If you want to make a good movie, you can't just point a finger there.

Do you need a script to make a movie?

You need a director, you need actors, you need money 💰, and so on.

And these elements together may not make a good movie.

Because often if there is a problem with a certain detail in it, there will be defects.

For example, if the actor is not serious, or the actor himself does not meet the requirements, if so, basically this movie is like that!

And at this moment, the fire of the big talk movie is unexpected and expected.

After all, Director Zhou himself has a lot of appeal, and everyone is also looking forward to his movies, so the fire should be, but it is so popular that the box office in the first month is nearly 5 billion, not to mention that Xu Youmeng and Director Zhou are surprised, and even Li Xusheng, who doesn't pay much attention to himself, is also surprised when he hears the news.

Thinking about the previous life, a Chinese movie with a total box office of more than 5 billion is already exciting to death!

And now here, the box office in the first month is about to reach this point, and I don't know what to say.

Maybe it's a different value here.

Here, it seems that it is natural to spend money to watch movies, and there are not a few people who even watch it a few times or a dozen times.

As long as it piqus their interest.

The number of points for a movie ticket ranges from tens to hundreds.

If you want a better experience, the higher the better.

All in all, under these two films, it not only pushed Director Zhou to another height, but also made Qianyue Culture and Entertainment Company greatly develop.

You must know that no entertainment company has any work that can have such a box office in such a short period of time.

Even if it is the total box office, there are few movies that can compare.

Not to mention that the current big talk movies have just begun to be released.

There's still a long way to go!

Of course, big talk movies are so hot, not to mention whether it is a question of whether they are not red-eyed, and many people are complaining.

Of course, it's not a spit movie!

is complaining that the screen occupancy rate of big talk movies is too high!

It means that the scheduling rate of big movies is too high, almost reaching more than eighty.

So, if the two indicators of film scheduling rate and attendance rate are high, can it be judged that the film is a big hit at the box office?

The answer is still no!

However, "double-high" films can at least create more opportunities for the box office.

In fact, the scheduling rate and the attendance rate are both a relatively virtual concept, and its high and low are relative.

If you schedule a film before 10 a.m. or after 10 p.m., it won't necessarily be useful to schedule too much.

Similarly, the level of attendance directly depends on the size of the theater, a small hall of 100 people, 80 people watch, the attendance rate is 80%, and a 500-person hall, 200 people, the attendance rate is only 40%.

Therefore, what directly determines the box office is the ticket price and the number of moviegoers.

Ticket prices are varied, for example, Tuesday movie tickets are half price, non-gold shows are 20% off, 3D movies are more expensive than 2D, and membership cards with different amounts can be discounted......

The number of moviegoers is a direct reflection of "film scheduling ratio + film strength + film popularity", the number of moviegoers is high, and the box office is definitely not bad.

And the big talk movie has a high film schedule and a high attendance rate, so they don't know how to spray?

Especially those fellow directors.

was full of confidence in his work, and even imagined a dream of being able to fly at the box office→_→

Only now, everything has become a bubble.

It's good not to say if you can get back to your roots!

Of course, there are so few things, love and hate, you might as well have a little bit of both. ”

……

"Teach you how to dress mellowly.

The first trick fan.

It's the inn where Ah Fei invited him to drink, he used a fan to show his identity after sending a flying knife, and asked what is the highest way to become famous in the world, not to write his name on the top of his head, nor to let his retainers say it like a legend, but also to use a fan, low-key and gorgeous, low-key is to fold the fan when you don't want to show your identity, and open the fan when you want to know who knows your identity.

The second trick is to wear an official uniform at any time.

That way, people will know what you do, or what you used to do, wherever you go.

The third trick is to give away the beloved along with the family property.

In his eyes, his cousin is no longer loved, she is just an item, an item used to repay his kindness, this kind of good thing of giving people and sending houses is not a good thing that everyone can have.

The fourth trick is to carry the black pot and send others to death.

After returning to the villa, he has been carrying the black cauldron, so that more and more people know him, because the black cauldron will be whitewashed, but the dead will only receive the bento, so it is not a big deal to carry the black cauldron, and you must be convinced that you are the protagonist, and there is no black cauldron in the protagonist's world that cannot be solved. ”

……

……

"I watched the movie and the book together, and I really cried inexplicably.

