I don't know if it's Ming Hao's illusion, these local tyrants in China are becoming more and more profligate.

There are those who set small goals for themselves at every turn, and the kind that makes 100 million at every turn.

There are those who leave the house at every turn, and the goddess wife that countless people are worried about does not hug, but goes to prostitute for N days and N nights.

There is a person who relied on his good waist and married four big beauties, and stole two pandas when he married his wife.

Now, the only old horse who sticks to the bottom line has also thrown away the last trace of discipline and turned to the kung fu circle, wanting to beat various martial arts stars into scum.

In the face of the willfulness of these local tyrants, it really makes people not know what to say, everything makes people urinate, and they can only cry that they are poor.

Fortunately, the second performance appeared soon, but it was the long sword that Minghao's generation could never forget.

At that time, a "Shaolin Temple" set off a kung fu craze, and since then Shaolin kung fu has become a label for Chinese films, and even a label for China's foreign countries.

And among them, the drunken sword Wang Renze, who was drunk and confused, and the long sword was wielding, became a classic character that never faded in his memory, even if so many years have passed, Ming Hao still remembers that person's face and drunken sword demeanor.

The excellence of this sword even affected later filmmakers, and in the later "North and South Shaolin", even the righteous path master praised it and sighed, "It's a pity that this outstanding swordsmanship" is a pity.

This person is Yu Chenghui, Yu Chenghui, who had the "last sword saint" in his previous life.

On the company's rather large podium, I saw Yu Chenghui wearing an ordinary short clothes, and the whole person even looked a little fashionable, because he was wearing clothes similar to cropped pants.

And this also allows the audience to see his muscle movements more clearly, just like in "Martial Arts Crazy Poem", the protagonist Yan Heng is on Qingcheng Mountain, barebody, and shows the Qingcheng swordsmanship to his brothers, the muscles around his body flow, showing the power and beauty of that sword.

Ming Hao clearly remembered that when he first saw this movie, he was still young, and when he was running around playing with a group of friends, he occasionally saw the drunken stick fighting against the drunken sword on TV, and since then he has been immersed in a period of kung fu fanaticism, and even practiced a "drunken sword" with the guy.

When such a character appears again in the eyes of his own age group, how many far-reaching memories will he have in these people?

The years are ruthless, perhaps only young and carefree teenagers will feel that time is slow, and youth is a natural thing.

But since entering the society and growing up, time seems to have accelerated all of a sudden, and time seems to have passed all of a sudden in the monotonous work day after day.

Even with an old scheming personality like Minghao, when he saw his childhood idol again, he couldn't help but be excited, and suddenly returned to that special era, back to the young days when he was poor in materials but spent with laughter......

"Alas!"

Ming Hao let out a long sigh and looked at this figure who was already old, but his body was still agile as usual, until the last sword was withdrawn, it was still rendered in his inner memories, even if the secretary sent him a page of the party video that had just been recorded, he still took a long time to react.

"Okay, I, Yunpeng, am going to compete with your little unicorn today, who is the first brother of Deyun Club!"

A highly recognizable voice sounded, and Ming Hao forgot it at a glance, and couldn't help but sigh.

"Isn't this Lao Guo's apprentice......? Well, betting on both ends, it is really desireless and rigid!"

The cross talk in front of him made Ming Hao feel like he had met a "confidant", because he also put the breakthrough point of this Spring Festival Gala on top of cross talk.

This traditional way of interpretation once had endless vitality, but unfortunately, with the sudden rise of the sketch in 83, cross talk suddenly became a "single way of performance" thing, compared with the sketch language, action, and props to perform together, two people on the platform, just relying on a paper fan, handkerchief a few props of the performance, it seems very weak.

Like Huang Hong, even if he was born in cross talk at first, and finally turned to acting in sketches, he also said the famous sentence "Those who talk about cross talk now obviously can't do sketches".

Not only him, even those cross talk performers who were very popular at the time, were actually trying their best to transform, for example, Feng Gongfan, who has been playing soy sauce now, also turned his attention to sketches, and at the beginning he also advertised that his works were performance-type cross talk, but later he simply called sketches.

But the sketch is not a panacea, the original performers cherish the opportunity and try their best to improve the quality, which also creates the popularity of the sketch, but as they become famous, the rules are up, and then the basic skills of the latecomers are weak, and the sketch has become a very embarrassing existence in the audience, I want to watch the sketch, but watching those performers on the stage, trying their best to play sensationalism, when educating people, they always look embarrassed, and they are so ashamed that they are almost embarrassed to watch it with their families.

And now, a page of books, like himself, has designed the first language program as cross talk.

To be honest, Ming Hao admires it in his heart, judging from the arrangement of the first three programs alone, one page of the book has experienced last year's party arrangement, and he is undoubtedly more experienced in mobilizing the audience's emotions.

The first old horse's "Gong Shou Dao" suddenly opened the atmosphere of the audience and made everyone turn their attention to the party, which was an extremely wonderful opening.

And the second Yu Chenghui's two-handed sword made the older audience miss it all of a sudden, and the superb kendo also calmed down the mood of those young audiences, so that the mood that floated up because of the old horse before once again had a rational mood.

After experiencing these two programs, the audience has completely focused their attention and attention on the party, which has made an excellent preparation for this first language program!

So, after the opening song and dance, the CCTV Spring Festival Gala staged "Happy Twist".

So, after two programs, the one-page party gave up the stage to Yun Peng's cross talk.

The two stages have all become the stages of newcomer comedians!

And compared to the arrangement on his side, after Ming Hao watched Yun Peng's performance, he was even more amazed, different from the long foreshadowing of traditional cross talk, Yun Peng's cross talk is a variant of "teasing", through the fight between the two performers, to quickly enter the state, and tear each other down, it is also easier to increase the related burden.