He doesn't have any problems with the script, it's just a matter of whether it's suitable or not.

You must know that the inheritance of Chinese culture and civilization has a long and profound history.

As a big country culture, to be honest, China in the other world is indeed a little deeper than the Chinese country here.

And when it comes to dramas, to be honest, the scripts that Li Xusheng took out before are good, but they are not very classic.

The first play of Chinese drama in the past century, a monument to the history of Chinese drama?

Thunderstorm

It made the 24-year-old teacher Cao Yu Cao also a blockbuster and made Chinese drama mature.

In the past hundred years of Chinese drama, if only one drama is selected as a representative, it must be "Thunderstorm".

It is the first readable and actable drama in China, and its birth has broken the previous situation that China could only perform foreign dramas; it is the masterpiece with the most performances and the largest number of performance groups in the history of Chinese drama, and it is a myth and miracle in the century-old history of Chinese drama; the performance history of "Thunderstorm" for several decades is also a history of Chinese drama director's art and social acceptance, and it is also a history of the development of Chinese drama performance.

All these make "Thunderstorm" a well-deserved "first play of Chinese drama in a century".

"Thunderstorm" Li Xusheng also knows that after all, he is so famous, and even when there is a performance, he has specially watched it, so he is still very impressed.

However, he didn't directly choose the script of thunderstorm, after all, how to say it?

"Thunderstorm" was created in 1933, and just two years ago, the (9) and (8) incidents of devil invasion had just broken out.

At that time, there was an upsurge of anti-Japanese resistance throughout the country.

Mr. Cao Yu and Mr. Cao also actively participated in anti-Japanese propaganda.

Lu Dahai in "Thunderstorm" has the shadow of a thoughtful and wise young worker whom Cao Yu met in Baoding.

Therefore, the plot in this is a bit twisted compared to the current Huaguo!

Of course, it's not that it can't be used, after all, here, it can also be used as an overhead background!

When it comes to dramas, it is inevitable to talk about several classic dramas in China!

"Teahouse"

Known as "the miracle of the Oriental stage"

It is the most prestigious repertoire of contemporary Chinese drama stage, and the most successful work of the great playwright Lao She in his later creations, and has been praised as "a miracle on the oriental stage" by foreign experts.

When the younger generations of the drama continue to look back at this classic with a posture of looking up, they find that excluding the complex plot twists and combinations, and eliminating the standpoint judgment of the unique era, what wanders in Lao She's pen is actually a kind of classic oriental aesthetics that is "freehand" and ready to be developed.

In September 1980, "Teahouse" was invited to perform in the former West Germany, France and Switzerland, marking the first time that Chinese drama went abroad.

By May 27, 2004, "Teahouse" had been performed 500 times......

A three-act drama, with the joys and sorrows of the worldly and the little people, condenses the vicissitudes of China for half a century, leaving a huge cultural background for future generations.

Not to mention, under the fame, coupled with the fact that Li Xusheng was frantically absorbing knowledge, it doesn't matter if he is uneven, since he has this fame, he has to take a good look.

So, wherever there is a performance of this, he goes.

Although the background of the script is as inappropriate as the thunderstorm, you can save it for the end!

At this time, Li Xusheng was also recalling the classic dramas he had watched at the beginning, and even went to watch them in person.

Qu Yuan

This is no stranger to everyone.

"Qu Yuan", the master of historical dramas, is not only the most glorious masterpiece of revolutionary historical dramas in the 40s of the last century, but also a rare artistic treasure in the entire history of modern literature.

This five-act historical drama completed in ten days in one go can be described as the most accomplished and influential historical drama of the drama giant Guo Moruo, which vividly shows Guo's revolutionary romanticism style.

Japan, the Soviet Union, Romania, the Czech Republic and other countries staged Qu Yuan for more than 600 performances, setting a record for the highest number of Chinese dramas staged abroad.

Under the fame, Li Xusheng has learned about it, not to mention that Qu Yuan is also a big historical celebrity, how can he say that he is also a river jumping expert [laughing and crying/?]

And not to mention, this script is quite appropriate.

After all, there is also Qu Yuan, a historical figure here, relatively speaking, it is still okay in terms of substitution.

Oppression

An exemplary work of modernist drama.

Written in the winter of 1925, the one-act play "Oppression" was considered by Hong Shen to be "the only masterpiece of creative comedy of that period".

