Chapter 1624: It's All Good Things

At the same time, there was a turmoil in China. Pen "Fun" Pavilion www.biquge.info

In Old Man Qin's study, five or six old men were all stunned after receiving the fax sent by Huo Sining.

Especially Huang Zhenlong, grabbing one of the papers, his body couldn't help but tremble, especially the hand holding the list, which was completely shaky.

Qin Lianshan, Zhuang Xiangyang, and Shi Qingyun also pretended to be calm, but Zhou Shitao and Su Zhongqing on the other side were studying carefully.

"Guiguzi descending the mountain picture jar, this must be taken!"

Zhou Shitao saw this name at first sight, and immediately shouted eagerly.

When Qin Lianshan heard this, he was the first to react: "No, this Guiguzi Xiashan Yuan blue and white jar was auctioned by Christie's in London a few years ago, I remember that the auction price at that time seemed to be more than 200 million, setting the highest auction record for Chinese art in the world at that time, but it was a sensation, and the whole world reported it." ”

Hearing Qin Lianshan's words, Zhou Shitao couldn't help but sneer and said:

"What do those Brits know, although I didn't see that big jar with my own eyes, but I saw a clear picture in the newspaper at the time, I thought it was strange at the time, the green material used in that jar did not match the characteristics of Su Ma Lijing in the Yuan Dynasty at all; the white glaze is too white; the joint of the bottom foot tire glaze is stiff and unnatural; the drawing is stolen and transplanted from the content of "Yuan Qinghua Xiao He Yuexia Chasing Han Xinmei Vase" and put it together!"

"Yuan Qinghua has a particularity, that is, there are very few character painting utensils in total, less than 30 pieces, and the pattern of each character is almost identical, so the senior experts are used to directly name the utensils with the character story, but the Yuan Qinghua big pot actually made Xiao He in the plum bottle of "Xiao He Chasing Han Xin under the moon" run to the "Guiguzi Descending Mountain Yuan Blue and White Jar", and even the pine trees were cloned, which is too abnormal. ”

"Ancient craftsmen made any object, they were meticulous about excellence, and they would never be so perfunctory. The protagonist of "Guiguzi Descending the Mountain Yuan Blue and White Jar" on this "Guiguzi Group Picture" is confused, but the secondary character group picture is accurate in shape, and the painting level and characteristics are similar to the characteristics of the Yuan Dynasty, which is not logical. ”

"So I concluded at that time that this big blue and white jar of Guiguzi descending the mountain was a fabrication made out of patterns, and it was specially made by the so-called expert elites in Jingdezhen in the early years!

Shi Qingyun also nodded when he heard this: "I have also seen the photo of that jar, it does look a little wrong, but at that time, it was all touted, and that thing was praised to the gods, especially in the domestic auction world, it was crazy to the extreme, and if there was a little opposition, it would be sprayed to the fullest, and the hats of traitors and traitors were buttoned up, as if to say that the jar was a fake, that is, to say that the treasures of the Chinese nation are fakes and fakes, as if it was a great insult to Chinese civilization and the Chinese nation!"

Zhou Shitao sighed: "The domestic appraisal circle is uneven, and most of them want to use those dead things to become famous, but they are vague and deliberately confused in terms of right and wrong. ”

Everyone else also recognized Zhou Shitao's words, and Huang Zhenlong over there also smiled: "Huo Yatou's identification ability is also obvious to all, with this girl sitting over there, the things you get back will definitely not be fakes, you don't have to worry about this, if there is a problem with the things, with Huo Yatou's shrewdness and cleverness, she will definitely notice it." ”

Huang Zhenlong's words reminded these people, Qin Lianshan slapped his forehead, and said with a smile: "Old Huang, if you don't say that I almost forgot, you are right, we don't need to think about the truth or falsehood at all now, first pick out the things, whether they are true or false, let Huo Yatou identify them, this is her forte, and we don't need to worry about it." ”

Su Zhongqing has not spoken before, Su Zhongqing is not a person in the antique circle, and he doesn't know anything about Yuan Qinghua, but after all, he is a master in the Chinese painting world, and his understanding of ancient calligraphy and painting is no worse than Zhou Shitao and Huang Zhenlong.

Therefore, after he saw the list, he immediately found the category of ancient calligraphy and painting, and stared at the names on the list, so excited that his lips trembled.

"This ...... Isn't this "Portrait of the Female Historian" in the British Museum, how can it be in this earl's private collection?"

Zhou Shitao and a few people over there also came over when they heard this, and they were all a little stunned when they saw the words "Female History Zhentu" printed on this name.

You can't blame Zhou Shitao and a few people for being so shocked, because if you want to ask which is the most famous ancient Chinese painting in the overseas collection, then as long as you are a little knowledgeable, you will answer, this title must be Gu Kaizhi's "Female History Atlas" of the Eastern Jin Dynasty.

Gu Kaizhi is the earliest and most famous painter in China since the record, this painter is known as the "three uniques" because of his frank personality and outstanding talent, that is, talent, obsession, and painting.

There are many amazing records in history about Gu Kaizhi's outstanding talent, but in fact, none of the painter's works have been handed down.

Now we can see the so-called "Female History Atlas", in fact, it is a facsimile, Su Zhongqing's mouth was collected by the British Collection, the "Female Historian" is a copy of the Tang Taizong Li Shimin period, and it is also the most precious and complete edition.

This work is depicted based on the story of the article "The Female Historian" of the Western Jin Dynasty.

"Proverbs" refers to proverbs, that is, words of exhortation, "female historians" in the Western Jin Dynasty that is a female official who compiled history, through the description of a number of virtuous women in history, in order to persuade women to abide by the feudal ethics and morality.

The original content of "The Female Historian" had 12 paragraphs, that is, 12 stories, but due to the length, only the last 9 paragraphs were retained on the final painting.

However, even so, it is more than three meters long.

Like many ancient classics, "The Female History of Zhentu" is also unfolded from right to left, and when reading, you need to gradually open it, read the first paragraph and then read the next paragraph.

This approach is like a modern comic book, but unlike a comic book, the 9 stories in "The Female Historian" do not have a continuous story and implication, and each paragraph is a separate story scene.

This work was hidden in the Old Summer Palace during the Qing Dynasty, but it is rumored that a captain named John got the painting when the Eight-Nation Alliance looted the Old Summer Palace, and the painting was later transferred to the British Museum. (To be continued.) )