said so, but he still took the time to look at the evaluation of him on the Internet?

Literature has its own unique style, and there is a beautiful appreciation of poetry and singing and dancing that is full of poetry and painting between the lines, which is the beauty of literature.

For thousands of years, traditional Chinese poems and articles have been either majestic and wonderful, or beautiful and exquisite, or light and respectful, each showing a generation of coquettishness.

In recent years, online literature has shined in the field of literature with its unique passionate emotions and its "alternative" language.

However, with its unique literary style, Internet literature shows people a new way of communication under the development of the Internet technology.

But it also has its many inconveniences.

Although it has existed since ancient times, it has not necessarily been carried forward in any era in ancient times.

Needless to say, the four famous books are famous enough!

But not everyone agrees.

Moreover, when it comes to the four masterpieces, everyone thinks that they are classics of Chinese culture, since they are classics, then, they should be enshrined next to the tablets of their ancestors.

Who would have thought that these admirable classics would be market literature, just like the "Golden **" or "The Legend of the West Chamber" that seems to be prostitution, or even the same as the "Shooting Surprise" with a strong market flavor, that is, a bunch of teahouse literature, street and alley vulgar discussions or even toilet culture, etc., isn't this a loss of classic decency, dignity and reputation, and disgrace traditional culture?

In fact, the four famous works are the same as the above-mentioned popular market literature masterpieces, and they belong to the market literature of classical Chinese literature through and through.

Their inclusion in the same category does not tarnish the four great masterpieces, but rather makes the context of classical Chinese literature more distinct.

In fact, although the classics of poetry in classical Chinese literature, such as Xiaoya, Lisao, and Cifu, can be called classics of temple literature, these literary cultivations that are not popular cannot cover all the starry sky of Chinese culture.

Traditional Chinese culture is not a mud-born bodhisattva with a straight face, waiting for people to worship incense.

The reason why Chinese traditional culture has thousands of years of appeal and control ability is that it regulates the cultural stars with the subtlety of temples, and unites people's hearts with heavy market habits.

The essence of the temple is ridiculed in the market, and it has become a swan song for the ages, which is the subtlety and endless exaltation of traditional Chinese culture.

In fact, Chinese traditional culture has experienced many major twists and turns and the development of decadent styles before it has achieved its own solemnity and magnificence.

If there was no gradual death of the literature of the Western Han Dynasty, there would be no sense of elegance in the free atmosphere of the prosperity of Jiangnan culture in the Three Kingdoms era of the Eastern Han Dynasty; if there were no political deeds in the Wei and Jin dynasties of the Three Kingdoms, which were ultimately fated by history to endless failures and tragic upheavals, then the subtlety of the literati style of the Wei and Jin dynasties would be unimaginable.

If Chinese culture loses the pinnacle of the Wei and Jin dynasties, and loses the indescribable and disdainful state of the literati of the Wei and Jin dynasties, such as drinking, turning over the dregs of medicine, and going crazy, then it is simply unimaginable that the elegant literati and elegant literary style that have continued to this day are simply unimaginable.

The Chinese literati who have been transformed by the Wei and Jin dynasties have fallen into such a virtuous manner, and this market and temple will meet and laugh at each other!

In fact, history has clearly shown that Chinese culture must be in the midst of displacement, and the accumulation of mystical scholarly fragrance and exile can finally become a great tool.

Chinese culture is naturally divided into two parts, the temple and the market, which is more logical than anything else!

In this way, market literature is not a head shorter than temple literature, and if temple literature can be high-spirited, then market culture can also be full of red light.

Having said that, the last two periods have been so mysterious, if I hadn't known that this wasn't true, I would have almost believed it!

Because of what happened in that era inside, things are really realistic!

Maybe that's one of the reasons why people love this book?

And the background of each period is different, these

It is not easy to explain in a sentence or two about the relationship between these three people, but one thing is constantly confirmed throughout the book, they are all close companions on the expedition together.

Another major feature of the book is that it completely defines the four major tomb robbery systems of Faqiu, Touching Gold, Moving Mountains and Unloading Mountains, and the concepts and methods of each system can be said to have their own characteristics and styles.

