The steps involved in making a real ceramic are very complicated.

To practice mud, take porcelain stone from the mining area, first manually crush it with a hammer to an egg-sized block, and then use water to beat it into powder, wash it, remove impurities, and make it into a brick-like mud block after precipitation.

Then mix the mud with water, remove the slag, rub it with your hands, or step on it with your feet, squeeze out the air in the mud, and make the moisture in the mud even.

This is just the first step, and it's already so complicated.

Afterwards, there are blanks and blanks, these two processes have just been seen by Jinyang how the stall owner did.

Then there is the billet, the billet is covered on the barrel of the roller car, the car disc is rotated, and the knife is rotated to make the thickness of the billet body appropriate, and the surface and the inside are smooth, which is a process with high technical requirements.

How to say it, this step is equivalent to the pottery blank "trimming", "preliminary makeup", also known as "repair" or "spin blank", is the final determination of the shape of the key link, and make the surface of the utensils smooth, coherent, regular.

One of the most important and superior molding techniques of China's famous Jingdezhen porcelain is the internal and external repair, which is also a unique technical guarantee for the formation of Jingdezhen ceramic style.

The method of making ceramics in Mexico may be different from the porcelain-making process in Jingdezhen, but the difference between the two is not very large, it is just a matter of process differences.

Billet workers not only need to be familiar with the performance of the mud, but also be proficient in the curve change of the shape and the shrinkage ratio of each part during firing, as well as the thickness of the mud in each part. Generally speaking, the thickness of the blank body varies in different parts of the same utensil, because the shrinkage rate and force of different parts are inconsistent when fired at high temperature, so the thickness of the mud blank in different parts should be controlled to prevent deformation during firing. The control of the thickness of the billet and its identification method are the key to mastering the billet technology and ensuring the quality of the billet. As a general rule of thumb, the thickness of the body is measured by touching the fingers up and down and gently tapping to listen to the sound of different parts. If the body is thicker, the bullet will make a "cluck" sound, and when it is repaired to a medium thickness, it will make a "dong dong" sound; When the high-grade porcelain body is repaired to an appropriate thinness, the elastic will make a crisp sound of "porphyry".

After that, it is time to dry, carve, glaze and other work, which is equivalent to refining the pottery to make it look more beautiful.

Finally, there is the kiln,

The steps involved in making a real ceramic are very complicated.

To practice mud, take porcelain stone from the mining area, first manually crush it with a hammer to an egg-sized block, and then use water to beat it into powder, wash it, remove impurities, and make it into a brick-like mud block after precipitation.

Then mix the mud with water, remove the slag, rub it with your hands, or step on it with your feet, squeeze out the air in the mud, and make the moisture in the mud even.

This is just the first step, and it's already so complicated.

Afterwards, there are blanks and blanks, these two processes have just been seen by Jinyang how the stall owner did.

Then there is the billet, the billet is covered on the barrel of the roller car, the car disc is rotated, and the knife is rotated to make the thickness of the billet body appropriate, and the surface and the inside are smooth, which is a process with high technical requirements.

How to say it, this step is equivalent to the pottery blank "trimming", "preliminary makeup", also known as "repair" or "spin blank", is the final determination of the shape of the key link, and make the surface of the utensils smooth, coherent, regular.

One of the most important and superior molding techniques of China's famous Jingdezhen porcelain is the internal and external repair, which is also a unique technical guarantee for the formation of Jingdezhen ceramic style.

The method of making ceramics in Mexico may be different from the porcelain-making process in Jingdezhen, but the difference between the two is not very large, it is just a matter of process differences.

Billet workers not only need to be familiar with the performance of the mud, but also be proficient in the curve change of the shape and the shrinkage ratio of each part during firing, as well as the thickness of the mud in each part. Generally speaking, the thickness of the blank body varies in different parts of the same utensil, because the shrinkage rate and force of different parts are inconsistent when fired at high temperature, so the thickness of the mud blank in different parts should be controlled to prevent deformation during firing. The control of the thickness of the billet and its identification method are the key to mastering the billet technology and ensuring the quality of the billet. As a general rule of thumb, the thickness of the body is measured by touching the fingers up and down and gently tapping to listen to the sound of different parts. If the body is thicker, the bullet will make a "cluck" sound, and when it is repaired to a medium thickness, it will make a "dong dong" sound; When the high-grade porcelain body is repaired to an appropriate thinness, the elastic will make a crisp sound of "porphyry".

After that, it is time to dry, carve, glaze and other work, which is equivalent to refining the pottery to make it look more beautiful.

Finally, there is the kiln,

The steps involved in making a real ceramic are very complicated.

To practice mud, take porcelain stone from the mining area, first manually crush it with a hammer to an egg-sized block, and then use water to beat it into powder, wash it, remove impurities, and make it into a brick-like mud block after precipitation.

Then mix the mud with water, remove the slag, rub it with your hands, or step on it with your feet, squeeze out the air in the mud, and make the moisture in the mud even.

This is just the first step, and it's already so complicated.

Afterwards, there are blanks and blanks, these two processes have just been seen by Jinyang how the stall owner did.

Then there is the billet, the billet is covered on the barrel of the roller car, the car disc is rotated, and the knife is rotated to make the thickness of the billet body appropriate, and the surface and the inside are smooth, which is a process with high technical requirements.

How to say it, this step is equivalent to the pottery blank "trimming", "preliminary makeup", also known as "repair" or "spin blank", is the final determination of the shape of the key link, and make the surface of the utensils smooth, coherent, regular.

One of the most important and superior molding techniques of China's famous Jingdezhen porcelain is the internal and external repair, which is also a unique technical guarantee for the formation of Jingdezhen ceramic style.

The method of making ceramics in Mexico may be different from the porcelain-making process in Jingdezhen, but the difference between the two is not very large, it is just a matter of process differences.

Billet workers not only need to be familiar with the performance of the mud, but also be proficient in the curve change of the shape and the shrinkage ratio of each part during firing, as well as the thickness of the mud in each part. Generally speaking, the thickness of the blank body varies in different parts of the same utensil, because the shrinkage rate and force of different parts are inconsistent when fired at high temperature, so the thickness of the mud blank in different parts should be controlled to prevent deformation during firing. The control of the thickness of the billet and its identification method are the key to mastering the billet technology and ensuring the quality of the billet. As a general rule of thumb, the thickness of the body is measured by touching the fingers up and down and gently tapping to listen to the sound of different parts. If the body is thicker, the bullet will make a "cluck" sound, and when it is repaired to a medium thickness, it will make a "dong dong" sound; When the high-grade porcelain body is repaired to an appropriate thinness, the elastic will make a crisp sound of "porphyry".

After that, it is time to dry, carve, glaze and other work, which is equivalent to refining the pottery to make it look more beautiful.

Finally, there is the kiln,

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