In the first vocal competition, Nihon University won by a landslide, and then the second line competition began.

Pu Cunxin looked at the camps of the two sides and asked with a smile: "What about the players in the second game?

The representative of Nihon University, named Kenichi Yoshida, dressed in Hamlet's costume, stood up and bowed, "I will recite an excerpt from "Hamlet" "The Prince's Soliloquy"!"

Zhang Ran heard Keiko Kitagawa say that the line training of the Suzuki School is to sit on the ground, change the shape and recite Shakespeare's plays at the same time, and "Hamlet" is the content they practice more, which should be their best!

As a representative of Form 01, Cao Bingkun stood up: "They are reciting fragments of Shakespeare's "Hamlet" by the British. I recited "Will Enter the Wine" and let them see what the arrogance of the Tang Dynasty is!"

Once this was said, the entire standard was immediately applauded. Everyone has heard that the reason why the 01 form book is compared with Japanese universities is that the teachers at Japanese universities say that Chinese performances have not inherited the tradition and have lost the tradition. But what about the facts? They keep saying that Japanese culture has been passed down well, so why do they bring Shakespeare out to the competition, and why don't they bring out their own works?

Not only this time, but also the last one, Kyoko Nakagawa sang "The Incense Candle Has Lit" is an Italian opera, and Zheng Luoqian sang "Qinghai-Tibet Plateau" is China's own song.

The students present felt that Cao Bingkun's words were particularly relieving!

However, all the judges present felt that Cao Bingkun's choice was too righteous and angry, and it was extremely difficult to recite ancient poems.

The key to reciting ancient poems is to make the recitation infectious, convey one's own feelings, and convey the spirit of the work, and the key is to grasp the emotional tone of the work. For example, if you don't understand the sentimental emotional tone in Bai Juyi's "Pipa Xing", you can't convey the sorrow of parting, the sadness of the pipa sound, the sadness of life experience, the sorrow of sympathy for the same disease, and the sorrow of touching one's own ups and downs.

In addition, the recitation of the performance department is different from the recitation of the broadcasting department, in addition to the requirements of pause, stress, speech speed, and sentence intonation, the recitation is also required to have a sense of picture and space. For example, "The Day is in the Mountains" is a picture, but there are only five words, and the time given to the reciter is very short, and how to outline this picture is a great test of the actor's skills.

"Will Enter the Wine" is relatively difficult to recite in ancient poems, its content is monologue, that is, Li Bai whined there, unlike narrative poems, there are mountains and rivers, there are far and near changes, this kind of monologue-style poetry picture and space are difficult to handle.

However, Zhang Ran dared to let Cao Bingkun recite "Will Enter the Wine", of course, he was sure, Cao Bingkun had a solid line foundation, and he admired Pu Cunxin very much, and he had seen Pu Cunxin's version of "Li Bai" several times in Renyi, and had done serious research, and was able to recite "Will Enter the Wine" out of taste.

In the second game, Japan was still the first to appear.

"To live or to perish, this is a question worth considering, silently enduring the tyrannical poisoned arrows of fate, or standing up against the endless suffering of the world...... "Kenichi Yoshida opened his reading with a classic that has not changed for thousands of years.

Kenichi Yoshida just recited a paragraph, Zhang Ran's brows furrowed, he knew that Suzuki Tadashi particularly emphasized the voice, and now he has really seen the voice of the Suzuki school, their voice is simply squeezing the sound out of the body, the penetration is extremely strong, it spreads very far, and it is indeed first-class in terms of sound.

However, Kenichi Yoshida's recitation is rather strange, whether it is the intonation, movements, or expressions, it looks very weird, a little eyebrows and eyebrows, and it looks very exaggerated.

The audience was a little noisy, and the audience was whispering: "This Japanese is not very good, it looks so exaggerated!"

"Yes, the tone is too strong, the sense of form is too strong, we will definitely win this game!"

"If I recite like this, I will definitely be scolded to death by Teacher Huo!"

