Seeing this information, Huo Sining suddenly remembered the uneven watermark on the drawing paper, and she was very sure in her heart that this "Buzhou Mountain" must be the legendary fog concealment method, and she needed to be in the water to see the original face of the painting. Pen & Fun & Pavilion www.biquge.info

However, the possibility of lime brushing the paper was overturned by Huo Sining, which is very corrosive, and when exposed to water, it produces a strong heat and a pungent smell.

However, the painting in front of her was apparently undamaged, and she did not smell anything special, so this explanation did not hold water.

The fog soon dissipated, and as soon as the water disappeared, the painting changed to its original appearance, and even the mountains painted in ink did not change significantly.

This situation made the three people in the room feel incredible, and it was the first time they had seen Mo turn into fog when he encountered water.

What's more, if the ink turns into fog, why does the color of the mountains painted by the ink not fade after the water vapor disappears? It stands to reason that when the ink encounters water, the color of the ink should fade?

Puzzled, Huo Sining didn't have the heart to get to the bottom of it, what she wanted to know most now was not the principle of the formation of this painting, but the "Buzhou Mountain" that the author covered up with such a magical fog concealment method, what secret was hidden in it!

"Sister Qingqing, go downstairs and get a few bottles of mineral water!"

Huo Sining stepped forward and touched this strange ancient painting, and the blood flow all over his body accelerated a little, as if he was about to solve a world-class mystery, and he was a little excited and a little nervous.

Su Qingqing quickly took two large bottles of Nongfu Spring from downstairs and walked up, Huo Sining didn't say a word, opened the lid and sprinkled mineral water on the painting.

Because in common sense, painting paper and water cannot be confused, no matter how good the ancient painting is, it will be damaged after splashing with water, and the change of the painting when it encounters water is just a guess of Huo Sining, before understanding what the principle of this painting is, Huo Sining can only try to carefully sprinkle mineral water on the drawing paper spread out on the table.

What made everyone feel incredible was that at the moment when Huo Sining poured the mineral water, the painting really changed as she expected.

A faint mist slowly reappeared on the drawing paper, and the appearance of the white mist was really related to water, and the more people sprinkled it, the more fog came out.

Knowing this, Huo Sining no longer hesitated and poured down both bottles of mineral water.

Soon, the white mist was connected, and Huo Sining's movements suddenly stopped in mid-air.

Because in that white mist, there were actually three-dimensional mountains, heavy mountains and mountains, surrounded by continuous mist, and people appeared together with the mist.

There was a human figure in the painting, although I couldn't see the appearance clearly, but this person should be wearing a Taoist robe.

The whole painting appeared in front of everyone's eyes as if it was a 3D stereogram, and the three people in the room were stunned, and Su Qingqing involuntarily rubbed her eyes, as if she didn't dare to imagine what she saw in front of her, her face was full of shock.

The whole painting was bathed by two bottles of Nongfu Spring, and the bottle of water in Huo Sining's hand was also spilled, but the painting still seemed to have only a little shape.

At this time, Huo Sining also had a bottom in his heart, the changes in those white fogs were really not the only peculiar strengths, there were still strange things in this painting!

Huo Sining gritted her teeth and decided to take a risk, this painting is obviously related to water, and now she has found the crux of the problem, since the water has not caused damage to the painting, it proves that its material should not be paper, and it is not afraid of water.

Thinking of the remaining watermark in the painting, Huo Sining felt that this painting was probably deliberately designed this way, and her courage also increased, and she suddenly made a decision that surprised Su Qingqing.

Huo Sining said to Yan Feng: "I'll go get a plastic basin here, and you can bring a big bucket of clean water up, ask for mineral water, not tap water!"

Saying that, Huo Sining ran to the bathroom, and after a while, he took a large plastic basin up, and Yan Feng also took a large bucket of mineral water and came to the study.

Huo Sining lifted the water-soaked ancient painting on the table and slowly put it into a plastic basin filled with water.

Seeing that Huo Sining actually put the ancient painting into the water so directly, Su Qingqing on the side couldn't help frowning, for fear that something would go wrong.

She wanted to open her mouth to persuade Huo Sining, but Huo Sining looked determined, so she couldn't persuade again, so she could only stare at the painting with her heart fixed.

But soon, she was speechless.

As soon as the whole painting entered the water, more and more mist came out of the paper, and the scenery and the outlines of the characters became clearer and clearer.

Seeing this scene, Yan Feng was also completely stunned, this was the first time he had seen such a magical thing as painting in the water.

And look at the artistic conception and brushwork of this painting has definitely reached the peak of the degree, to paint such an effect, it is definitely not the handwriting of ordinary people.

As for why this painting can have such an effect in water, Yan Feng can't explain it, and he has to sigh at the wonderful greatness and ingenuity of the ancient art of Huaxia.

Soon, the mountains also appeared, and then the clear pond and waterfall on the right appeared looming in the white mist, and after a while, a boy with a fishtail in his arms appeared on a path in the mountains, and the fishtail swayed, and the boy galloped on the path.

In the thick fog, the whole painting stands on the water as if it were a three-dimensional animation, and the people in the painting move around on the paper like living creatures, and the whole scene is vivid, as if it were real, bringing people a shock that cannot be described in words.

"That Dao boy ran out of the mountains, what is he holding in his arms?" Su Qingqing's eyes sharpened to see an even more strange phenomenon, and he couldn't help but exclaim.

Not only Su Qingqing, but Huo Sining and Yan Feng also saw it.

Seeing that mermaid, a deep haze flashed in Yan Feng's eyes.

"It should be a mackerel, the looming mermaid in the painting. Huo Sining explained quietly.

"Mermaid? Ning Ning, do you mean a mermaid? It's really strange, what does this painting mean, how did the little Taoist priest get involved with a mermaid?" Su Qingqing felt curious, and couldn't help muttering to himself on the side.

The Taoist boy was dressed in a long Taoist robe, and a mermaid about his size was stumbling forward on the road with a mermaid in his arms.

The white mist is like a fairyland, and there seems to be a faint egret flying by, and the little boy finally came to a clear pond along the tree-lined path.

"What is he going to do?" (To be continued.) )