Hong Shen, whose scientific name is Hong Da, is known as Bojun, Qianzhai, alias Qianzai, a native of Wujin, Jiangsu, is a Chinese film and drama theorist, playwright, and director. He has carried out comprehensive practical and theoretical explorations in screenwriting, directing, and acting since the beginning of the initial period of Chinese drama and film, and is one of the founders of modern Chinese drama and film.

A very powerful person.

"Oppression" is a drama that can be said to have created an exemplary character language and the most acclaimed drama structure, which is rare in most crude and low-quality works of the same period.

Ding Xilin's "worldly comedy" did not get the evaluation it deserved in the era in which he lived, and "Oppression" was no exception.

In fact, Ding Xilin's comedy, represented by "Oppression", is a model of China's earliest successful attempt at modernist drama, with a certain degree of "advancement", and is a unique existence in the entire history of Chinese drama.

Under the Eaves of Shanghai

Written on the eve of the Anti-Japanese War, Under the Eaves of Shanghai, the drama of the Anti-Japanese War exposes the dark reality of the Kuomintang rule through the tragic experiences of a group of small people living in the alleys of Shanghai, and their joys, sorrows, and sorrows, hinting at the prospect of an impending thunderstorm, in an attempt to make the audience "hear the footsteps of the coming era."

The script is good, but it's still limited to the background.

The White-Haired Girl

An important symbol of the dramatic achievements of "socialist realism" in the Yan'an period is the excellent multi-act play "The White-Haired Girl" created by the Lu Xun Academy of Arts in 1945 and written by He Jingzhi and Ding Yi.

Although it is a new opera, the stage style is similar to that of a drama, and it is the product of a clever combination of drama and folk songs, and successfully expresses the theme of "the old society turns people into ghosts, and the new society turns ghosts into people".

Its emergence and successful promotion provided an exemplary effect for the drama creation mode of "socialist realism" after the founding of the People's Republic of China.

"In the Silence"

Uh, this, forget it...... [囧/]

Absolute Signal

In November 1982, Lin Zhaohua's "Absolute Signal" premiered at the Beijing Renyi Small Theater, opening a precedent for the small theater movement in the new era.

This successful experimental performance became the pioneer of China's own drama during the transition period, and aroused an interest in the exploration of small theater drama in the theater world. The play breaks the fixed mode of communication between the traditional drama audience and the actors, and also disrupts the "chronological" time structure of the traditional drama "present progressive".

I have to say that the dramas at that time were constantly moving forward and innovating, which can be called an era of great development.

"Secret Love in Peach Blossom Spring"

It is also a classic that is well-known in Asia.

In 1986, a stage play, "Secret Love in Peach Blossom Spring", established Taiwanese dramatist Lai Shengchuan (blog) and his acting workshop in the theater world.

Since then, the four rehearsals have made the play a well-known classic in Asia, and Lai Shengchuan, who is a writer and director, has also become famous at home and abroad, and is known as "an indispensable heavyweight in the Chinese drama world".

This is indeed famous, before coming here, Li Xusheng himself considered whether to watch a show, but unfortunately there was no public performance of this drama in the short term at that time.

So it's a pity......

Love in a Fallen City

"Love in a Fallen City", which continued to write two legends and was selected as the "Top Ten" in 61 years, refers to two different versions of time and space separated by 61 years.

Zhang Ailing wrote "Love in a Fallen City" in 1943, and the following year she personally adapted it into a modern drama with 4 acts and 8 scenes, which was performed by Dazhong Drama Art Company at the Shanghai Shin Kong Theater on December 16.

That version of the drama was directed by Zhu Duanjun, with a strong cast, Luo Lan played Bai Tassel, Shu Shu played Fan Liuyuan, Wei Wei played Mrs. Xu, Haitao played the Indian princess, and Duan Mulan Xin played the fourth grandmother......

All of them are instant red stars.

Sixty-one years later, the Hong Kong Repertory Theatre performed "Love in a New Fallen City", and director Mao Junhui extended the abrupt ending of the original book......

Although it is very powerful, Li Xusheng did not go to the scene to see the performance of this script, not that he didn't want to go, but the performance location was too far away, so he was too lazy to go.

Besides, at that time, when he received so much knowledge in a row, it seemed that it would be no good to look at it again, so he didn't bother to go.

It's better to digest it at home.

Of course, Li Xusheng still knows about the author Zhang Ailing, but the sentence he is most familiar with is still that sentence, and it is necessary to become famous as soon as possible......

Needless to say, after all, we can't do things later...... Of course, in fact, this sentence is more applicable now?

……

……

There are many scripts, and Li Xusheng himself is slowly sorting them out in his mind......

At last......

