"There is no highest realm, the height that Ye Fan stands at this time is the same as the Heavenly Dao, the difference is that the Heavenly Dao is ruthless and the Heavenly Emperor is affectionate, Ye Fan looks down on the world for hundreds of thousands of years, and the world cannot find opponents and opponents, at this time, the only thing that can make him adhere to his own Tao and his wife and daughter who are still in the fairy realm.

Emperor Ye Tiandi's mind is even more difficult to find in the world, even Chengxian is with the people around him, whether it is a friend or a once old heavenly soldier and general, which emperor has such a mind and talent The final plainness is the real finishing touch, saying that Ye Fan is a fuller, more real, and more complete person. ”

"On the top floor, I don't think it's unfinished, but I privately think that the author has nothing to write about in the later stage.

At most, I will explain other things, and try to make the story of Shatian more complete, but as the protagonist, I think Ye Fan died in the dark turmoil, and he can already be remembered for eternity, and he has retired after his success.

After all, the Terran Holy Body died generously for the sake of cosmic peace, which is really satisfying and in line with many people's plots and definitions of decent heroes.

So why does the author hold back the words of the next few hundred chapters

I think it's mainly to supplement the worldview, to put it bluntly, it's to fill the pits, there are still a few of the forbidden areas that haven't moved, the curse of the Yuan Tianshi has not been explained, the Immortal Emperor doesn't know what he's doing, where did the Qing Emperor go

Is the elder brother of the ruthless emperor Ye Hei or not?

Can Ye Hei play brother-sister love with the ruthless emperor, or beep as close relatives

So in order to fill the pit, the running account behind is nothing more than Ye Fan's frequent breakthroughs, fighting several sublimated supremes by himself, and after becoming an emperor, it seems that there is nothing to write about, so he sent Ziyue and his daughter to the fairy world, and then Ye Fan began the reincarnation of immortality and immortality.

At every turn, the blood dries up, and then it becomes vigorous again."

"Appendix or something, I don't care, but what, Emperor Zun's knife and pen in the early stage is a decent person who has the world in mind and raises the religion to ascend to immortals, and when it is near the end, Ye Fan took Lu Ding to discuss with the ruthless people, and the emperor's plan for millions of years was destroyed, and it was even the end of the war, which was the most oss few crosses, Ye Fan once talked about the immortal emperor and said that even if it is a pig, it will be unfathomable if it lives for millions of years.

Until the end, there are still too many holes to fill, so we can look forward to the follow-up here."

"Yes, although I also agree with what others said about the interpretation of the Golden World, Ye Fan's mentality in the later period, etc., I do feel very good, but when I see the real fight against the Immortal Emperor and the Emperor, I still have a feeling of unfinished. ”

"In that life, the sons of the world came out together, the heroes rose together, and the emperor competed on the road.

Lonely, fighting the world, leveling the forbidden area, destroying the Supreme, and finally invincible in the three thousand realms, pushing the nine heavens.

The Eucharist is complete, the king is in the nine heavens and ten earths, the red dust is an immortal, jumping the cycle of life and death, but it is difficult to slow down the pace of the years, see the red face and white hair into dry bones, see the vicissitudes of the world into mulberry fields, and leave the eternal hatred and loneliness of a lifetime"

"I don't know if it's rotten or not, I just know that I like this one, and it's one of the other women's

Of course, in this line of work, there is actually a difference.

Take the difference between the performances of movies and TV series in terms of size, precision, rhythm and style, let's talk about size

For example, there are too many categories of actors, singers, dancers, opera actors, opera actors, acrobatics, magic, ventriloquists, dubbing, radio dramas, instrumental music, sketches, film and television dramas, etc. In terms of general formal attributes, the performances of cross talk, sketches, dramas, TV dramas and movies should be in the same category, and they are all performances based on realism.

In other words, these art disciplines are the closest to people's lives.

Therefore, the actors in these industries often have cross-border performances with each other.

What they need to adjust is the size of the performance, which is also called the proportionality of the performance.

