"May there be lovers in the world who will eventually become brothers and sisters.

It was only after reading this book that Li Xusheng discovered something.

To be honest, this is also one of Li Xusheng's feelings when he sees this book.

Of course, this book is definitely more than that.

"Heavenly Dragon" is a thousand huge waves, and the reader is floating on a flat boat in the vast ocean.

A huge wave hits over, which can make the reader sink dozens of hundreds of zhang, and another huge wave can raise the reader by tens of hundreds of zhang When watching "Tianlong", he is completely out of control, and fluctuates with the characters and plots in the book.

It can be said that Master Jin's works have reached a new peak after "Heavenly Dragon".

One after another, this is a testament to the endless creativity of Master Jin, each of which has a different style and brings readers new feelings.

When I arrived at "Tianlong", I thought that in the future, there would be no more, but there was still the peak of the update.

The imagination of "Celestial Dragon" is one step further than other works.

More unrestrained, more open, more romantic and passionate, it can be called a masterpiece of the world.

At the beginning of the "Celestial Dragon", the names are explained: Eight Divisions, One Day, Two Dragons, Three Yakshas, Four Gandava, Five Asuras, Six Garudas, Seven Kinara, and Eight Maragas.

He then explains the meaning of each of the "Eight Parts".

As the title suggests, Kim

The master wanted to write eight people to represent these eight kinds of Dao God monsters.

However, in "Heavenly Dragon", which eight people represent these eight kinds of Dao God monsters!

Which person represents which kind, maybe everyone has read this book, even if they haven't seen it, they have heard of it, plus the influence of the TV series, but who has ever made efforts to study who is who in detail?

Who is the Nakshatra?

Is it the "incense fork" Mu Wanqing?

Mu Wanqing's status in the book is not high at all, and of course it cannot represent one of the eight parts.

What is Duan Yu?

What is Qiao Feng?

My conclusion is that Master Jin did have the intention to write eight people to represent the eight Dao God monsters at the beginning.

However, it is one thing to plan before writing, to be willing, and to write out what is going to be done.

It sounds mysterious, but in fact, almost everyone who has been engaged in creation has the same experience: in the process of creation, plans are often impossible to practice, they will suddenly change in the middle of the process, new ideas will suddenly arise, and they will be unable to control themselves

Oneself.

When Master Jin wrote "Heavenly Dragon", such a situation must have occurred.

Therefore, as a result, there is such a vast sea, in which it is no longer possible to find a single person to represent a kind of idea, but all people are mixed together and represent a general idea.

This situation is better than the original creative plan, and it also makes "Heavenly Dragon" more profound, more vast, and majestic, as far as the extreme.

In terms of structure, "Tianlong" adopts a unique structure of writing about one person and then writing about another person, and then staggering back and forth, connecting different people.

This kind of structure has been used in "Water Margin".

is more than every paragraph of "Water Margin".

The overall structure is fresh.

If there are still people who doubt the eight-character interpretation of "ancient and modern, Chinese and foreign, unprecedented", there is no need to argue with it

Talked.

"Tianlong" has reached the point of seamless connection in the front and back of the main characters' appearances one by one, and among them, only Song Jiang suddenly kicked over the charcoal fire of a big man, and this big man is Wu

Loose only.

Every character in "Tianlong" is excellent, and a tragic character is written in it, especially the earth-shattering Qiao Feng.

This tragic figure is a great hero, a great hero, who has the power to do everything, but he cannot change his own tragic fate.

An unexpected encounter is not a tragedy.

Knowing that you will go down this path, the result is a tragedy, but you still have to go down this road, this is a tragedy.

The story of Qiao Feng in "Tianlong" is a typical tragedy.

Such tragedies are rare in ancient and modern times, both in China and abroad.

In "Heavenly Dragon", Master Jin wrote the other side of the positive character more thoroughly.

The admiration of the whole world will always disappoint women...

It turns out that there is such a sentence. I learned~~~"

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"In the past, I only read books as stories

I forgot what was written after reading it

Obviously, you have to learn to read later.

"It's actually enough to read a book as a story, hehe~~~

What really touches people is only because their emotions can be reflected in the story. ”

Read books only as stories

I forgot what was written after reading it

Obviously, you have to learn to read later.

