When Xu Qing was short of money, Lin Junjie directly advanced funds and booked such an album with Xu Qing.

Lin Junjie regards himself as a friend, and Xu Qing doesn't want to continue to mix in the music scene. Xu Qing finally didn't hesitate anymore, and after being busy with other things, he directly took out the album "Jiangnan" to Lin Junjie.

Hello, "Gangnam"!

Xu Qingneng came up with a song "A Thousand Years Later", in fact, Lin Junjie's team was already very shocked here. Especially later, "A Thousand Years Later" quickly set off a Chinese style in the Chinese music scene, and the team around Lin Junjie respected "A Thousand Years Later".

The so-called set off a trend, of course, it can't be just this song. Lin Junjie used "A Thousand Years Later" to set off this trend, and not long after, a considerable number of ancient songs emerged in the music scene of the land of China.

There are enough of them to be called a trend.

There have always been a lot of capable people in the land of China, and they have not moved closer to this aspect before. But after Lin Junjie set off a trend here, there are many high-quality works in the middle of these Chinese-style songs that have poured out in a short period of time.

But even in the case of high quality, there are more or less traces of imitation of "A Thousand Years Later". And even if there are a few songs that have jumped out of such shackles, they actually have their own selling points, their own style, and the market response is really good.

But the actual situation is that one thing recognized in the circle is that within the Chinese trend of this music scene, no song has been able to surpass "A Thousand Years Later" so far.

You must know that setting off a trend is not the same as establishing a god position in one fell swoop.

Back then, didn't "Ghost Blowing the Lantern" set off a trend of tomb robbery? But in the end, the popularity of "Notes on Tomb Robbery" was higher than that of "Ghost Blowing the Lantern", the ancestor.

In the final analysis, the level of "Ghost Blowing the Lantern" is actually slightly worse. To a large extent, it is because of the gimmick of "the originator of tomb robbery novels" that it has reached the same height as "Tomb Robbery Notes".

"Ghost Blowing the Lamp" can be regarded as leading the trend of tomb robbery novels, but this time "A Thousand Years Later" is leading the trend and laying a foundation for Lin Junjie. After Lin Junjie, in fact, there are several old-timers in the music industry, who have also released their own Chinese-style singles taking advantage of this trend.

But the actual situation is that even the works of these predecessors in the music industry generally have a big gap with "A Thousand Years Later".

In such a situation, the status of "A Thousand Years Later" is even more prominent. And Lin Junjie, the singer of "A Thousand Years Later", is also because of the rise of Chinese style in the music scene, and his popularity has skyrocketed on the basis of the previous one. The current situation is that every time a Chinese-style song comes out in the music world.

Because the record company also has the promotion of the singer here, every time such a work comes out, of course, it can attract a lot of attention. But the end result is that after listening to these songs, a large number of listeners will inevitably have a feeling of "not as good as "A Thousand Years Later".

For this reason, almost every time a new Chinese style comes out, it is ultimately equivalent to promoting Lin Junjie and "A Thousand Years Later" again. So many old-timers in the music industry are not as good as Lin Junjie, and Lin Junjie's level is further realized.

After half a year, Lin Junjie's attention has really reached a peak.

At the same time, "A Thousand Years Later" is the most classic of Chinese style and is worshiped by singers from all walks of life.

With such an excellent song, Lin Junjie was very surprised. In the eyes of him and the team around him, such a song is properly the situation of Xu Qing's "clever hand". In the final analysis, such a classic definitely depends on chance. If a songwriter can write such a classic in his life, he actually pays attention to establishing his position.

Just like Fang Wenshan in Xu Qing's memory in his previous life, after Qilixiang, other works are still excellent, but in fact, he has never given Xu Qing that feeling at that time.

Lin Junjie and the team around Lin Junjie all thought that if Xu Qing was asked to do such a song, Xu Qing would not be able to come up with a Chinese style song with enough level in a short period of time.

For such a thing, Lin Junjie and the others did not ask Xu Qing at all. After all, I really can't count on it. Songs that can only be obtained by chance are inferior, but if they are forced, they will fall behind.

Lin Junjie and the team around Lin Junjie didn't expect Xu Qing to come up with the same level of Chinese style songs.

And at that time, Lin Junjie really wanted to help Xu Qing. The prepaid album funds were sent to Xu Qing, but Lin Junjie also told Xu Qing that as long as ten high-level songs were written before August.

As a result, under such circumstances, Xu Qing had just finished writing a song for Adu and others. Within a few days, a set of music scores with lyrics was sent to Lin Junjie.

Lin Junjie was still busy in Yanjing at the time, busy with the post-production of the "No. 89757" album. Xu Qing didn't let Lin Junjie come back, he directly chartered a single room in the recording studio, and played it with a musical instrument by himself. Then Xu Qing himself sang a few songs from the album with accompaniment. Then he directly sent the audio file to Lin Junjie.

is still in that situation, Xu Qing wrote songs, and they were all composed and sent together with lyrics. In the final analysis, the version in Xu Qing's memory in the previous life is really perfect.

Xu Qing's actual talent, that is, painting cats and tigers, has little ability to truly create by himself. In such a situation, as long as Xu Qing shows the details of those songs in the previous life to the greatest extent, Lin Junjie should be able to grasp the essentials here.

The other songs are very good, and if they are placed on other people's albums, they may be used as title songs.

But Lin Junjie and the team around Lin Junjie still locked the song "Jiangnan" at the first time.

This song has been tested by the market in the previous life.

In fact, "Jiangnan" is Lin Junjie's famous song. Since "Jiangnan", the sales of Lin Junjie's several albums have actually gradually declined first. After that, it was raised again.

Xu Qing himself knows very well that he personally prefers "A Thousand Years Later", Lin Junjie's signature song.