Chapter 80: Shajiabang

Chapter 80 "Shajiabang"

Growth is the natural development of every living being, but because human beings are special beings, human growth has been given many other definitions. Pen, fun, and www.biquge.info

Maturity is not the same as growing up, maturity will make people think that you have ideas, and growing up will make you feel safe.

He Saifei has known Wang Yao for almost five months, and he has basically been together for most of the time, from the shy young man who was weak and thin when he first met, bowed to everyone, and was very nervous.

Now he has grown half a head taller than himself, although he is still thin and has a clear smile, but he has undergone earth-shaking changes, he has begun to become relaxed, can treat anyone equally, can have his own ideas, his own methods, not tough but people are taken away unconsciously.

Wang Yao's physical and psychological changes have already made He Saifei feel a little surprised, watching a little boy grow into a man, this feeling is too subtle.

I don't know what the young Germans said, but in their subtle demeanor, although they tried to be 'gentlemanly', they could still detect the contempt.

Originally, He Saifei thought that Wang Yao would not take the initiative to provoke a conflict, but he didn't expect Wang Yao to stand up.

Of course, He Saifei would not believe that Wang Yao said to the group of Germans, 'Your uncle will always be your uncle', but Wang Yao must have made a counterattack, this counterattack is really super handsome.

He Saifei was accustomed to touching and hugging him, Wang Yao didn't pay much attention to the other party's burning gaze, he looked at Sun Tianming through the translation to demonstrate the puppet show in his hand to those onlookers.

The smile on the old man's wrinkled face made Wang Yao feel sad deeply.

Sun Tianming's expression was like a child getting a good toy, and he couldn't wait to show off his toy to others, and the joy was beyond words.

Wang Yao thought of the elders he had seen, although their lives were different, rich and poor, they all seemed to have this kind of smile on their bodies.

Jin Wensheng's laughter on the night of apprenticeship is still in his ears, Xu Feng's relief on the day Wang Yao went to Tubo, Mr. Qigong's handsome spirit when he lifted the pen and splashed ink, Mr. Mei's heartache when he reprimanded his descendants, and Zhao Lirong's shocking glimpse when he explained to Wang Yao on the hospital bed about the future generations.

These emotions are so pure that Wang Yao can't figure it out, they seem sad, but they are full of enthusiasm, they seem to be enthusiastic, but they have hearts and ashes.

Wang Yao didn't think about what they wanted to defile the old people's ideas.

Wang Yao wondered what they were for, dragging their crippled bodies that should have been recuperating for the rest of their lives, running around, busy with some 'traditions' that most people thought were insignificant.

This is a road with no light in sight, and Wang Yao thinks that with their age, they must know it.

They are people who have lived through the age of real hell, and they know better than anyone else today, and they know better how important it is to be happy.

But they gave up their pleasures and suffered their sins.

Why bother?

When the bell rings in the hall, everyone flocks to the stands, in addition to the stage in the hall on the first floor, there are LCD screens on the second and third floors to ensure that the audience on each floor can enjoy it.

The exchange was attended by representatives of more than 30 countries around the world, each country brought their own art, and the opening ceremony speech lasted for more than an hour, but fortunately, the host was a famous contemporary talk show host in the West, and did not make the opening ceremony too long.

The first program was an American Broadway opera, the classic Shakespeare opera "A Midsummer Night's Dream".

This is an opera with a very human reflective core.

The synopsis of the story is an unavoidable four-cornered love story, the hero and heroine elope for true love, lost in the forest, there are fairy kings and fairy queens in the forest, and later because of a discord, divided into two factions.

In order to tease the fairy queen, the fairy king asked his elves to fetch a magical potion, which has magical power and drops on people's eyes, which will make that person unconditionally fall in love with the first person he sees when he opens his eyes.

So the sad male protagonist fell in love with the second female protagonist and empathized with him.

