces. The powerful and dynamic four notes that appear at the beginning of the piece, which Beethoven called the "fate" knock, are the main theme.

This theme is a musical image that strikes forward, driving the music to evolve and to appear and develop in subsequent movements.

This theme is passionate and powerful, with a courageous and indomitable momentum, showing thrilling scenes of struggle, expressing Beethoven's indignation and strong will to challenge the feudal forces.

After the various instruments imitate the cycle of tension one after another, the horn plays a variant of the fate motive, which expresses a confidence in victory.

This is a connecting phrase, which leads to a singing second theme from the previous tense and majestic musical scene, which is a lyrical melody with a gentle and beautiful and bright tone that contrasts with the previous one, which expresses people's feelings of longing and pursuing a happy life.

Here, the grim motive of fate recedes into the bass part and emerges in an accompanying form, giving the gentle music an unsettling tinge that pushes the music forward.

The piece ends with a decisive and enthusiastic sound in a bright atmosphere. After an expressive two-bar break, the music returns to an uneasy tone as the fate motive enters the development section, and the hard struggle begins again.

The first theme is very active at this time, it repeats endlessly, the tonality is constantly changing, the intensity is constantly increasing, and then the second theme is clear and powerful.

These two themes alternate and develop in various ways, such as contrasting polyphony, frequent transposition, etc., which increase the instability of the music and make the music richer.

In the end, the motive of fate breaks in again, and repeats it with the strongest sound, forming the drama of the development department, and the music goes directly into the reproduction department.

In the reproduction department, the scene of the struggle in the presentation department reappears. Between the first theme and the connector, the oboe plays a slow, mournful tone, and the development of the first theme is abruptly interrupted. However, the agitation immediately returned, and only calmed down a little when the second theme appeared.

However, the struggle between light and darkness does not end and grows more and more intense in the colossal epilogue. At this time, the momentum of the musical development is unstoppable, with sharp contrasts of dynamics and tense harmonic developments, forming the climax of the whole movement.

At the end of the movement, the strong sound of the first theme motive further portrays the heroic character of the courage to challenge, showing the strong confidence of the people to defeat the dark forces.

At this time, the old musician's eyes changed, from the previous appreciation to shock.

Slightly faster Andante in the second movement, in 3/8 time, in a two-theme variation.

It is a beautiful lyric poem, magnificent and splendid, which contrasts with the first movement. It embodies the world of people's feelings, where the meditation after the battle is intertwined with the longing for a beautiful ideal, and finally transformed into a firm determination.

At the beginning of the piece, the viola and cello play the first theme, accompanied by the plucked strings of the double bass, which is deep, serene, and beautiful, and contains deep strength and yearning for a better life.

Immediately afterwards, the clarinet and bassoon play a second theme with a call to battle.

The pitch of this theme is close to the first theme and has a tonal connection to the songs of the French Revolution period. This is the heroic theme of the march, which is lyrical and contemplative at first, and when it turns into C major, it becomes a majestic triumphal march that is full of fiery vigor and inspires people to move forward.

Later musical development is six different variations alternating between these two themes. In these six variations, Beethoven uses different rhythmic patterns, tonal shifts, instrument changes and other techniques to express the hero's contemplation after a fierce struggle and his firm belief in overcoming darkness, as well as his energetic passion. For example, the first variation uses successive sixteenth notes of the first theme to make the music undulating and agitated. The second variation appears in succession of thirty-second notes, enhancing the dynamics and showing the hero's unwavering belief in the triumph of darkness. The final variation, like a heroic triumphant song, with heroic heroism and optimism, concludes with a simple unfolding of the first theme, showing strength from reflection and confidence in future victories.

When the second movement was played, the old musician had completely changed to an attitude of listening and learning.

3rd movement in C minor, Allegro, 3/4 time, scherzo.

Unconsciously, there were already many people around, but Li Dabao was playing unwillingly.

A lot of people started picking up their phones to take pictures.

But more people listened to it.

Especially that ten-year-old girl.

He didn't expect that there would be such a beautiful piano music, which was the music she had been pursuing.

That's the kind of music he wants.

Written in a complex trilogy, the movement returns to a turbulent mood in tonality, as if the hard struggle continues, and it is a transition and transition to the fourth movement.