It is an extremely difficult task to completely replicate such a fine and tight pattern. The pen "Fun" Pavilion www.biquge.info in terms of the "Prelude to Extinction" in normal proportions, can only be depicted on small and medium-sized alchemy items.

If you want to depict a tiny alchemy item like the "Golden Arrow", you need to shrink the magic energy array in equal proportions, and the normal proportion of the "Prelude to Extinction" is already a cloud of pitch black, and then shrink it to make it even darker. It is no longer distinguishable with the naked eye, and even if you draw with a brush tip as thin as a hair, it may be too thick.

However, it is already a very late stage for the ratio to be reduced, and before that, he must at least successfully portray the lines of the "Overture to Extinction".

Ingres didn't immediately start depicting it, but took out the "Enchantment Encyclopedia - Advanced Chapter" and continued to flip back.

The pattern of "Prelude to Death" is very complex, but the function is very simple: once this magic energy array is activated, it can release an extremely low sound frequency, which can cause the energy imbalance within the undead to achieve the purpose of destroying the undead.

According to Ingres' understanding, this is a kind of infrasonic attack. Sound waves with frequencies below 20 Hz are infrasound, which are extremely long wavelengths and do not easily die in ordinary media.

Ingres speculated that the extremely low sound frequency released by the "Overture to Death" must have resonated with some kind of energy inside the undead, causing an imbalance in the energy and causing the undead to collapse.

Of course, this is Ingres's speculation, and he doesn't have a sonic spectrum tester either, so he can only analyze it with logic.

After reading the chapter of "Overture to Death", Ingres did not stop there, and continued to turn backwards. He wanted to see if there were any other enchantments that destroyed the undead besides the "Prelude to Extinction", preferably with a simpler pattern than the "Prelude to Demise".

It took Ingres more than half a day to sweep the "Enchantment Encyclopedia - Advanced Chapter" slightly, close to 10,000 magic energy array enchantment patterns, and Ingres only felt dizzy after reading it, and his eyes were all pitch black.

Almost all of the patterns are of similar difficulty to the "Prelude to Death", and only if you look closely will you notice the difference in texture, and from a distance it is a dark black. In the "Advanced Chapter", Angel also discovers 13 types of magic energy array enchantments that deal with the undead, and some of these magic energy arrays are not specifically aimed at the undead.

For example, a magical array called "Mass" was originally used to purify the soil and drive away darkness, but it can also be used to purify the filth of the deceased and sublimate their souls.

The effect of the "Mass Chapter" is outstanding and the scope of application is extremely wide, correspondingly, the number of magic patterns that compose it is also amazing, as many as 36, and each magic pattern is extremely complex. Moreover, it is recorded in the book that the "Mass" is basically engraved on large alchemy items, and the materials that can fit with the "Mass" are also priceless, and once successfully made, they can be used as strategic props.

With Angel's current ability, let alone whether he can draw it or not, the cost of materials alone is not something he can afford, and it is estimated that it is equivalent to the hundred-year income of a small wizarding organization. But it may not be possible to buy it if you put it together, and some of these materials are close to extinction in the wizarding world and the pan-wizarding world. In the end, even if you buy it, if you want to smelt these materials, there is no way to do it at Angels' level. When he reaches the official wizard, he may be able to try.

It can be summed up in two words: no play!

Most of the other demonic energy arrays that destroy the undead are also like the "Mass", either no play, or more complex than the "Prologue of Death".

Therefore, in the end, Ingres can only return to the "prologue of extinction".

Before that, Ingres hesitated for a moment and clicked on the next folder - "Enchantment Encyclopedia - Perfection".

This folder was only opened by him when he was organizing the documents and pictures, and it was never touched again. Ingres hasn't read the contents either.

After opening the folder, dense pictures appear in front of you.

Angels glanced at it, about 2,000 pictures. If a magic array occupies two pictures, one for the pattern and one for the paraphrase, then there are about 1,000 magic arrays in this folder.

Compared with the previous introductory, basic, and advanced chapters, the perfect chapter records a lot less.

But how difficult is it...... Angels opens a picture.

After just a cursory glance, he closed his eyes in fright.

What did he see? -- dense lines.

Ingres had been accustomed to the simple pattern before, but the reason why this pattern made him close his eyes in fright was purely because of ...... It's not simple!

Is this sure it's a magic energy array, not a three-dimensional geometry?!

This magic array doesn't look difficult, there are only 16 magic patterns, and the arrangement is not too dense, and the blank part can be seen with the naked eye. But...... Not all of these 16 magic patterns are on a single plane, and several magic patterns actually appear three-dimensional crossing, three-dimensional overlapping, and mirror staggering.

Alchemy props are three-dimensional, yes, but how to portray the magic energy array into three-dimensional?!