The students in Zhang Ran's class smiled happily one by one, and this game should have been won.

Li Xinyue also frowned when she heard this: "How can this Japanese student recite the prince's monologue like this?"

Zhang Ran explained with a smile: "This is the style of the Suzuki school, this kind of performance is de-routine, that is, in the performance, the actor abandons all the behavior states in daily life, moving footwork, body movements, lines, facial expressions, are different from daily life, but rich in technology and a sense of control, even the details such as turning the head and smiling are resolutely handled, and there is no daily state at all." This is true not only of the Suzuki School, but also of the entire traditional Japanese performing arts, whether it is Noh, Kabuki or Kyogen, they will not let the actors appear in a daily state on stage, and their performances are a bit similar to Chinese Peking Opera!"

Li Xinyue somewhat understood: "This kind of performance is not a big problem on the stage, it will be very exaggerated in the movie!"

Zhang Ran nodded and said: "Yes, Fujiwara Ryu is also known in Japan as a genius in the drama industry once in 30 years, you see him acting in movies, it is called a pompous, many times I just want to drag him down and beat him." ”

Li Xinyue looked at Kenichi Yoshida on the stage and said: "What they are pursuing is a de-daily performance, and what we are pursuing is a life-oriented performance, which is completely opposite." Just like drama and Peking Opera, they are not a system, how do you evaluate this?

When Chaplin and Mr. Mei Lanfang went to see Ma Lianliang's Peking Opera together, Chaplin said that although the styles were different, the emotions were the same. We compare the lines, and the comparison is the demeanor, the clear pronunciation, the integration of our own feelings, and the processing of space and pictures. ”

"What do you think of your opponent?"

"It's very strong, the foundation is very thick, I still underestimate the people of the Suzuki school, I thought their level was a little higher than Kitagawa Keiko. I didn't expect it to be a lot higher. Tadashi Suzuki is the only Asian dramatist to be the only Asian dramatist alongside Brecht, Peter Brook and other theater masters, and his training methods are really amazing!"

"Can we win?"

"If I'm judged, we'll win, and I don't like to be de-routine. But it's hard to say if it's judged by the judges, let's split it up!"

Next to the entrance to the stage, Cao Bingkun, who had changed into a costume, watched Kenichi Yoshida reciting, and drank slowly with the red star two pot heads. This game is about the honor of the 01 table, and as the squad leader of the 01 table, he must give it his all. "Will Enter the Wine" is Li Baijiu's complaint, and it is difficult to really enter the state without drinking.

Soon, Kenichi Yoshida finished his recitation and bowed off the stage.

There was a round of applause in the screening room, politely. Most of the students present were not used to this kind of daily performance, and felt that Kenichi Yoshida's recitation was not very good.

It was Cao Bingkun's turn to take the stage.

Cao Bingkun raised the wine bottle in his hand, drank the wine in one go, and then stuffed the wine bottle into Zhao Ke's hand and staggered onto the stage.

Zhao Ke saw Cao Bingkun's footsteps staggering, and he couldn't help but worry, oops, Cao Ban seems to have drunk too much!

Cao Bingkun walked to the middle of the stage and looked at the audience with drunken eyes, as if he was accumulating strength.

The audience thought that Cao Bingkun was about to start reciting, and they didn't want his throat to surge, so they burped loudly.

There was a burst of laughter in the whole standard, and even the seven judges on the stage couldn't help laughing.

But at this moment, Cao Bingkun spoke: "Li Bai was given gold by the emperor to return to his hometown, and he was very unhappy. Feast with friends Cen Xun and Yuan Danqiu. As soon as you open your mouth, half of the Tang Dynasty will be sung through the ages!"

As soon as these words came out, the audience present was shocked. Cao Bingkun, who was standing in the middle of the stage just now, was like a drunkard in a costume, but at this moment, the temperament of the whole person has changed a lot, and in an instant, he seems to have become that elegant and wild poet.

