Chapter 1076 Fifty-two Changes
The first round of the competition is based on the design theme given by the organizer, which is interpreted by the designer, not limited to the clothing category, but also tests the composition and pen power of each designer.
The topics are all confidential, and even the host is not clear before the game.
At this time, a female guest of ceremonies came to the stage with a plate covered with a red cloth, and the hostess solemnly lifted the red cloth, picked up a sealed red envelope, opened it and pulled out a piece of paper, on which there was only one word: soft.
"Soft?!" The hostess was also quite surprised, she blurted out the word 'soft', and there was a certain suspicion.
The male host immediately explained with a smile: "The theme of this test is 'soft'!
Contestants, this is a word that fully reflects femininity, and the comrade who gave the question to our organizer is also quite intimate, and there must be no one who understands the softness of women better than you as a woman. ”
At this time, the host also reacted sensitively, and answered with a smile: "Yes, the contestants, hurry up, you only have half an hour, please give full play to your talents and interpretation of the theme of 'softness' within the specified time, and present us with a design that belongs to you." ”
As the male host pressed the timer, the contestants on the stage also lifted their spirits and began to create nervously.
Liu Limin asked Su Yan in a low voice: "Yan Yan, a 'soft' word is the theme of creation, what do you want to paint?"
Su Yan already had an idea, she turned around and signaled Liu Limin with her eyes not to be impatient, her slender and white fingers held the sketch pen, and after adjusting the drawing board to a suitable inclined arc, she began to draw the line at a fixed point.
Liu Limin didn't dare to disturb her again, but she was nervous at the moment as if she was participating in the competition, rubbing her hands together.
Next door is separated by lacquer boards on the left and right, and they can't see what others are creating, and no one else can see them.
But the audience was also quite nervous about them, and some were discussing something one after another, pointing to a contestant on the stage, pointing and discussing.
Su Yan had no distractions, and under her pen, a character gradually appeared on the paper.
The women in the pen have delicate facial features and feminine body lines, and what gives full play to this feminine characteristic is the cheongsam with delicate and abrupt female curves on the characters.
Liu Limin's eyes lit up, and the movement of rubbing her hands stopped.
The joy in her eyes slowly revealed, but she suppressed the surprise in her heart and didn't bother.
Su Yan focuses on creation and immerses herself in her own world.
The works become plump under the continuous carving and depiction.
The cheongsam cannot exist in isolation from the human body. Women's heads, necks, shoulders, arms, chests, waists, hips, legs, hands and feet constitute a perfect whole with many curves ingeniously combined, forming a cheongsam culture.
And Su Yan is also well aware that the turmoil of the past ten years has led to the traditional culture of cheongsam also being neglected.
Although the reform and opening up has now begun, people have begun to let go of the old ideas that have been imprisoned, but the traditional clothing of the cheongsam has been neglected for too long, and if it is not improved and added with modern popular elements, it will look outdated.
Therefore, while choosing to use traditional culture to interpret the feminine and gentle atmosphere, Su Yan also made a new definition of the work, breaking through the tradition and reproducing the characteristics of the cheongsam with the elements of fashion.
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