Chapter 19: Where is the Master?

Wanhu, who infiltrated personal entertainment from all angles, although he never raised a slogan and shouted something, but in the eyes of those relevant practitioners, it was also menacing.

Takahashi likes to play video games, but it worries many people in the industry.

Others, however, in the industry, scoff at their concerns.

They also said very clearly, how big is the total scale of 10,000 households, and entering so many fields at the same time, is everyone in 10,000 households superhuman?

Although this set of statements is indeed more convincing, it ...... It seems that there is indeed a group of supermen in ten thousand households.

The content produced by Wanhu is more jumpy than the content produced by other companies, but at the same time, there are more audiences who like it.

It's easy to understand if a single series has many people who like it, but it's even more difficult to understand that there are still many people who like it across many categories.

After all, people are at the heart of this kind of thing.

The vast majority of people can't create interesting works, and only a very small number of people can create more interesting works.

But even this small group of talented people has a limited range of things to be interesting about.

It is unlikely that there will be a person who is good at filming the longs and shorts of children's love, and is also good at big scenes.

And, because everyone's experience is different, the resources they get are different.

Therefore, almost all companies can only invest most of their resources in the head entertainment creators.

Wanhu doesn't seem to be the case here.,Because this fundamentally explains why Wanhu has such a work.。

Compared with the employees owned by Wanhu, there are too many films produced by Wanhu.

This group of people speculated about what kind of gods and men had gathered in Wanhu.

Foreign countries know very little about China, and many people even want to say whether China is really outstanding.

In fact, the vast majority of the works, which many people, including Wan Hu, could not have imagined, are actually masterpieces of computers.

That's right, it's a masterpiece of computers.

Could it be that Wanhu has broken through the threshold of artificial intelligence, so that electronic components can also have their own will?

No!

But after enough training, although the computer has no idea what kind of pictures and information it outputs, the emotional expression carried by the output pictures and information is enough to move the human audience.

The set of neural network algorithms used by Wanhu looks like a black box, and the computer itself doesn't even know what the meaning of these data is, but even if they don't even know the meaning, they can create good enough works.

That sounds more or less magical.

But if we take an example of what happened in another world, we can explain all this.

Do computers know how to play chess?

Can a computer know how to play Go?

No!

Computers don't understand!

But the computer, by playing chess against itself, knows again and again how to choose to win.

It is not able to perceive the world like a human, but in the world in which it runs, it can make the code that represents Go work and win.

And what humans do, humans don't do much, what humans do is just set a basic rule, and leave the rest to the computer to evolve on its own.

The same is true for Wanhu's computer-made dramas now.

Of course, for various reasons, Wanhu has not yet announced this innovation.

What Wanhu is doing now is basically computing the computer, and there are some rough animations, finding second- and third-rate directors, and shooting them into corresponding gatherings.

This director doesn't need to have too much professionalism, not even his own ideas.

You only need to reproduce it according to the video given to him by Wan Hu, the way the shots in it work, and the dialogue of the actors.

This kind of use of treating the director as a fool stands to reason that many directors will oppose it.

However, this is not the case.

All the directors who worked with Wanhu didn't say a word about it.

Why?

Because as long as they can enter 10,000 households to make films, it means that they can make good films, and what does it mean that they can make good films?

It means that they have access to money, status, and women.

In that case, why do they say it?

Could it be that he is just a humanoid command machine?

Of course not!

Humans are so ridiculous and stupid!

Compared with the small scheming of human beings, the speed of progress of 10,000 computers can be said to be a thousand miles a day.

However, the problem is that this kind of computer that uses traditional electronic mazes to complete calculations has some insufficient computing power after all.

Therefore, Wanhu has invested heavily in the research and development of quantum computers, and I don't know if it is worth the effort.

After a decade of investment and huge financial investment, Wanhu now finally has a quantum computer that can roughly run.

Quantum computers take advantage of quantum uncertainty to perform computational tasks.

This may sound mysterious, but in fact anything in the world that can represent two states can make up a modern computer.

As for why quantum was chosen, it is because quantum is able to calculate more tasks in parallel at the same time, truly in parallel.

That is, in a way, its computing power is almost infinite, and the waiting time is almost negligible.

Because quantum, a microscopic particle, even has the ability to ignore the objective cause and effect of the macroscopic world.

Of course, everything sounds good.

But quantum computers still face a lot of problems.

One of the biggest problems is that there are too few quanta to observe, and too many observations can easily lead to the collapse of observations and destroy the structure of quantum.

All in all, though, that the feasibility of quantum computers has now been demonstrated, and all that remains is tinkering, and there seems to be some hope, not outright, hopelessness.

Although Wanhu has never wanted to let his works be broadcast, he has completed large-scale profits.

However, unlike Hollywood's model that only focuses on fast-paced and strong special effects, Wanhu's films are more deeply rooted in the hearts of the people, down to the hearts of human beings.

Therefore, Wanhu's video works, whether they are TV series or movies, have actually begun to make large-scale profits.

And those who have watched the films, even professional film critics, do not seem to be able to see the essence through the phenomena and understand that these films are actually just films composed of some computers through regular permutations and combinations.

On the contrary, I think that behind these films, they are all full masters.

But look at the directors of these films, they are all a bunch of garbage, so where is the master?

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