"Hehe, I'll meet again. Angel silently pressed the "X" in the upper right corner, and he wouldn't open this folder again, at least...... Advanced Wizards will not open it before.

Ingres is back to the "Prologue to Demise" motif.

After some tossing, when he looked at the lines of the "Prologue of Extinction" at this time, he felt very relaxed and simple, such a simple and unpretentious pattern, practicing one less one, he must know how to be grateful and cherish.

Although the pressure in my heart is much less when facing the lines of the "Prologue of Death", how to practice it is still a problem that needs to be solved urgently.

The solution, Angel quickly figured out.

The normal proportion of the texture is too dense, and it is black, so let's wait to enlarge it!

Ingres adjusted the projected data and easily magnified the "Prologue of Demise" by a factor of 10, which was absolutely impossible for other alchemists. Although it is said that the proportional magnification and proportional reduction are indeed the basis of enchanted alchemy. However, everyone else will spend a lot of time and energy trying to scale up and down after mastering the pattern in normal proportions.

Angel can zoom in directly and quickly find the most suitable ratio for his practice. In this way, his growth rate in enchantment alchemy naturally far exceeds that of others.

After magnifying the "Prologue of Extinction" by 10 times, you can see obvious blank space between the lines, and at the same time, the complicated true face of the "Prologue of Disappearance" is also revealed.

Looking at the full lines, Angel sighed: "This workload is too much, just copying it completely, it is estimated that it will take a day or two." Anyway, try copying it first. ”

For the first time in the Magic Energy Array, Ingres had only one goal:

Let's see if the bearing hinge between the two magic patterns can transition smoothly.

The enchantment of the magic array involves some kind of mysterious operation law, and for other alchemists, it is not enough to simply memorize, and it is necessary to understand the meaning between the magic patterns. However, Ingres is copying, and it stands to reason that his memory will not be blurred, but this will require him to test to be sure.

The first time I copied, the goal was not achieved. When the 69th stroke was drawn, the sweat on the tip of the nose fell on the barrel of the pen and trembled slightly, causing the lines to deviate.

The second attempt, the goal was still not achieved, and failed at the 419th stroke.

The third attempt, failed.

Fourth Copy...... Fifth ...... Sixth and Seventh ......

It wasn't until the eighth time that Angel finally managed to copy a magic pattern. The next moment is the critical moment, can you smoothly accept the hinge and smoothly transition to the second magic pattern?

Hook and skim and turn, then draw a circle, and when it is two-thirds of the way, go back counterclockwise......

After half an hour of bearing the hinge, the nib finally entered the second magic pattern after a diagonal pull!

At this point, Ingres's heart was overflowing with joy, and his emotions were out of control, and the lines of his pen took a slight nap, drawing an end to this copying.

Although the copying failed again, Angel was still happy, at least he could confirm that with cheating, he should be able to draw the magic energy array completely.

But here comes the problem again.

Even if he could copy the magic energy array completely, it would only be on a blank piece of paper.

When it comes to formal alchemy, the portrayal of the magic energy array requires a steady and continuous output of magic power, and it takes two days just to copy it, not to mention whether the energy can make him last so long, just his magic consumption is a problem?

Even if he copied the "Prologue of Disappearance" to the point of being very proficient, it would still take him a day or so to portray it.

Angel calculated for himself that if he only had a steady output of mana to enchant, he should be able to hold on for half a day.

Where to find the total amount of magic power left in the remaining half a day? Also, when depicting, he also has to ensure that the heat melting method and the magic hand are uninterrupted, and this is a big eater of magic power.

So...... He couldn't continue until he solved the problem of mana.

......

A week after Ingres disappeared, he once again came to Promi's Alchemy.

When he arrived, it was the most leisurely time of the day, and David was quietly wiping a rough machete on the counter with some kind of green juice.

A machete that is completely different from the style of the wizarding world, its name:

-- Chinese kitchen knife.

Ingres gave Davy most of his alchemy creations to sell, and this kitchen knife was his second alchemy creation, which he had refined in order to experiment with one-piece molding.

Aside from being sharper, it has few advantages.

It wasn't until David completely covered the green juice on the kitchen knife that he noticed that there was an extra person in front of him.

"Angel?"

David put the kitchen knife aside before saying, "You can count on it, Master Prome has been waiting for you in the store these days, and he didn't go back until last night." ”

Hearing that Promi had been waiting for him for a week, a faint trace of guilt rose in Ingre's heart, he was addicted to cultivation these days and couldn't extricate himself, and he didn't think that Promi would be waiting for him in the alchemy shop all the time......

"There's a lot of misleading information, ahem, I looked for a long time to find some signs. Ingres tilted his head, covered his mouth with his fist and pretended to cough twice, and said in a slurred voice.