Don't make trouble for yourself and others, just be friends, just have no desires and no desires.

But I am not reconciled, if I don't try, don't really get along, don't look at each other's eyes to confess once, I always feel that I can't fully convince myself, and then I start to turn around and torture myself repeatedly: Is it just impulsive? Is it just to make others happy? Is it just to see people's parents beautiful? Is it ** nature that has exploded again?

Then he began to persuade himself with kind words: You are so attractive that you can't confess easily, otherwise the consequences will be unimaginable;

You are confused again, where are there immortals, where are there forevers, and who are not all virtuous in the end?

The gathering and separation again and again makes people wonder if they are just a first-class character who can only start a business and not keep a business on the issue of love, or is reality only giving those more mature people more opportunities to spend love, and enjoy the ordinary beauty like water?

Even if we have the same trajectory of psychological struggle as before the criminals confessed to leniency, we still can't escape the fate of being punished on the spot. We seem to be forbearant and strong, and the face is swollen and mature, and the heart is extinguished with the so-called reason, because we have always assumed that we can only love one person at the same time, when you are happily walking on the road to happiness, suddenly a heart from the side of the road bursts out, so that whether you accept or reject, you will end up with a suffocated and aggrieved end, and it is difficult to let go of the spirit. Because we know that we are not the Supreme Treasure, we can't use the Moonlight Treasure Box to go back to the past, and we are not Sun Wukong, and we can't use something like learning scriptures to completely get out of our mess.

Everyone has a supreme treasure in their hearts, but we must assume that we can only love one person.

……

After watching the second time, the two of them still looked a little unsatisfied.

At this time, Xu Youmeng said again: "By the way, why do I think the rest is not over yet? Is there a second part?"

"I'll take a look at ......" Xiao Zhao also felt the same when he heard this.

She didn't remember any of that, though, so she had to check it out.

Soon, she found the file for filming the Journey to the West movie.

And it is mentioned in it that the content of this drama is two-part.

And in the archives, there are details of the process of the second part.

In other words, the second part has not yet been filmed.

In fact, the mood behind the second part is basically a faint sadness, like flowing water, a very cool feeling, as if the veil of tragedy is being lifted layer by layer, and when Wukong is born again, it is to turn calm into sadness and anger.

He finally put on the golden hoop and turned into a "god" with great powers but no feelings.

He finally came, and Zixia's almost desperate face finally shone again.

"Hi, Monkey King, aren't you going to the West Heaven to learn scriptures? Take me with you, okay?"

"That's right, there is a woman together, and there is someone who can be a comfort woman when you are lonely, it's really ...... to think about" Wukong stimulated Zixia with the most ugly words, "I can't do it, I really can't do it anymore." Come here, put your arms around me. ”

Zixia didn't mind, but pounced happily, Sun Wukong suddenly made a strange appearance with his teeth cracked, Zixia was stunned, and couldn't help but take half a step back. Wukong yelled, "Eh, eh...... You can't stand me anymore. ”

"I can stand it. Zixia said softly.

"I can't stand you! You're so ugly, do me a favor, everyone is a god, don't sexually harass me anymore, okay?"

Zixia looked at him blankly: "Why are you doing this to me?"

"Are you angry?"

"I'm going to be angry. ”

"Then let's cry and cry, hehehehe!" he let out a laugh that was worse than crying, and turned away. Leaving Zixia behind, she stood there sadly.

The pain in the heart of the Supreme Treasure turned into bad words to cover himself, he is already an immortal, and he can no longer be contaminated with a little ** in the world, but can only use this method. While his heart hurts, he just wants Zixia to hate him as soon as possible and forget him.

Zixia asked him repeatedly, but he was always treated indifferently, and even when Zixia and Tang Seng were blown into the air by the banana fan and fell, facing the situation that both of them needed to be rescued, Sun Wukong also left Zixia who shouted for help first and went to save Tang Seng.

Perhaps, until the most difficult time, love can reveal the most true face through the mask, when Zixia pulled the Supreme Treasure clothes and inadvertently pulled out the bracelet she had been wearing, she finally understood the true meaning of loving someone, which can be hidden deep in the bottom of her heart.

Zixia stretched out her hand and grabbed it, the golden bell in Wukong's arms fell out, Zixia picked it up and saw that it was the supreme treasure that she gave to her dream, and hurriedly chased after it.

"And where did you buy this string of golden bells?"

Wukong looked at Jin Ling, speechless.

At this time, suddenly the Bull Demon King stabbed from behind.

"Be careful" Zixia shouted, using her body to block in front of Wukong, and the steel fork was in the middle of Zixia.

Zixia's eyes suddenly became very empty, she didn't expect that she would die like this, she was actually scolding each other with her sweetheart to die.

Wukong's eyes were torn apart, and he waved the golden hoop law, beating the Bull Demon King through the soil and flying to the top of the city.

……

"It's okay, it feels good!" Director Zhou waved his hand, but he didn't feel anything.

She is such a casual person, doing whatever comes to her mind.

"But you haven't said why you call it a day now?"

He was still a little curious about it.

And Li Xusheng was also very strange: "I'm still strange, why did you say Xu Youmeng suddenly wanted to come over?"

"Hey, that girl from the dream is coming?" Director Zhou was also surprised, "But even so, you can't just stop the crew, right?"

Li Xusheng said indifferently: "Hey, it's not a big deal anyway, just let everyone take a break, just take a good shot tomorrow!"

Director Zhou thought for a while, nodded and said, "Yes, anyway, you are the director, you have the final say." ”

"But then again, do you really plan to make a TV series in the future?"

The two talked as they walked.

Regarding the idea that Li Xusheng actually planned to make a TV series, Director Zhou couldn't understand it.

After all, he is a pure filmmaker.

I haven't had much contact with TV dramas.

