On the wine table, Li Fan had to explain his views at this time.

He leaned over slightly and said, "Indeed, just like Wu Kang's predecessors said, we all know that Xie Lingyun is the founder of the landscape poetry school in the history of Chinese literature. Since Xie Lingyun's landscape poetry began, the mountains and rivers have become independent aesthetic objects, and his poems are like the first hibiscus, natural and lovely, creating a major genre in the history of Chinese literature. is also like what Wu Kang's predecessors said, his words are clear and refined, and the realm is natural, but!"

The phrase "but" aroused the appetite of everyone in the room.

Of course, most of the people at this table are well versed in Chinese studies and naturally have their own cognitive opinions about Xie Lingyun, but everyone is curious about what Li Fan, a 17-year-old high school student, can say.

And Wu Kang thought to himself, I'd like to see where you can "but"? You hairy kid, still "but" me?

This Wu Kang probably hasn't seen the idiom conference, otherwise he might not have this kind of thought.

Li Fan continued: "However, Xie Shi imitated the poor appearance, depicted the appearance of things, sent the mysteries of the mysteries, and tried his best to portray the ability, but he only got the skin of the mountains and rivers, and the reason for his charm was still not obtained. And the imagery is dense, more important than realistic, separating the mountains and rivers from people, the scene is fragmented, and it fails to be emotional. There is an obvious gap with Tao Qianwang Wei!"

Everyone nodded in satisfaction, secretly surprised. Li Fan's words and deeds are far beyond everyone's imagination, and his views are to the point and even sharper.

Wu Kang's face turned cold, and he said, "If there is no Xie Lingyun, how can Tao Qian Wang Wei come?"

Li Fan turned his wine glass slightly and talked eloquently: "If there is no Xie Lingyun, there will definitely be a Xie 'soul' luck in the history of literature, and landscape poetry will definitely emerge in the history of literature, because the ancient literati were accustomed to placing their affection on the landscape, especially when the career was not smooth and life was ups and downs." From "Confucius", "the wise are happy, the water, the benevolent are happy, the mountains are reflected", and the ancient literati's affection for the scenery will inevitably give birth to the genre of landscape poetry, which is a historical product that will inevitably appear in the history of Chinese literature, and cannot be attributed to a single person. ”

Everyone smiled and nodded again, everyone looked at each other, and said in their hearts that this young man not only has ink in his stomach, but also has his own unique opinions, which is really rare!

Wu Kang said again: "Master Zu will always be Master Zu, without his influence, how can there be Tao Qian Wang Wei?"

Wu Kang said that he had no cultural level at all, and he was a complete layman.

Li Fan was not in a hurry: "Most of the founders of the sect are mixed with problems, immature, and still at the level of exploration and pioneering, while in terms of artistic achievements, most of them are inheritors who carry forward the genre." Oh yes, I personally think that Wang Wei was more deeply influenced by Tao Qian. ”

The next conversation had nothing to do with Wu Kang at all, Li Fan's words completely opened the conversation box of these people present, and Wu Kang couldn't say a word if he wanted to interject.

Luo Yu took the lead in speaking: "Li Fan is right, let me give you an example, Wang Wei's "Peach Blossom Spring" is directly based on Tao Yuanming's "Peach Blossom Spring", while the poem "Lantian Mountain Shimen Jingshe" is a peach source, and the difference between the two is only the difference between poetry and text. ”

Peng Dehu also said: "The sentence in "Weichuan Tianjia" 'The slanting sun shines on the ruins, and the cattle and sheep in the poor alleys return' and 'The ambiguous distant village, according to the smoke in the ruins. The dog barks in the deep alley, and the rooster cries on the top of the mulberry tree. It's the same thing. ”

Li Fan added: "The same is true of 'Hold the axe and cut down the far away, and the lotus hoe looks for the spring vein' and 'Morningside is desolate, and the lotus hoe returns with the moon'! There is a continuous relationship between Wang Shi and Tao Shi. ”

The famous scholar Liu Wen hurriedly spoke: "I also say two sentences, literature is a process of continuous improvement and improvement, Da Xie as the founder of landscape poetry, indeed a lot of credit, but Xie Lingyun was deeply influenced by Xuanyan poetry and was shackled. When it came to the period of Xiao Xie Wei, he was not limited to the copying of natural shapes, and entered the realm of scene blending, changing the obscurity of the Xuan Yan of Da Xie, Xie Wei has a poem that I don't remember very clearly, and the afterglow is scattered into Qi, what is the next sentence......"

