Zhang Ran had debates with many people before, but he rarely scolded people, and no one expected him to scold. www.biquge.info For a while, public opinion was in an uproar, and netizens were dumbfounded!

After the shock, some people were very disappointed with Zhang Ran's rudeness, thinking that he overreacted and damaged the image of a great director; some people felt that Zhang Ran was really temperamental and cool; and some people felt that it didn't matter. But in general, most people stand on Zhang Ran's side, and they all feel that Zhang Ran is not rough, these experts and professors have no audience at all in their eyes, and they have not considered the feelings of the audience.

Zhang Ran scolded the expert professor, but in Lu Chuan's opinion, Zhang Ran's words were aimed at him, and he quickly replied: "Some people themselves have said that Hollywood movies are not equal to American movies, and American movies are divided into New York movies and Hollywood movies. New York movies are undoubtedly artistic, but Hollywood movies have nothing to do with art, and Hollywood movies are commodities, products of industrial streamlining. A big boss in Hollywood once said, I know what we make is rubbish! The audio-visual language of Hollywood movies is extremely simple, basically it is a three-shot method, that is, a double medium shot, and then there is a positive and negative fight; a dialogue scene, Hollywood makes a movie, that is, a medium shot to explain the relationship between the scene and the position of the characters, and then the camera switches between the two people repeatedly, who speaks more and who takes the shot, fools will, is this art? Hollywood's cinema lens frames the characters in the lens, and the whole space of the film is closed, while the European cinema lens is open, giving people a sense of infinite space, and in terms of art, it is more clever than the Hollywood assembly line!"

Zhang Ran scoffed at Lu Chuan's words: "If you say that Hollywood movies have no art, then Wells, Hitchcock, and Kubrick look at you and laugh, and their films are not artistic? Even the New Wave people dare not say that! Breaking the restrictions of the picture frame and the infinite space sounds awesome, but that's it." European films pursue a sense of documentary, emphasizing objectivity and calmness, and the audience looks like standing at a distance to calmly examine this matter, while Hollywood films pay attention to the setting of the camera on the scene, and the pursuit of a sense of substitution, that is, to make the audience not wander and not go into other spaces. This is the result of the different purposes of the two sides, what is the difference?

In fact, the difference between these two types of lens use is an important reason why the audience does not like to watch domestic movies. Movies rarely have exactly the same story, it's not easy to compare, I'll take the TV series as an example, Zhang Jizhong's version of "Dragon Babu" and the Xiangjiang version of "Dragon Babu" The story is the same, Zhang's version of "Dragon Babu" is better in terms of production, special effects, and actors' performances, but many viewers just think that the Xiangjiang version is better-looking, in addition to preconceived factors, the most important thing is the use of the lens. The Zhang version of the lens of "Dragon Babu" is biased towards Europe, and the camera moves and shakes a lot, this kind of shooting method is very good for historical dramas, and it has the feeling of objectively examining history. But "Dragon Babu" is a martial arts film, and what the audience wants is not calm and objective, but refreshing; the reason why the Xiangjiang version gives people a sense of refreshment is that there are more pushes and pulls of the camera, giving people a strong sense of presence. For example, in Shaolin Temple, Qiao Feng thought that You Tanzhi had blinded Ah Zi's eyes, so he asked You Tanzhi, did you blind Ah Zi's eyes? As far as the performance is concerned, Hu Jun's handling is much better, and the action chain of the characters is very clear, but in terms of the impact on the audience, it is not as good as Huang Rihua. The problem is that when Hu Jun speaks, the director gives a close-up shot, and the lens does not change, and when Huang Rihua speaks, the camera quickly pushes from a close-up to a close-up, and the image in the close-up picture shows a tendency to break through the frame and expand outward, giving people a strong visual tension, so the audience will feel the oppressive force, and they will feel that Huang Rihua is awe-inspiring!

Nowadays, many Chinese directors learn from Hollywood and make commercial films, but the audio-visual language is often still European, and the sense of substitution for the audience is very poor. If our experts and professors can pay attention to this issue and make more suggestions, it will be of great help to the director, but our experts and professors are all thinking and depth!"

Less than an hour after Zhang Ran's long Weibo was posted, there were thousands of retweets and thousands of replies. Most netizens don't understand audio-visual language, but they can feel the difference brought by audio-visual language.

"I used to hear people say that the pace of mainland dramas was too slow, but now I finally know what's going on!"

"No wonder the Xiangjiang TV series feels fast-paced, it turns out to be like this. It's worthy of Mr. Zhang, I understand when he says this!"

"Lu Chuan's "Ke Ke Xili" seems to be the same, the lens pushes and pulls very little, and there is almost no change, so it's a little boring when I watch it!"

Soon, some fans ran to Lu Chuan's Weibo to leave a message: "Lu Chuan, now you know why the box office of "Ke Ke Xili" is poor, right? Teacher Zhang will teach you, study hard!"

"Xiao Chuanzi, Teacher Zhang has given you a lesson for free, don't make this kind of mistake next time!"

"Lu Chuan, remember, in the future, use less moving and shaking, and more pushing and pulling!"

Lu Chuan is the kind of person who is particularly confident, and can even be said to be narcissistic, in his eyes, he is a natural artist, his talent beats Zhang Ran, his "Ke Ke Xili" is much more awesome than Zhang Ran's movie, and now his masterpiece "Ke Ke Xili" has been devalued by Zhang Ran's fans, and he also let himself learn from Zhang Ran, where can he stand this.