"It's enough to read a book as a story

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……

"The so-called heroes of the rivers and lakes, when their martial arts are better than others, they feel that one-on-one is a humiliation to themselves, and they are absolutely not afraid that the other party will have too many people, and they are ashamed to fall behind to bully the weak; when their martial arts are weaker than others, they will gather more companions together, and there is no scruple of bullying more and less.

Bad guys can't always die, just like Zhang Zhaozhong in the book sword.

Many people and many times have the opportunity to kill the West Poison have been let go for various reasons, and in retrospect, the West Poison is known as the master of martial arts, and what he does is indeed the next three ways: planting, fakes, sneak attacks, and not being trustworthy. And the good people, despite knowing that he is like this, still let him go many times, and this plot is also drunk.

Finally, the discussion with Genghis Khan about the meaning of life raised the issue to a philosophical level.

The evil in the east and the poison in the west, the southern emperor and the beggars in the north, are the four representatives of typical modern people's character.

The Eastern Evil Martial Arts are strong, interesting and elegant, it may be that he has experienced too much, and he has relied on his strong martial arts, and has lived to middle age, and he has disdained the rumors of the rivers and lakes, and even bothered to explain his own slander; this kind of person lives so self-consciously, arrogantly and with a great sense of distance.

Suck. Poisonous, villainous, martial arts villain, terrible;

Southern Emperor, Buddhism, seclusion, wasted a good martial arts;

The northern beggar, the most admired one. High martial arts, good mentality, positive outlook, excellent leadership ability. ”

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"When I watched Tianlong before, I thought there would be a follow-up, and sure enough, the Condor appeared?

The author's martial arts and chivalrous spirit are definitely classics in martial arts.

The tone in "Heavenly Dragon" that everyone in the world is bitter and all sentient beings are sinful is huge and tragic, as if the suffering of everyone is extracted a little, and after being smelted by the fire, it becomes the suffering of all beings.

It is in response to the two sentences that Huang Yaoshi often puts on his lips: "And the husband and the earth are the furnace, and the creation is the work." Yin and yang are charcoal, and all things are copper. ”

But I didn't expect that compared with the realm of "Shooting the Condor" and "Tianlong", it was simply plummeting, and the entire pattern of martial arts fell between a few people going back and forth, and the rare grand scene was also a battlefield for the Mongols.

The kind of rivers and lakes and fireworks in the Central Plains were put on the shelf, which seemed narrow and pretentious.

To be honest, I am not interested in Guo Jing and Huang Rong's love scenes, and even hate Huang Rong a little.

I always feel that she is too smart, but often bad things, if it weren't for Guo Jing's deep love and protection, she would have been mistaken for Qingqing's life sooner or later.

Throughout the book, everything that is beneficial to her and Brother Jing is good, and everything that is not good for her and Brother Jing is bad and should be eliminated.

Any morality can be left behind, in her original words: "Now it's clear that a few beat him up, how can he get us?"

You see, a few masters besieging one, it is obviously not in line with the rules of the rivers and lakes, even the old naughty boy feels inappropriate, but Huang Rong's face is not red and her heart is not beating.

What I can't see the most is that when the second Huashan sword debate, the old poison and the old call were too tricky, Huang Rong saw that Hong Qigong couldn't beat him, so he talked nonsense next to Ouyang Feng, which made Ouyang Feng go crazy and go crazy.

Originally, Huashan's sword discussion was a grand event for the first place in the world, but it was mixed up by Huang Rong and became a child's play.

Huang Rong's childlike nature is really smart and clever, which makes people frightened.

Looking at the experience of Guo and Huang again, aren't they outright winners in life?

Even the hardships experienced are exciting and interesting like adventures, and some are even made by Huang Rong herself, which is so smooth that it is boring.

The old is called Hua, the old evil yellow, the old naughty boy, the old poison.

The old barking dog beating stick and the eighteen palms of the dragon, Huang Laoxi's Peach Blossom Island and the blue sea tide song, the old naughty boy's two-handed fighting technique and the Nine Yin True Scripture, the old poison's White Camel Villa and Toad Gong, which is not terrifying?

The four of them are all popular figures on the rivers and lakes, but they are not as starry as Qiu Qianren.

Almost all of them are mavericks, and the dragon sees the head but not the end, which is also the cuteness of these old guys.

The old man is greedy, the old man is arrogant, the old naughty boy is playful, and the old poison is ruthless, and all of them have achieved the ultimate in their habits, which is worthy of being the five uniques in the world.