Ten years ago, the romantic Hanlin in the imperial court, Tanhualang, who ranked third in the weapon spectrum, suddenly came out of the customs and started a career of self-exile.

Ten years later, the exiles returned.

When this book was published, it was divided into two parts, "The First Knife of the Wind and Clouds" and "The Soul of the Iron Courage".

The upper part writes the annihilation of the plum blossom thief, and the lower part describes the competition with Shangguan Jinhong.

The upper part is written "winter", Li Xunhuan returned home from outside the gate ten years later, no matter what he saw, he quickly brought him into the situation ten years ago, bringing out Li Xunhuan's bitter love for Lin Shiyin, the cold is pressing;

The two parts of the flavor are distinctly rhythmic.

The upper part is lyrical and soothing, and the lower part is sonorous and compact.

What strung them together like pearls is Li Xunhuan's memories.

From Li Xunhuan's entry into the customs to Ah Fei's long journey, a faint sadness shrouded the whole book.

Unlike other martial arts characters, Li Xunhuan does not live in the here and now, what he is really intoxicated by is only his own memories:

Ten years ago, when he gave up everything he had and went out of the customs in disgrace, he also passed by here, and it was the time of spring.

He remembered that there was a small restaurant nearby, and the tall green curtain could be seen from a distance, so he also stopped the car and went to drink a few catties of wine.

Although the wine is not good, but the place faces the green mountains, with green water, there are many tourists in the spring, he looked at the smiling red men and green women, drinking his bitter wine cup by cup, ready to say goodbye to this ten zhang soft red, this impression made him never forget.

Now, he can't imagine that he is back here, after ten years, the face of the human face must have changed completely, the former drooping young girl, now may be married to a wife, the former loving couple, now may have returned to the loess, even the peach blossoms of the past, now have been buried in the ice and snow.

But he hoped that the little restaurant was still there.

……

Although the world in the ice and snow is very different from the spring breeze, when he passes by this road, he still can't help but feel a faint tingling pain in his heart.

Wealth, power, fame and status are relatively easy to give up, but those memories, those memories that are more bitter than sweet, are like heavy shackles, which can never be thrown away or shaken off.

Li Xunhuan took out a flat wine bottle from his arms, poured all the wine in the bottle into his throat, and waited for the cough to stop before moving forward.

Sure enough, he saw the little restaurant.

It was a few open rooms at the foot of the hill, with wide corridors on all sides, vermilion balustrades, and turquoise screens.

He remembered that in the spring, an unknown mountain flower bloomed on all sides, colorful and fragrant, leaning on the vermilion railing to enjoy the flowers and drinking, and the light wine also turned into fine wine.

Now the red paint on the railing has peeled off, and the red flowers have been replaced by snow, which ruts and horses' hooves crisscross and the neighing of horses can be heard in the wind behind the house.

As soon as Li Xunhuan walked in the door, he stepped into the memories of ten years ago.

Everything in this room has not changed in the slightest from ten years ago, a table and a few, and they are all still placed in the position of ten years ago, even the pen and ink books on the table, there is no change in the slightest, if it is not for the snowy night, the bright moon in front of the window, the sun in the corner of the house, presumably still unharmed.

Li Xunhuan seems to have suddenly returned to ten years ago, if time goes back ten years, he may have just accompanied Lin Shiyin to count plum blossoms, maybe he wants to come back to get a fox fur to put on her, maybe he came back to write down the good sentences they chanted to themselves, so as not to forget them later.

But now when Li Xunhuan wants to forget, he knows that the incident can never be forgotten, and he knew that this was the case, so why did he bother to write it down with pen and ink at that time?

The snow is falling again.

Snowflakes gently sprinkled on the window, like a lover's whisper.

……

Li Xunhuan sat down on a wide rosewood chair covered with tiger skins, this chair was only older than his age.

He remembered that when he was very young, he always liked to climb on this chair to polish the ink for his father, and he just wanted to grow taller and sit on the chair faster, and he always had a wonderful idea in his heart at that time, always afraid that the chair would be the same as people, and it would grow taller and taller.