The requirements for size come from the platform of the performance, the relationship between the audience and the performance, and the artistic effect it pursues.

The performance platform for cross talk, sketches and dramas is the stage of the theater, or the studio hall of the TV station, which is often far away from the actual audience.

The audience often can't see the actors' facial expressions clearly, so the actors need to amplify the volume of their lines and body language to convey their performances to the audience.

That's why you may be very useful when you watch a play in the theater, but when you watch the video of the same play on a CD, you will think that the actors are exaggerating. In the same way, in the evening sketches of TV stations, the cameraman will not often give too many close-ups of the faces of the sketch actors, because that will really scare the audience in front of the TV.

The performance platform for TV dramas and movies is the lens of the camera and the camera, and the lens is divided into different scenes.

In the panorama, the actor can refer to the performance size of the drama to moderately enlarge the body and language, in the medium scene, the actor will return to the size of the performance in life, and in the close-up and close-up, the actor will need to reduce the size on the basis of life. For example, in the drama of surprise, maybe it is appropriate to stand up suddenly, but in the shot, if it is a close-up, you stand up suddenly, and you are "out of the picture".

So from a technical point of view, film and television actors are performing for the camera, and the size must be between the square inches of the lens to make the audience look comfortable.

Cross talk, sketches and dramas are all stage performances, and the relationship between actors and cameras is not very large, they mainly rely on the interaction with the audience.

The relationship between the actor and the audience is referred to as the relationship between the audience and the audience.

The applause, laughter, and even the noise and cheers of the audience will affect the performance of the actors.

The audience's positive interaction will make the actors excited, and they know that everything is just right. On the contrary, those noisy, cold, cheering, and mobile phone ringtones will make the actors panic, so as to subconsciously increase the size of the performance, "please" the audience, and hope to get the audience's recognition and resonance.

The audience of film and television actors sees their performances indirectly from time and space.

The viewing media are televisions, computers, mobile clients, and movie theaters.

Televisions, computers, and mobile apps have small screen sizes, so the slightest flaws or exaggerations won't be too much of a concern for viewers.

It's not that the audience doesn't want to care, it's just that our naked eyes don't have such a strong ability to correct errors.

But the movie is for the movie screen, every detail of the actor's performance is infinitely magnified, and the viewing environment is closed and dark, and the audience's engagement is stronger, so the performance in the movie must be extra cautious and strictly follow the size acceptable to the audience.

And what is the size that is acceptable to the audience?

The size of the life, or the size that fits the size of the life, the artistic size.

Cross talk and sketches are art forms for the purpose of pursuing laughter, and the performances of screenwriters, directors and actors will be exaggerated in life, so the performance size is the largest.

Drama performances are still pursuing complete realism, but because of the limitations of the stage, the size is slightly lower, but it is still larger than the real size in life.

Film and television dramas are all almost real-life shooting, the pursuit of reality, through reality, guide the audience into a dream-like viewing experience, infect the audience with as real emotions as possible, and strive to share joys and sorrows with the audience.

The truth of life and the truth of art can achieve this hypnotic effect.

Therefore, the size of the performance of the TV series is very small, as close to life as possible, and the movie, we mainly refer to the realistic film, among all the above-mentioned realistic performances, the size of the film performance is the smallest.

To be surprised in the movie, perhaps, just need to blink your eyes.

Of course, a good movie, the film is very demanding, to put what the director wants to express in about 2 hours, there are extremely high requirements for the plot, picture, etc., and a good movie even needs to be shot for several years.

TV series are different, one episode a week is filmed at the point of conscience, and even one episode is filmed one day, and the dubbing is edited immediately after filming, and even the rougher ones are available.

Of course, Li Xusheng wouldn't do such a thing.

It is not good for oneself to harm others.

However, in this circle, actors aspire to become actors in movies.

The main reason is the salary.

An actor in a TV series, a few years ago, even if he was the leading actor, it was already sky-high to have hundreds of thousands of dollars in an episode

And this has to be a star above the first line.