The technique between the two systems of Faqiu and touching gold is very close, Faqiu is slightly inferior in technology, but pays more attention to the cooperation of everyone, touches gold attaches great importance to the meaning and role of feng shui, they are proficient in "looking for the dragon" and "dividing the gold and fixing the acupoints", pay attention to the technical links, the two systems exist between each other, but they have their own rules, such as the seal of the mound and the touch of the gold charm, etc.; as for the system of moving mountains, they are usually good at the art of restraint, their whereabouts are hidden and difficult to find, and they have rarely communicated with outsiders for many years, but what they do is only to obtain "Danzhu" It is not for the sake of property, but there is a certain connection between the various systems, and the mountain can be regarded as the most concentrated and largest group of tomb robbers, all of whom gather to act, steal ancient mounds, and experience dangers and dangers, not just by the power of the hands and thieves.

These tomb robbery systems also have their own names, namely General Faqiu (in fact, the general is a common name, strictly speaking, it should be called Faqiu Zhonglang General or Faqiu Tianguan), Captain Touching Jin, Moving Mountain Daoist and Jieling Force.

In a broad sense, Faqiu and touching gold are actually the same system, and the symbol of Faqiu tomb robbery - Faqiu seal was destroyed as early as the Ming Dynasty Taizu Zhu Yuanzhang period, so it is often said that the three major systems of tomb robbery should be Faqiu touching gold, moving mountains and unloading mountains.

And from this book, even in different periods, there are corresponding characters corresponding to these tomb robbery systems, such as Zhang Sanlianzi (Zhang Sanye) and his disciples Lichen, Jin Abacus, Iron Grinding Head and Yin and Yang Eyes, which should be regarded as representatives of the Golden School Captain.

Later, Hu Bayi inherited half of the "Sixteen Character Yin and Yang Feng Shui Secretary" that his grandfather inadvertently obtained and another important character in the book, Partridge Whistle, together with his younger brother Lao Yang and younger sister Hua Ling, these people are mountain movers during the Republic of China, and Shirley Yang is the granddaughter of Partridge Whistle;

The main body of the book revolves around Captain Mojin, but some of the tomb robbing techniques of the mountain movers and the Jieling Lux have also been described and explained in more detail in some parts of the book. ”

"Indeed, it's the same as what is written upstairs, I just think the background of these two periods in it is too realistic, and I always feel that I really have the same heart as this period. ”

"Ibid.╭(╯ε╰)╮"

"There are eight volumes in the book, and it's not easy to say that I have my favorite.

They all have their own highlights and shortcomings.

Strictly speaking, like "Exquisite Ancient City" and "Longling Grotto", these two volumes are not actually telling an independent story of tomb robbery, but they both have their main events.

If I want to talk about my opinion, I will break it down into volumes:

"Exquisite Ancient City" is the first volume in the "Ghost Blowing the Lantern" series, the first half of which mainly talks about Hu Bayi's grandfather and some of the past events of his youth, and also explains some related content of tomb robbery, such as terms such as "inverted bucket".

Like the white paper man, the nine-story demon tower and the savage ditch, these made me gradually feel the strange atmosphere of "Ghost Blowing the Lantern", especially the burning ladybug, which ignites when touched, and the person on fire will turn to ashes in an instant.

The second half of the volume is the main topic, with Hu Bayi, Fat Man, Shirley Yang, and Professor Chen going on an archaeological expedition to the "exquisite ancient city" near the Taklamakan Desert in Xinjiang.

In addition to the typical desert catastrophe and the predicament it causes, I think what really memorable me is the terrifying legend of the Absolute Queen, the great threat posed by the hordes of black snakes, and the illusion formed by the corpse incense konjac flower.

All these have to make me admire the imagination of the author.

In addition to the ever-present mystery, the biggest temptation of "Exquisite Ancient City" is that the Exquisite Queen in the invincible ghost cave does not show her face from beginning to end, making her the biggest suspense in this volume.

Even though this is only the first volume, I thoroughly fell in love with "Ghost Urging the Light" and has been out of control ever since.

"Longling Grotto" is difficult to leave a deep impression in my mind.

