In order to better highlight Taizong's supreme demeanor, Yan Liben skillfully used contrasting techniques to set off the performance. The first is to use the petite and immature of the palace maids, and to reflect the strongness, depth and condensation of Tang Taizong with their posture of holding a fan or lifting a chariot, or sideways or positive, or tending or walking, which is a contrast. The second is to use Lu Dongzan's sincerity and humility, dignity and courtesy on the left side of the picture scroll to set off Tang Taizong's peaceful, amiable state, which is a positive lining. ”

"This painting, like the one that is treasured in the Palace Museum in Beijing, has no background, and is structurally from right to left, from tight to sparse, focused, and rhythmic......"

"The outline of the clothing pattern utensils is round, smooth and smooth, with tenacity, smooth but not slippery, paused but not sluggish. The expressions and demeanors of the main characters are vivid, and the portrayal can convey the charm even more, and the images are partially blended, such as the wrinkles of the boots worn by the characters, which makes them look very three-dimensional. The color of the whole volume is thick and pure, and the large area of red and green blocks is staggered, which is rich in rhythm and vivid visual effects...... With such delicate brushstrokes, exquisite composition, and mastery of painting skills to the pinnacle of seconds, I really can't imagine anyone else who can paint such delicate and detailed paintings other than Yan Liben's authentic works. ”

......

The old man looked very excited, especially the bright eyes were a little scary, and Jin Yang, who was "excluded" on the periphery, secretly saw it and was even a little worried about whether he would faint with excitement.

I've said that you should pay attention to your blood pressure, is it really good that you are still so excited? Don't really faint when you are there, then who should I talk to?

However, the old man's comment and explanation are really very incisive, and he said the characteristics of this painting very well, which made Jin Yang gain a little more knowledge, and unlike many people present, he is probably the person who is most sure of the authenticity of this painting.

This painting is part of the "development funds" given to him by the external space, among which Monet's water lilies and other paintings have become green dollar bills, and this painting cannot be a fake.

"Dad, you're right, this painting is very much like the real thing. The scroll is divided into two parts, left and right, and Tang Taizong and Tubo envoy Lu Dongzan are the central characters of each part. On the right part, Li Shimin, Taizong of the Tang Dynasty, sat on the chariot carried by the palace maid, with the "appearance of the emperor" on his face, and his majestic expression revealed his enthusiasm and praise for the envoy. ”

And in order to highlight the supreme demeanor of Tang Taizong, the painter arranged nine palace maids to set off. Six palace maids carried the chariots, and three palace maids held the fan and the canopy in front and back. The palace maids are petite and exquisite, which highlights the tall and strong Tang Taizong. In terms of color, in the red and green palace clothes of the palace maids, Taizong's brown-yellow clothes and black boots and hats are particularly solemn and serious. ”

"All this is very much in line with the image of Tang Taizong's 'generation of prosperous emperors'. ”

Looking at the left part of the painting, there are three people standing in front of Tang Taizong. The one in front, dressed in a red robe and holding a wat board, was the official who introduced the meeting, and the last one, dressed in a white robe and holding a wat board, was an official of the court. The one in the middle is Lu Dongzan, the Tibetan envoy of Tang Taizong's meeting. ”

"Ludongzan is the prime minister of Songtsen Gampo, and his status in Tibet is very high. On the picture, Lu Dongzan stands with his hands bowed, wearing a small tuanhua robe, and his hairstyle and clothing are different from those in the Central Plains. He behaved modestly, awe-inspiring, and calm, with a rustic and rugged personality in his vigorous disposition. The wrinkles on his forehead and at the corners of his eyes show his ingenuity and rich experience. ”

At the back of the painting, there is the Northern Song Dynasty scholar Zhang Boyi's "Bu Yuan Diagram Inscription" written in a small seal, which describes the process of Tang Taizong's summoning of the Tibetan envoy Lu Dongzan. The tail of the scroll, there are many celebrities and collectors such as Mi Fu inscriptions. ”

"The whole painting uses fine lines to shape the figures, the lines are skillful, full of variety and expressiveness, and the colors are thick and vivid, this is a very excellent work of fine brushwork and heavy color figure painting. Rare treasures, rare treasures ......"

Yang Weihua's eyes lit up as he spoke, his expression was even a little excited and crazy, and his right hand stretched out to touch this masterpiece that made him obsessed, but he was afraid that the sweat stains and oil stains on his hands would damage the painting, so he hesitated so much that he didn't dare to touch it.

It's really confusing!

"Dad, whether it's genuine or not, don't be so excited, don't wait until your blood pressure comes up again...... Anyway, the painting can't run here, it has been given to you by Xiao Jin as a meeting gift, you can see it whenever you want in the future, and you don't care about this time, right?"

"And the second brother, I said can you pay attention to your image? Why are you looking at me? Why don't you quickly wipe the saliva from the corner of your mouth? The juniors are all watching here, and it's not embarrassing......

Yang Yun was busy with work, first ran over and pulled the old man to sit down for a rest meeting, and then angrily scolded the second brother Yang Weihua a few words, and brushed his sense of presence in front of a bunch of people.

As the youngest daughter of the old man, Yang Yun has been very favored since she was a child, the old man is afraid of melting in her mouth, holding it in the palm of her hand for fear of falling, more precious than her own life, and the three brothers also love her, and she is the role of a little princess at home.

Now even if she is married and has her own daughter, Yang Yun's eccentric temperament has not changed, and she is still the role of a demon king at home, and she is not soft at all.

Yang Weihua suddenly lost his temper, the light flashing in his eyes disappeared all of a sudden, smiled awkwardly, and wiped the corners of his mouth casually...... Hey, it's really saliva, shameful, it's so embarrassing, this is very detrimental to my image of Weiguangzheng!

Don't say anything, let's shrink back for now.

The old man was dragged by Yang Yun to sit down, and he was staggering and coquettish, and he suddenly lost his temper, and obediently obeyed the arrangement, and took a blood pressure medicine to relieve his breath.

"Okay, girl, can you put my arm down? My old arms and legs are almost shaken apart by you...... Okay, don't wait for me, okay? I can't stop reading it? Boss, you can help me put the painting away, well, just lock the safe in my room first, such an important national treasure can't be lost in my hands, otherwise I'll be too guilty......"

The old man reluctantly said to Yang Yun that he had completely surrendered, so don't hold on to my arm anymore, and don't look at the painting and tell Yang Weiguo to help put it away, and then put on an unhappy face, looking like I'm already angry, don't talk to me.

This is really an old child, and he is playing with a child's temper and making a fuss, but fortunately, almost all of the people present are a family, and they are very familiar with the old man's style...... If you're angry, you'll be angry, as long as you're not really angry, just ignore him first, and when he's bored alone, he'll pull someone to chat with again.

It's like this for kids!

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