Xiaoxiao patted Li Fan's thigh with her hand, Li Fan understood, and hurriedly said: "The afterglow is scattered into Qi, and Chengjiang is as quiet as practice." The noisy birds cover Chunzhou, and the miscellaneous flowers are full of Fangdian!"

"Yes, that's it!"

……

Relatives and friends at several other tables chatted for a day, listening carefully to the words of these cultural people, and couldn't help but secretly call themselves good, and some whispered.

"That Li Fan is okay, a high school student can talk with those who are engaged in culture, far beyond my imagination. ”

"I thought he could memorize idioms and numbers, but he was also proficient in poetry. ”

"You're a typical person who doesn't watch the idiom conference much, if you watch the whole episode, you'll know, people have this strength!"

……

Yes, mixed in a table of literati, if you ignore the still green cheeks and thin voice, then Li Fan is no different from other literati.

Everyone is still talking about Wang Wei.

Luo Yu said: "Landscape poetry to Wang Wei, painting and music into the poem, not only has a visual sense of layered color, but also a sense of rhythm of music and drumming, in the sensory audio-visual for us to create a delicate and delicate poetry, vivid rhyme poetry realm, the landscape poetry to the peak......"

One person said: "This is the beauty of all-rounders, only all-rounders can write such a good audio-visual sense." Wang Wei participated in Zen and enlightenment, learned Zhuang Xindao, proficient in poetry, calligraphy, painting, music, etc., and also had a good hand to engrave, is a rare all-rounder, so that his landscape poetry has such a unique wonder, inclusive, full of vitality......"

Li Fan added: "In Wang's poems, mountains and rivers are the painting environment, and poetry is the painting heart, which proves the connection between heaven and earth and all things, and also raises the artistic pursuit to the state of unity between heaven and man." The beauty of the business structure, the beauty of light and color, the beauty of sound and rhythm, and the beauty of vivid rhyme all highlight the uniqueness and irreproducibility of Wang Wei's poems......"

Xiao Lao took a sip of white wine and said happily: "Like the sound in the air, the color in the picture, the moon in the water, the image in the mirror, the words are endless and the meaning is endless!"

This group of literati talked and talked about a deeper level: Wang Wei and Zen Buddhism.

"Wang Wei is known as a poet and Buddha, and was greatly influenced by the Northern Sect in the early stage, and dominated by the Southern Sect in the later period......"

Li Fan said: "Wang Wei's mother has been worshipping Buddha for more than 30 years, Wang Wei's name is Wei, the word Maha, and the continuous reading is just 'Vima'. There is a "Vimala Sutra" in Buddhism, this sutra is dedicated to Prajna, which is one of the fundamental scriptures of Zen Buddhism, and the name of the poet comes from this, which is quite profound...... For example, the concept of 'lifelessness' in many poems is an example of believing in Buddhism. ”

Luo Yu chanted a poem: "Recalling the past in Japan, ask me if I have no life." ”

Another said: "There is also that sentence: If you want to know that in addition to old age and illness, you can only learn and have no life." ”

……

Xiao Lao said: "The sound of the spring swallows the dangerous stone, and the sun is cold and green. The twilight empty pool is bent, and Anzen makes a poisonous dragon. "Poisonous Dragon", both from the "Nirvana Sutra"!

Li Fan continued: "This poem is very similar to the Shenxiu of the Northern Sect: the body is a Bodhi tree, and the heart is like a mirror. Always wipe diligently, don't make dust!"

……

Among this group of cultural celebrities with a certain social status, Li Fan, a small high school student, has no sense of disobedience, and talks about poetry and Taoism with everyone, behaves calmly and calmly.