Of course, both are film and television dramas, and they will have a lot in common in comparison.

But there will be many differences.

It's like a movie that condenses a story, the content is compact, concise, and there are very few superfluous parts.

Almost every picture of an excellent movie has content, which is to illustrate some truth.

TV series are actually mainly used as a means of entertainment to kill time.

So it's a long time, and there's a lot of superfluous content, except for a few classic TV series, the rest is just to make up time.

Let's take an example of the obvious difference between movies and TV series:

Let's start with a scene where two brothers are fighting on the battlefield, and one of them is unfortunately killed.

The movie goes something like this: another person rushes desperately, hugs the deceased, looks sad and angry, looks up, burns with rage, and then rises up to kill the enemy. Or simply don't go there, just have a close-up of your face, such as looking at your dead brother with round eyes, and then roar and kill the enemy.

The TV version is probably: you have to kill the past desperately, and there are some close-ups of the actions that may kill the enemy. Then he hugged him, the wounded man was dying, and said that I should leave me alone, I can't accompany you in the future or something. The living: Say what you will be fine, hold on, the two chatted for a long time, the injured really had nothing to say, and then died, at this time the living had to hug the dead tightly for a short period of silence, and the enemy around him was like not these two people, and they were very happy, then the living roared again, and rose up to kill the enemy.

So that's a difference.

In general, a good movie is a condensed essence, very compact, not compact, not compact, time does not allow, of course, you have to pay attention to watching movies, some movies you just watch carefully, you may not be able to understand.

TV series are mainly to provide entertainment for most people, so the time is mainly long, because the time is too long, most of the TV series are not very exciting, and a lot of the content is added to control time.

However, in Li Xusheng's view, both are film and television works of entertainment nature.

It's all for people to see anyway, as long as people like it, that's it!

Of course, in this line of work, there is actually a difference.

For example, there are differences in the size, precision, rhythm and style of the performances of movies and TV series......

For example, there are too many categories of actors, such as singers, dancers, opera actors, opera actors, acrobatics, magic, ventriloquists, dubbing, radio dramas, instrumental music, sketches, film and television dramas, and so on...... Different professions have their own forms of performance. In terms of general formal attributes, the performances of cross talk, sketches, dramas, TV dramas and movies should be in the same category, and they are all performances based on realism.

In other words, these art disciplines are the closest to people's lives.

Therefore, the actors in these industries often have cross-border performances with each other.

What they need to adjust is the size of the performance, which is also called the proportionality of the performance.

The requirements for size come from three aspects: the platform of the performance, the relationship between the audience and the performance, and the artistic effect it pursues.

The performance platform for cross talk, sketches and dramas is the stage of the theater, or the studio hall of the TV station, which is often far away from the actual audience.

The audience often can't see the actors' facial expressions clearly, so the actors need to amplify the volume of their lines and body language to convey their performances to the audience.

That's why you may be very useful when you watch a play in the theater, but when you watch the video of the same play on a CD, you will think that the actors are exaggerating. In the same way, in the evening sketches of TV stations, the cameraman will not often give too many close-ups of the faces of the sketch actors, because that will really scare the audience in front of the TV.

The performance platform for TV dramas and movies is the lens of the camera and the camera, and the lens is divided into different scenes.

In the panorama, the actor can refer to the performance size of the drama to moderately enlarge the body and language, in the medium scene, the actor will return to the size of the performance in life, and in the close-up and close-up, the actor will need to reduce the size on the basis of life. For example, in a drama, it may be appropriate to stand up suddenly, but in the shot, if it is a close-up, you stand up suddenly, and you are "out of the picture".

So from a technical point of view, film and television actors are performing for the camera, and the size must be between the square inches of the lens to make the audience look comfortable.

Cross talk, sketches and dramas are all stage performances, and the relationship between actors and cameras is not very large, they mainly rely on the interaction with the audience.

The relationship between the actor and the audience is referred to as the relationship between the audience and the audience.

The applause, laughter, and even the noise and cheers of the audience will affect the performance of the actors.

The audience's positive interaction will make the actors excited, and they know that everything is just right. On the contrary, those noisy, cold, cheering, and mobile phone ringtones will make the actors panic, so as to subconsciously increase the size of the performance, "please" the audience, and hope to get the audience's recognition and resonance.

The audience of film and television actors sees their performances indirectly from time and space.

The viewing media are televisions, computers, mobile clients, and movie theaters.

Televisions, computers, and mobile apps have small screen sizes, so the slightest flaws or exaggerations won't be too much of a concern for viewers.

It's not that the audience doesn't want to care, it's just that our naked eyes don't have such a strong ability to correct errors.

But the movie is for the movie screen, every detail of the actor's performance is infinitely magnified, and the viewing environment is closed and dark, and the audience's engagement is stronger, so the performance in the movie must be extra cautious and strictly follow the size acceptable to the audience.

And what is the acceptable size for the audience?

The size of the life, or the size that fits the size of the life, the artistic size.

Cross talk and sketches are art forms for the purpose of pursuing laughter, and the performances of screenwriters, directors and actors will be exaggerated in life, so the performance size is the largest.

Drama performances are still pursuing complete realism, but because of the limitations of the stage, the size is slightly lower, but it is still larger than the real size in life.

Film and television dramas are all almost real-life shooting, the pursuit of reality, through reality, guide the audience into a dream-like viewing experience, infect the audience with as real emotions as possible, and strive to share joys and sorrows with the audience.

The truth of life and the truth of art can achieve this hypnotic effect.

Therefore, the size of the performance of the TV series is very small, as close to life as possible, and the movie, we mainly refer to the realistic film, among all the above-mentioned realistic performances, the size of the film performance is the smallest.

To be surprised in the movie, perhaps, just need to blink your eyes.