Cao Bingkun looked at the left with drunken eyes, laughed, and raised his right hand: "You don't see, the water of the Yellow River comes up from the sky, and it flows to the sea and never returns." Then he looked to the right again: "You don't see, Gao Tang Mingjing is sad and white-haired, and the morning is like green silk turning into snow at dusk——"

Lin Zhaohua couldn't help but nodded, and whispered to Pu Cunxin: "Xiao Pu, this kid is good, he added a smile in front of him, it's a bit interesting, it's a very interesting idea to express this poem in a drunken state!"

Lin Zhaohua is extremely old, and when Pu Cunxin entered Renyi, he was the vice president of Renyi. In front of him, Pu Cunxin was quite respectful: "Yes, this kid is the object of our investigation." This song "Will Enter the Wine" is a monologue, the spatial picture is not easy to handle, when he was dealing with the two 'Jun is not seen', he looked left and right respectively, and determined the position of Master Cen and Dan Qiusheng, and the picture space is there, but it is not detailed enough!"

On the stage, Cao Bingkun's drunkenness became more vigorous, and people became more wild: "Life must be happy, don't make the gold bottle empty to the moon." , the daughter is scattered and comes back. Cooking sheep and slaughtering cattle for pleasure will require a drink of three hundred cups. ”

Cao Bingkun's recitation of this paragraph is extremely fast, full of pride, and seems to be loud, and the whole tone gradually rises, and when the recitation of "three hundred cups" is recited, it is even more vigorously rendered, so that the heroism of the characters climbs to the peak.

A lot of people have goosebumps.

Where is this recitation, it's like Li Bai possessed!

"Master Cen!" Cao Bingkun was drunk and dreamy, pushed the 'Master Cen' on the left, and patted the 'Dan Qiusheng' on the right, and said staggeringly, "Dan Qiusheng!"

As soon as these two actions come out, the picture and space will be clearer. The audience knew that Master Cen was sitting on Li Bai's left, and Danqiu was born on Li Bai's right.

Cao Bingkun picked up the "wine glass" and raised his voice, like a drunkard persuading his buddies to continue drinking: "Will enter the wine, don't stop the glass." ”

Immediately afterwards, Cao Bingkun sped up the tempo again: "Sing a song with you, please listen to it for me." The bells and drums are not expensive enough, but I hope that I will not wake up after being drunk for a long time. The ancient sages were all lonely, and only those who drank left their names. ”

"In the past, King Chen feasted peacefully, and fought wine for ten thousand years. Cao Bingkun slapped to the right drunkenly, grabbed the wrist of "Dan Qiusheng" and protested, "What does the master mean to say that he has little money? ”

Lin Zhaohua and Pu Cunxin glanced at each other and laughed. These two sentences Li Bai is anti-guest, and he directly ordered to sell wine, and took out all his valuable belongings to buy wine, and his arrogant attitude was as seen. And Cao Bingkun added a hand-holding action, which made this bold visualization.

Immediately afterwards, Cao Bingkun's voice rose sharply, and he danced and shouted: "Five-flowered horses, daughter-jinqiu, Hu'er will exchange for fine wine, and sell Wan-Gu-sorrow with you-"

"Will Enter the Wine" is Li Bai's whining when he drinks, it is he expressing the depression that he has accumulated in his heart, and the last paragraph of the poem is a kind of catharsis. Cao Bingkun slowed down in the last sentence, and the last three words all had long sounds, among which the word "sorrow" dragged on for a long time, like an aria, as if the character's inner unhappiness disappeared with the word "sorrow".

Reading Li Bai's poems, you will always be impressed by his romance and talent, and reading "Will Enter the Wine" will be moved by the poet's free and easy. And Cao Bingkun's recitation vividly showed Li Bai's drunken wild state, agitated feelings, and elegant posture!

This recitation of "Will Enter the Wine" is simply amazing!

The audience was very excited, the whole recitation was really amazing, there was affection and feeling, it can be described as amazing!

All the students stood up and gave Cao Bingkun a round of applause.

"Okay, great!"

"It's wonderful!" (To be continued.) )