At last one day, he was able to sit on the chair, and he knew that the chair would never grow taller, and he could not help but feel secretly sad for the chair, and felt that it was pitiful.

But now, he only hopes that he can be like this chair, never grow up, and never be sad, but unfortunately the chair is still the same, but the person is old.

Perhaps the greatest charm of "Amorous" lies in the reminiscence and sentimentality of the bygone time.

The past cannot be left behind, and the dead cannot be pursued. Li Xunhuan's body resides in "at this time", but his soul returns to the "other day" ten years ago again and again.

What is lost is the most precious, because we cannot change history, and memory is like a filter, gradually sifting through the tragedy and misfortune, and finally only sweet memories remain. So Li Xunhuan will always be depressed, even if Lin Shiyin returns to his arms, he can't stop being sentimental.

Wang Guowei's "Words in the World" has a saying: "I don't know all the scenery words, but they are all love words." ”

Ice and snow, restaurants, plum blossoms, especially the "small building" that serves as the carrier of Li Xunhuan's memory, these visually impactful images condense Li Xunhuan's infatuation and bitter love.

Although the small building is close at hand, it is far away.

Li Xunhuan stayed in Sun Huozi's restaurant for three years, not only waiting for Xiaolou, but also waiting for his hometown of memories and emotions.

The space remains the same, and time is constantly switching between "ten years ago" and "ten years later", just to convey a message: the old garden is still the old garden ten years ago, but people are no longer the people of ten years ago.

The face of the person does not know where to go, and the peach blossoms are still smiling in the spring breeze...... This is not only the joys and sorrows of Li Xunhuan alone, but also the joys and sorrows shared by all mankind.

With the help of Li Xunhuan's constant recollections of encounters and pasts, Gu Long accurately hit the weakness of every reader.

According to the theory of receptive aesthetics, the history of literature is the history of the effect of the reader's reading, and a good book should be created by the author and the reader.

From this point of view, Gu Long undoubtedly has a deep understanding of the samadhi, and his repeated chanting and singing and sighing fully mobilize the reader's hidden (or even forgotten) memories, and Li Xunhuan's dilemma of affection and inability to be at home also coincides with their expectant vision. Just as there are a thousand "Hamlets" for a thousand people, everyone can have their own "amorous" in their hearts

In the book "Amorous", there is no complete negative character.

The despicable villains of Zhao Zhengyi and his ilk are just scum and leftovers in the rivers and lakes, and they are not worth mentioning.

The main characters who are active on the stage of "Amorous" all transcend narrow moral positions, and their contradictions and conflicts all come from the demand for "Tao".

The edge of the knife is rare. Those who can get rid of the shackles of red dust and finally attain enlightenment are naturally the darlings of the rivers and lakes and successful people in the martial arts.

What about the various people in "Amorous Swordsman Ruthless Sword"?

Li Xunhuan pursues the way of love, Guo Songyang pursues the way of martial arts, Lin Xian'er pursues the way of desire, and Shangguan Jinhong pursues the way of power...... They are true to their quest and nothing else.

Interestingly, when they betrayed the "Dao" they were pursuing, they were mercilessly mocked by the "Dao", regardless of whether the starting point was good or not.

Li Xunhuan was very infatuated, but he gave Lin Shiyin away, in exchange for ten years of depression. Guo Songyang never put his opponent in his eyes, and he cherished Li Xunhuan alone, but he was defeated by the latter, and passed the time with a mellow beauty.

Lin Xian'er's physical charity will never have true feelings, and the moment she falls in love with Ah Fei is the moment when she completely collapses.

Shangguan Jinhong lived for power, but at the last moment, he tried his sword, and at this moment he seemed to forget power - the price was his life.

There are so many characters who are obsessed with the "Tao" that they do not live for the sake of life itself, nor do they bother to pursue the meaning of life, because they have dedicated everything they have to the "Tao".

This is an ascetic path, and if you derail, you will never recover.

The Tao is their shackles, locking up their bodies and souls.

What about outsiders?

"Amorous" is the beginning of Gu Long's peak period, and it is also Gu Long's landmark work of breaking the old and establishing the new, cutting off the front edge, and the "Tao" he is obsessed with is creation.

When he found that he was no longer able to open a new game for martial arts, death took his life.