The content of this volume is relatively scattered, but the main body of the whole volume is nothing more than the section where the ghost tomb of the Western Zhou Dynasty is inverted, and I don't have any special feeling in the early stage of this paragraph, but it is more than "Exquisite Ancient City" In other words, it is a little more gloomy and terrifying, but when I saw the Hanging Soul Ladder trapping Hu Bayi, Wang Fatzi and the big golden tooth, I couldn't help but be amazed, I had to marvel at the ingenious combination of environment and plot, the content and atmosphere to create an attractive detail, this detail can be called the genius of the whole volume, in addition to the thrilling human-faced spider.

Later, this volume also mentioned that Partridge Whistle and Elder Lichen went to Blackwater City in Western Xia to hunt for treasures, which made people understand some tomb robbery stories of Captain Jin's tomb from one side.

In addition, another important feature of this volume is the appearance of the blind man, and the next volume is led to by the coffin shop of the stele shop offering the king of the sapient technique and the human skin map of the blind man.

At the beginning of "Yunnan Worm Valley", a creepy atmosphere began to be revealed from a car accident.

This volume shocked me very much, and all kinds of supernatural and adventure elements were filled with it, making the already relatively tight rhythm seem ups and downs.

Now I think so, a kind of magic described in this volume is the most bizarre and terrifying thing in the whole book or even the whole book, this strange ritual that is almost demonic makes people's hearts uneasy for a long time.

The canyons and rivers connecting Yunnan Worm Valley and the Tomb of King Xian, the poisonous mist forest, the fossil forest, the gourd cave, the deep pool of the Tiankeng and the haunted house all make people marvel at the rich imagination of the author. Perhaps this volume is also the most colorful, with a strong sense of deterrence in both picture and color.

In particular, the phenomena of corpses on the water surface, ghost fetuses and broken eggs and the corpse hole effect are even more impressive.

The last chapters of this volume begin to lay the groundwork for the next volume, and one can look forward to the development of the plot of the next volume.

Kunlun Shrine is the fourth volume of the book and the last volume of the first part.

This volume summarizes some of the previous events and episodes to some extent. There is another more important task in this volume, that is, the old port farmer - Uncle Ming.

At the beginning of this volume, it felt like an archaeological expedition to an exquisite ancient city, but this time it was changed to Kunlun Mountain.

Since ancient times, Kunshan has been the brewing place of myths and legends, so this volume is very mythological.

And the terrifying atmosphere created by things like the Immeasurable Karmic Fire and the Poor Divine Ice is also one of the highlights of this volume.

What impressed me deeply, in addition to the accident of Crystal Freedom Mountain and Demon Sea City, the part of the life and death sign also made me thrilling, and at the same time, it also depicted Uncle Ming's opportunistic and hidden killing characteristics vividly and exquisitely.

I think this volume covers many elements of the first three volumes, and although it doesn't feel like there is any obvious innovation, it still does a very good job of making a relatively complete ending.

"The Tomb of the Yellow Skin" is the second volume of the "Ghost Urging the Lamp" series, and this volume is not directly related to the previous volumes, but the author skillfully uses flashbacks to recall the strange experience with the fat man when he was in the queue in Daxinganling through Hu Bayi.

In the early stage, in the east and north, some legends of the rivers and lakes led to all kinds of strange events of Huangpizi, and most of the latter part immediately followed by the meeting to narrate the adventures of Hu Bayi, Wang Fatzi and Ding Sitian, and the old sheepskin in Inner Mongolia.

Personally, I think the biggest highlight of this volume is the demonization of weasels and the strange and weird "mind reading".

In addition, there is also the incident of the corpse of the old sheepskin finally being struck by thunder, which makes people feel more and more terrifying the more they imagine.

The atmosphere created by these absurd and bizarre events for this volume, as well as the heinous behavior of the Japanese army invading China revealed from the scene laying, I think are the key points that "Yellow Skin Grave" needs to express. ”

"I'll go, the upstairs explanation is thorough enough?"

"How can you hang like that" (╯ε╰)╮"

"When will I be able to show off like this?"

"Duxiu touched the trophy 🏆 and didn't want to speak╭(╯ε╰)╮"

"Quietly watch the big guy speak╭(╯ε╰)╮"

"At this time, isn't it time for the author to come out and worship and admire!(◜◡^)っ"

"Hahaha, I like the sentence "people light candles, ghosts blow out lamps" ......"