And among these four people, I first recommend the old name - the nine-fingered beggar Hong Qigong.

The greed of the old screaming can be said to be the peak, and even the hidden weapon is leftover chicken, duck and fish bones.

What's more, when he was seriously injured, his unfulfilled wish was the imperial chef's blind mandarin duck five treasures, and he could hide on the kitchen beam for a few months in order to be delicious, which was really the originator of the foodie industry.

This kind of gluttony can also be seen as a kind of arrogance of a master.

The opening line of "The Lonely Gourmet" is the correct solution: "It is when he is happy to fill his stomach without being bound by time and society, and in that short period of time, he can do whatever he wants, become free, not disturbed by anyone, and eat without mind, this kind of lonely behavior can be said to be the best cure for modern people to be given equally." ”

Enjoying food can be said to be a man's madness

Lao Zhaohua, as the leader of the big gang of beggars in the rivers and lakes, is always dressed in tatters, with a greasy mouth, and he doesn't teach people with a smile, which makes people feel very unpretentious, and it is precisely because of this that his words to teach Qiu Qianren make people feel particularly awe-inspiring and imposing.

"Lao Zhaohua has killed 231 people in his life, and these 231 people are all villains, if they are not corrupt officials, local tyrants and bullies, they are great traitors and evildoers. Our beggar gang investigated clearly, the evidence is true, one person has checked, two people have checked, there is no wrong, and he is always called to kill him. is always called greedy for food and drink, and he is confused about small things, but he has never killed a good person in his life. Qiu Qianren, you are the two hundred and thirty-two!"

At first glance, it sounds awe-inspiring, but when you think about it, it's a bit scary.

Lao Zhaohua killed more than 200 people, even if he was killed after several verifications, it is enough to show his murderous nature when he was young.

Even if corrupt officials and corrupt officials and traitors should be killed, but there are many people who are unrighteous and lucky, have these people reached the point of deserving of death?

What's more, what exactly is a bad luck?

Does Guo Jing count as Hua Zheng?

Does Aunt Ying count as a lamp?

Does the old urchin count as Aunt Ying?

Do you have to kill them all to be clean?

So, what exactly is Jianghu?

What exactly is chivalry?

I think that the so-called rivers and lakes, in the final analysis, are a jungle society where the law of the jungle eats the strong.

The so-called chivalry, in the final analysis, is the execution according to the personal moral standards of the strong.

Therefore, the rivers and lakes are really sinister.

In my opinion, Huang Yaoshi, the owner of Peach Blossom Island, who flaunts both good and evil and deviant, is the least fun of the four.

Because he really is, too pretending to be X.

The names of other people's martial arts are dog beating sticks and toad skills, but Huang Yaoshi is different, how can this vulgar name be worthy of him?

Even if he is a fart, he must be elegant.

As a result, "Orchid Whisk Acupoint", "Luoying Divine Sword Palm", and "Blue Sea Tide Song" all came into being with very nice and unknown names.

Isn't that chic?

Is it a pleasure?

I can't see it.

Huang Laoxi's so-called deviance always gives people a deliberate sense of bluntness, but anyone who pursues chic in his heart is often the least chic.

It's like the flower boat that he spent a lot of money on for martyrdom, it seems to be a mess of romantic infatuation, but is he really for his beloved wife?

I think it's just a play he wrote, directed, and acted in order to satisfy his "performative personality", right?

But if you are really at ease, you must have a chance to be casual.

The reason why Huang Laoxie attaches too much importance to breaking stereotypes is precisely because he can't do what he wants.

He is still an aspiring scholar in his bones, he happens to be smart and intelligent, and has skills that are difficult for ordinary people to reach, coupled with his arrogant dead nature, he has to pretend to be x in everything, but he is also a real ox x, so that ordinary people can't see his routines clearly, and can only call him "both good and evil".

Huang Laoxie is moody for the sake of moodiness, and another person who can't figure out the routine is the old naughty boy - Zhou Botong.

I don't have much to say about the old naughty boy Zhou Botong.

At first, I liked the old naughty boy very much, and I thought he was really childlike and very funny. But the more I got to the end, the more I felt that I had to have a strong psychological tolerance when I got along with him, because he was a giant baby who would fight if he didn't agree with him.

There are only two standards in Zhou Botong's world: fun and not fun.

Learning martial arts is fun, and he is fascinated. Love is not fun, he runs away.

……