Not to mention some small actors.

And the starring role of the movie is bigger, and it is all tens of millions of salaries.

Let's ask, driven by this kind of interest, who can endure it

But it seems that I have recently heard that some actors have a salary of up to 100 million yuan in TV dramas, and I don't know which sky-high actor it is.

Li Xusheng estimated that he should not be able to afford it.

And Director Zhou looked at Li Xushengyun's light appearance, and he was also helpless, and said, "Forget it, anyway, you kid is not here, these differences are no different from you." ”

Yes, there are now words that are better for filmmakers than TV drama people.

It's like saying that being a TV drama actor is better than being a movie actor.

And it must not be messed around, such as a movie actor who takes on a TV series scene.

It's not that it's impossible, it's a habitual effect.

In people's subjective consciousness, movies are more high-end than TV series.

After all, one is to spend money to watch, and the other is to be watched without spending money, and there must be a difference.

Therefore, if a movie actor takes over the drama of a TV series, he will definitely marry and dispute, and even if he doesn't, he may also end up with a bad reputation.

However, if a TV drama actor takes over the movie, it will be a different voice

Especially some famous stars who are famous for TV series, after taking over the movie.

If this actor has good acting skills, not only in the TV series, but also in the movie, then congratulations to him, he has successfully turned over

It will definitely be a cheer.

That's the difference.

So Director Zhou also knew this, so he asked this.

Like actors, so do directors.

I once remembered that in an interview with a TV program in 10 years, I saw Director Zhao Gang saying that he was going to make a movie, but now ten years have passed, and Director Zhao's movie is still missing, is it a lack of funds?

Is it the lack of a script

Obviously not, I think it is the old man Zhao who is self-aware and understands that it is not so easy to cross the line, and if he doesn't get it right, he will ruin his reputation.

Is there such a big difference between a TV series and a movie?

For example, if you shoot a TV series, it's like a song and dance hall singer, if you have been in a dance hall for a long time, then the kind of song hall craftsmanship in you will never go.

It's like shooting V and shooting advertisements for many years, and the V can basically be delivered after one or two modifications, but in the case of advertisements, although it is only 15 or 30 seconds, sometimes tossing back and forth for a month or two still does not get customer satisfaction, why

Because advertising is a condensed essence, all the elements are magnified n times.

The concept of TV series and movies is the same, TV series is to expand a sesame seed into a watermelon, and movies are to condense a watermelon into a sesame seed.

With the development of Chinese TV dramas to the present, there are many screenwriters who can write good TV dramas, but there are very, very few screenwriters who can write good commercial films.

Have there been any directors who have successfully crossed the line?

The answer is yes

That's Guan, Director Tiger, in fact, Director Tiger is a movie director who crossed the line on TV, and Li Xusheng also watched one of his hair messed up many years ago.

It is said that he was forced to go to the TV industry for his livelihood, but the TV series he filmed have a good reputation, like sharpening a sword for ten years, and a bullfight has also been widely praised, so Guan Hu can be ashamed to say "I have the best TV series among movie directors, and I have the best movie among TV drama directors"

Seeing this passage, Li Xusheng felt that he would not compare with anyone, but he would definitely do his best.

is like the drama Chu Liuxiang that is being filmed now.

Although he is filming a TV series now, he is also thinking about the movie version.

But overall, it's a matter of time.

After all, in order to shoot the TV series version of Chu Liuxiang, he has already wasted a lot of effort

Xu Youmeng began to organize the crew half a year ago, and then he finally persuaded him.

And since he filmed, although it has only been about three months, it is already very slow for some directors

People can shoot one episode a day, but you've been doing it for 90 days, can you still have 90 episodes?

Of course not.

Don't say that Chu Liuxiang is originally a short story, even if it is based on the original version, it is only a plot of fifty episodes.

Well, in order not to be too troublesome, Li Xusheng directly adapted a version of Chu Liuxiang's TV series in his previous life.

It's called Xiangshuai Legend.

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