In simple terms, it is mainly aimed at some selling points for male readers. The female protagonist must have it, but if the first female protagonist is the case, she often needs to have a strong background that needs to be conquered by the male protagonist. For the other main female characters, they usually just be pretty, just be your vase.

Otherwise, girls like Medusa and Aya Kiyotake have to forcibly do something with the protagonist.

Because it's a male frequency, it's often a situation where a male protagonist has several excellent women. And in fact, eighty percent of the authors are not flower saints, and the women described always lack a kind of agility.

So to put it simply, it's really hard for girls to have too much affection when they watch such a plot.

But at the time of "Zhu Xian", the male frequency and female frequency had not been so completely divided.

Just like in the works of Jin Yong Gulong, there are always some very expressive women. At that time, "Zhu Xian" was actually more inclined to this style.

The love and hatred described with several girls is really bitter and tangled.

Several female characters, the story line is very complete, and readers can't help but feel sentimental for these characters after reading it.

Because the writing is good enough, the distribution of the plot is also very good. So boys won't be disgusted when they watch such a plot. Girls will be even more obsessed when they watch such a plot.

Taken together, "Zhu Xian" is a rare Xianxia novel that is eaten by both men and women.

The detailed outline of "Zhu Xian" provided by Xu Qing, coupled with Zeng Yurou's delicate writing, and Xu Qing has been carefully supervising the situation here. So in the end, the "Zhu Xian" that came out was not better than the previous life, at least it retained a fairly high level.

And Xu Qing is very satisfied.

Novels here, because the writing is enough to find a writer. So Xu Qing is now just double opening by himself and Zeng Yurou. Because of the two works, they are actually quite good situations. didn't want to let these two works be dusty, so Xu Qing naturally put more energy into it.

And except for the novel here, Xu Qing is actually really busy now.

First of all, because of the successful filming of "The Romance of My Father and Mother", Xu Qing began to relax here. The next work still needs to be launched in time. Even, Xu Qing was thinking about whether to let Qi Xuan and Liao Feng practice together.

To put it simply, people who have just graduated can start practicing.

Qi Xuan and Liao Feng have also been in the TV program director industry for quite a short period of time, why can't they give it a try? And Xu Qing is here, he will definitely build an entertainment empire in the future, of course, it is impossible to take on such a responsibility by himself.

Therefore, the abilities of these people under his hands must be honed quickly.

In the directing industry, this is actually the case.

The level of the script, and the ability of the director, are quite important. As for the strength of the actors and crew, it can only depend on the amount of investment and which level can be moved.

What is the situation of the average rookie director? First, he does not have a good script, and second, his own ability is not enough. So the works filmed, of course, are not much better.

A good script is not so simple to get hold of. Unless you're writing your own script or have a friend to support you.

Otherwise, the really good scripts of others, of course, are picked by high-end directors first, how can it be your turn?

Therefore, the biggest constraint for new directors is actually to use an average level of script to shoot excellent works. That's the real start.

So here, after the director gets a script, he can't help but want to change it. Such a problem was actually developed when he was a rookie.

The script indicates that so-and-so appears with a long sword, and the director will think, no, the long sword is not handsome enough, use a big knife! It's better to use the props of the dragon slaying knife! Isn't that how the original book is written? Is the original book important, or is my order important?

Therefore, a script was changed beyond recognition.

In such a situation, when there is no good script, it is actually necessary to make some changes. But when it comes time to shoot a good screenplay, you don't really need it. But these middle-level directors have developed such a habit.

So a copy of "Romance of the Three Kingdoms" can be made into an ancient version of "The Great War of the Four Kingdoms" for you.

But the actual situation is that these excellent scripts, in fact, do not need to be modified, and the results should be very good. When was the original Three Kingdoms filmed? How long was China just open at that time? If you look at the resumes of the directors who filmed the Three Kingdoms, there is no record of them at all between '62 and '79.

To put it simply, in the situation in Huaxia at that time, you were talented, and you were not allowed to grow up.

But it is such a team of directors, because of respect for the original work, the old version of the Three Kingdoms filmed has been regarded as a classic by several generations. Especially in the case of the Three Kingdoms being complained about in the back, looking back at the original version, the more I feel that this work is commendable.

In the final analysis, if it is based on the method of respecting the original work, in fact, the director's job is much easier, and the director's ability requirements are also much lower.

And at the high-end director level, the situation is different. At this level, if you shoot according to a script, you really respect the original work, and if you don't have much of your own play, you will be looked down upon by others. In fact, these top directors actually know not to touch those works that are too classic.

It's a very simple truth.,The extent that people's original works can become classics.,In fact, the setting itself、The plot or something is already a very good situation.。

First of all, if you don't respect the original work, it is often difficult to shoot a more classic plot than the original classics. After all, you are a director, and others are writers, but they are not in the same industry. If it is not an industry, how can your ability be so easy to surpass the top personnel in the industry?

So if you don't respect the original work, it's really hard to be better than the original. In such a situation, others will definitely say that you have ruined the original book.

But if you respect the original work, others will say, "If you are still the top director in the country, I can do it."

It's really a dilemma, so top directors often don't touch such a theme.

If the top director gets other themes, he can make more modifications, so that he can show his ability.

Low-end directors take garbage scripts and have to play freely. Top directors take excellent but non-classic scripts, and they must show their abilities, so they must also play freely. As a result, it gives many people an illusion.