"Thunderstorm...... Forget it, although it is a classic, but ......" Li Xusheng thought about it, he was not afraid of the script, he also filmed Lin Minhui's group of little girls without that acting skills.

So the next ......

"Teahouse...... Well, it's not good......" Li Xusheng still shook his head, nothing, it's still the same sentence, acting problems.

Lin Minhui and they have a few pounds and taels, although he is not clear, but he still knows a little bit of the foundation, how much strength they have and whether they can perform He still has a comparison.

Of course, this is that everyone will improve, it depends on whether there is a chance to perform in the future.

So the next ......

Qu Yuan...... This one is ok......"

Li Xusheng muttered, thinking about the details of this script to see if it was suitable.

But he thought about it, and compared this with the latter ones?

"Oppression", "Under the Eaves of Shanghai", "The White-Haired Girl", "In the Silence", and "Absolute Signal" are all good, after all, they are all classics, but Li Xusheng still finds it difficult to decide after thinking about it.

"Compared with "Qu Yuan", in fact, "Secret Love in Peach Blossom Spring" can also be used!" At this time, Li Xusheng muttered this.

As for why he mentioned his crush on Peach Blossom Spring, it was actually because he knew more about this show.

At the beginning, he was the one who worked hard to study the deepest, so he still subconsciously felt that since it was difficult to choose, he should find someone familiar with him.

"That's it!"

Li Xusheng slapped the table and made up his mind......

Then he took out the manuscript paper from the drawer, picked up the pen and began to write.

I didn't hesitate too much this time, after all, there was so much water!

"Secret Love in Peach Blossom Spring"

In fact, it is the collision and intersection of the two plays "Secret Love" and "Peach Blossom Spring".

Among them, "Secret Love" is about the tragedy of a pair of troubled lovers, Jiang Binliu and Yun Zhifan, who love each other but can't stay together, and "Peach Blossom Spring" uses the intricate triangular relationship between the fisherman Lao Tao (peach), Chunhua (flower) and Yuan (Yuan) boss as the gap between Taoyuan and Wuling.

From the plot point of view, they each represent traditional and avant-garde art styles, "Secret Love" seems to be more like a main line, and "Peach Blossom Spring" is like a restless swimming dragon, wandering in the main line from time to time.

"Secret Love" and "Peach Blossom Spring" seem to have nothing to do with each other, but Lai Shengchuan still has a deep meaning in letting them seize a stage at the same time.

"Secret Love" is a modern tragedy, young men and women Jiang Binliu and Yun Zhifan met in Shanghai because of the war, but also separated due to the war; then the two fled to Taiwan together, but did not know each other, and only after 40 years of bitter love were able to meet, when they were married to a man and a woman for many years, Jiang Binliu was on the verge of death.

"Peach Blossom Spring" is a costume comedy, Chunhua, the wife of the mermaid husband Lao Tao in Wuling, had an affair with the landlord Boss Yuan, and Lao Tao ran away from home in Peach Blossom Spring;

"Peach Blossom Spring" is actually nominally based on Tao Yuanming's "Peach Blossom Spring", but in fact it has little to do with Peach Blossom Spring.

Yes, it's just a similar topic.

"Secret Love in Peach Blossom Spring" tells a peculiar story: "Secret Love" and "Peach Blossom Spring" are two unrelated crews, they both signed a peace agreement with the theater for the night's rehearsal, and the two sides are in dispute, and neither of them will give in.

As the performance was imminent, they had to rehearse in the theater at the same time, thus creating a stage spectacle of ancient and modern sorrows and joys.

Therefore, the play "Secret Love in Peach Blossom Spring" is famous for its peculiar dramatic structure and mixed viewing effects of joy and sorrow.

……

……

For the plot, keep it in mind, of course, thanks to your own unique brain.

So this pen is like a divine help, and it is fast......

In the study......

Time passed slowly, and after Li Xusheng finished writing the script, he did not stop, but continued to write, of course, what he wrote was also the script.

After he finished writing the script of his crush on Peach Blossom Land just now, he was thinking, in that case, why not write all those classic works just now?

Although it may not be used, it seems to be a waste to just put it in your head?

So, I didn't think much about it, anyway, it won't take long, it's better to write together, and I still need pen and ink to serve later......

……

……

And that day passed.

The next day.

Morning.

Toilet......

"Uncle, where's the script?"

It's early, Lin Minhui, who had just entered the door, went straight to Li Xusheng and asked.

"Evenly?"

Li Xusheng turned his head, still brushing his teeth, and foaming at the mouth......