Lu Chuan's heart was suddenly seriously hurt, and he was really angry: "A group of fools who don't learn and don't know how to learn, do you think that if you think "Ke Ke Xili" is like a documentary, this is actually a compliment to me. Even though the film is a feature film, I just want the film to feel like a documentary, and I want the audience to believe that everything in the film is real. I just want to take a path where documentaries and feature films are fused together, and if you can't enjoy "Ke Ke Xili", it's because your level is not enough!"

After posting the first Weibo, Lu Chuan didn't like it and posted the second one: "Someone's movie is not as good as one, the reputation is getting worse and worse, and he used to be able to win awards overseas, but now he is not even shortlisted, and he dares to come out to point out the country, it is really shameless! I will put my words here, "Nanjing Nanjing" has not fallen in the eyes of money, it has artistic pursuits, and it will definitely win awards!"

Lu Chuan directly sprayed netizens stupidly, which naturally angered netizens, they turned into trolls one after another, sprayed wildly in Lu Chuan's Weibo, greeting Lu Chuan's ancestors for generations, and scolded tens of thousands of messages in a very short time, and finally Lu Chuan, who was unbearable to insult, could only turn off the reply function and let his Weibo be clean.

At 11 o'clock in the evening, Zhang Ran returned home from the Olympic operation center, said hello to his parents, and then turned on the computer. After seeing Lu Chuan's words, Zhang Ran replied: "Actually, the words of netizens are reasonable, Lu Chuan wasted the theme of Hoh Xili and smashed a good story." Many viewers felt moved after watching the movie, and this move did not come from the movie, but from everyone's perception of Hoh Xil. The biggest problem with the movie "Ke Ke Xili" is that the characters in the movie basically have no inner world, and the characters are very superficial. Why did they treat the poachers so violently? Who in the team had selfish thoughts? Did the person who graduated from Qinghai Normal University regard his choice as a matter of life? None of this gave a reasonable explanation.

In fact, the character creation is rough and the characters lack internal logic, this problem is in "Looking for a Gun", but the stories of these two movies are very good, and the audience is taken away by the story, and there is no in-depth study of the characters. However, Lu Chuan has been filming about the Nanjing Massacre recently, if he doesn't get rid of this problem, stop at the characters, and don't dig out the characters for in-depth excavation, then the future of this movie is worrying, because the domestic audience is really too familiar with the Nanjing Massacre. ”

The problem of character creation in "Ke Ke Xili" has been said before, but Lu Chuan never saw it that way, and replied directly: "There are dozens of awards at home and abroad to prove whether "Ke Ke Xili" is good, and some people think they are amazing, but he has not filmed "Tangshan Earthquake" until now. I don't like to fight, I will speak with facts, I will make a film with rich humanity that can show that history in a comprehensive and detailed way, "Nanjing Nanjing" will definitely be better than someone's commercial blockbuster!"

Zhang Ran shook his head, there were obvious problems in the script structure of Lu Chuan's "Nanjing Nanjing" in the previous life, and he was also kind enough to remind him, but unfortunately Lu Chuan couldn't listen to it, he replied: "If you don't listen to the old man, you will suffer in front of you!"

Lu Chuan's response was only five words: "Let's see!"

This is the end of the argument between Zhang Ran and Lu Chuan, after which neither side spoke again, Lu Chuan continued to shoot his "Nanjing Nanjing", and Zhang Ran continued to be busy for the opening ceremony of the Olympic Games. However, the debate about how to evaluate commercial films and how to establish an evaluation system continues, and this debate may continue for a long time.

Zhang Ran believes that with this controversy, coupled with the rapid development of the film industry, the evaluation system of commercial films will be established sooner or later!

Soon, the box office of the third week of "Tangshan Earthquake" was released, and with a good reputation, the decline of "Tangshan Earthquake" this week was not high, and it achieved a box office of 96.75 million, with a cumulative box office of 346 million.

This data is infinitely close to the box office record of 380 million created by "Crazy Travel" co-directed by Ning Hao and Zhou Xingchi last year, and with the stable box office trend of "Tangshan Earthquake" now, this record is in a precarious state.

At this moment, all the media began to look forward to it, and everyone knew that a new king would soon be witnessed.

In Asia, "Tangshan Earthquake" continued its good performance this week, winning 550 million yen at the box office in Japan and 2.13 billion yen in Japan, 430,000 people in South Korea this week, with a total of 1.51 million people, and 9.55 million Hong Kong dollars in Hong Kong, with a cumulative Hong Kong box office of 27.34 million Hong Kong dollars......

In North America, "Tangshan Earthquake" earned $5.4 million this week, with a cumulative box office of 27.8 million, surpassing "Huo Yuanjia" and ranking sixth on the North American foreign language film list.

This week, "Tangshan Earthquake" achieved more than $30 million at the global box office, with a cumulative box office of nearly $140 million, and with the steady performance of "Tangshan Earthquake", the total box office will surpass "Hero" is just around the corner!

A week later, the box office data came out, and sure enough, as everyone expected, "Tangshan Earthquake" broke the box office record set by "Crazy Travel". However, the performance of "Tangshan Earthquake" is even better than many people imagined, and this week "Tangshan Earthquake" achieved a box office of 64 million, and the total box office reached 410 million.

This is the first movie in the mainland with a box office of more than 400 million!

When this final box office came out, both insiders and outsiders were shocked, and those who shouted "Zhang Ran Waterloo" and "box office fiasco" a few weeks ago were completely stunned.