There is still a long way to go before 3D can be officially put into commercial use, but the animation produced by the animation team has quickly become a finished film.

After Zhao Huangyu approved the route drawn up by Takahashi, he learned from the animation department how to cut the cost of animation.

The official animation produced by Wanhu himself did not take long to produce two episodes of twenty-four minutes.

The reason why the animation has been produced for so long,Although Wanhu Animation follows the rules of this animation,But it's not that the broadcast time set by me is unreasonable.。

In addition, the commercial is about 25 minutes long for a single episode, which is close to the time for young children to concentrate.

Compared with a large amount of pipe to kill children at one time, it is enough to play episode after episode, which can better maintain children's continuous attention to cartoons.

Although only two episodes were produced, Takahashi sent the two semi-finished episodes to Wanhu North America, so that Nick could find a suitable voice actor.

As soon as Nick finished dubbing, he found a group of small viewers and asked them to watch the animation and say how they felt about the animation.

Of course, relying solely on questionnaires and verbal inquiries is not reliable. While cartoons were shown at the screening venue, there were several cameras pointing the children in their faces without them knowing.

Of course, Wanhu North America's approach is not against the law. Wanhu North America has reached an agreement with their guardian and signed a contract.

In the contract, Wanhu North America claimed that it was a social experiment to explore the similarities and differences between the audience's direct physical response to the same film and the questionnaire.

That's right, the so-called filling out of questionnaires, as well as verbal interviews and transcripts, are just auxiliary survey methods for thousands of households.

The real investigative means are the cameras that are constantly recording.

This set of ideas comes from Takahashi, who believes that people's unconscious reactions in the process of watching movies are the most real reactions.

When you feel excited, when you feel moved, and when you feel angry, people will naturally express it during the viewing process.

The so-called questionnaire is the product of subjective revision.

Just as many children, including adults, are reluctant to show their true emotions on questionnaires.

After all, a boy likes a magical girl like a mother, and a man with a big chest actually likes ponies and likes the magic of friendship, is that like a word?

Therefore, they are bound to lie on the questionnaire. And the body doesn't lie.

The effect of the first test screening of Wanhu Animation was not bad, and the production team of Wanhu Animation got the still hot video on the third day after the adaptation.

According to these synchronized paths, they can clearly see whether each child is emotionally invested in the animation process. In the process of playing the animation, at which point did they feel the touch?

"Pay attention to the shot of three minutes and eleven seconds, everyone sees that more than sixty percent of the children have a strong interest in this shot. Among them, the second in the first row, the third in the second row, the first in the third row and the sixth in the third row all unconsciously leaned forward, and the third audience member in the second row only held the armrest. This shows that our first crisis has indeed given them a sense of crisis. This story mode will be recorded and will be used again in the future of the animation to verify whether it is useful. ”

Zhao Huangyu said.

Although Zhao Huangyu said it, he actually felt that the system that Takahashi came up with was a blasphemy for animation production.

What exactly is art?

Art should be created directly by people, and beautiful things should be created.

However, Takahashi sees art as something and animation as something that he treats as something that can be quantitatively analyzed.

He even tried to work backwards from the audience's reaction.

Although Zhao Huangyu has also heard of the United States, or Hollywood production of animation, it is very patterned. A few minutes of the first act, a few minutes of the second act, a few minutes of climax, a few minutes of the end.

However, even Hollywood animation in the United States has not gone too far like Takahashi.

But although Zhao Huangyu complained, if it was really result-oriented, Takahashi's method could not be said to be useless.

At this time, Zhao Huangyu remembered that he had seen the three-dimensional animation some time ago, and he suddenly thought about whether it would be one day, when the electronic technology admired by Takahashi developed to a certain extent. If you animate like yourself, it will be like a horse-drawn carriage being replaced by a train and a car, disappearing into the long river of history and becoming the dust of history.

As an art creator, Zhao Huangyu actually understands the so-called artistic creation more clearly than others.

It is nothing more than using different permutations and combinations to finally outline a work.

An excellent creator, compared with those mediocre creators, is nothing more than a combination of permutations and combinations that are not good enough to be skillful enough to touch the hearts of viewers.

And if you look at it from this point of view, Takahashi's analysis. Rather, it is a set of methods that allow mediocre creators to approach those who are talented and gifted.

However, the method advocated by Takahashi is too ruthless and too cold. Although it is useful, if Zhao Huangyu can choose, he will definitely not choose this method.

However, after several issues of such creation. The animation produced by the whole team really made the audience of those experimenters love it even more.

At the same time, Zhao Huangyu also found that even if this method is used, not all the audience likes every bridge.

However, Zhao Huangyu doesn't need to care whether everyone likes every bridge.

Although a viewer is not interested in the first section, he may be interested in the second section.

As long as the density of the bridge section is strengthened, one bridge section after another, there is always a bridge section that can touch the viewer's heart.

With such a guiding ideology and the data of such a group of audiences, although Wanhu Animation has just started to produce commercial animation, the samples sent to the TV station have moved the people in the TV station's purchasing department.

As the executive general manager of Wanhu North America, Nick personally took the samples and placed several TV stations, almost all of which were interested, and the rest was only a matter of price.

Nick, who knows the production process, feels that the routine is in people's hearts...