And the bloody elf made the second male crazy in love with the heroine, absurdity is the beginning of tragedy, the two beautiful women who were supposed to be best friends began to seriously hurt each other because of suspicion, jealousy and various factors.

And the two infatuated men began to duel for the heroine.

Aside from the two pairs of pig's feet, the other absurdity is that the elf teased a textile worker who accidentally broke into the forest, turning him into a donkey, so that the fairy queen came into contact with the magic juice and opened her eyes to see the donkey first, and then the textile worker who turned into a donkey almost killed the fairy king.

In the end, fortunately, the fairy king was relieved, the hero and heroine had lovers and eventually became married, and the fairy king and fairy queen reconciled.

This absurdist comedy masterpiece may seem lighthearted, but it contains many hidden meanings.

The immortals and elves of the forest represent the ideal utopia of people's dreams, the free and unpredictable anonist.

The city of Athens, where the hero and heroine are located, symbolizes order, law and social norms.

When a person from one life intrudes into another life, he will not be greeted with kindness, this is certain.

From the perspective of human nature, Shakespeare uses 'magic juice', which contains the greatest justice in the world, to bewitch the feelings of the hero and heroine, to mock the suddenness and indifference of love, but at the same time firmly believe in the invincibility of true love in the ending.

As a princess, the heroine dared to declare war on the whole country for her rights and interests, which was also Shakespeare's great contribution to women's rights at that time.

There are a lot of things expressed in this drama, so it has always been regarded as a classic.

This drama corresponds to Tang Xianzu's "The Story of Nanke".

It is also absurd, the struggle between dreams and reality, the debate between humanity and ethics, and the reflection on existence itself.

Because they are all spoken in English, there is a great hearing barrier for an elderly person like Sun Tianming, but the power of art lies in the fact that if you can really understand it, then language will no longer be a shackle that limits your appreciation.

Just like Boya and Zhong Ziqi, Zhong Ziqi is just a woodcutter, but he can kick the mountains and rivers of Boya, which is a kind of compatibility between meaning and meaning.

Of course, Zhong Ziqi belongs to the genius level, but fortunately, modern society can learn slowly, as long as you have the corresponding thinking to understand these arts, you will find another world.

The greatness of these great writers lies in the fact that they seem to have shaped a world, but the world they have shaped is the same as your original world, and you can see infinite possibilities and hopes in the world he has shaped.

Of course, there will also be despair.

A Midsummer Night's Dream has been emasculated a lot over time, but the plot is still complete and smooth, which shows the skill of the playwright, and the mix of ballerinas and opera singers makes the stage look great.

Wang Yao watched opera for the first time and gained a lot.

Next is the comments of several judges, Xu Feng sat down and was specially interviewed, after all, he represents the Dragon Kingdom Opera this time.

The second program is Peking Opera, which can also show the organizer's attitude towards Chinese culture.

"Shajiabang" is a new type of Peking Opera that is well-known in the Dragon Kingdom, commonly known as model opera, which is changed from the real events during the Anti-Japanese War.

During the Anti-Japanese War, a group of wounded and sick soldiers of the New Fourth Army in Shajiabang, Jiangsu, Zhejiang, Longguo, lurked under the leadership of Guo Jianguang to recuperate.

Underground party member A Qing, the proprietress of the "Chunlai Teahouse", covered the local armed leader Hu Chuankui during the Battle of Songhu, and Hu Chuankui hesitated on the question of where to go.

Diao Deyi, the son of a local squire who returned from studying in Dongying, was a double agent of Dongying and the puppet Manchuria. After he became Hu Chuankui's chief of staff, he finally persuaded Hu Chuankui's "Loyal and Righteous National Salvation Army" to defect to the Dongying people.

With the help of Aqing's sister-in-law's intelligence, the New Fourth Army, which had recovered from its wounds, attacked Hu Chuankui, who had taken a concubine in Diao's family, and captured Hu Chuankui, Diao Deyi, and the Japanese Osakuroda and their interpreters.

The model play is only one standard logic, if you don't look at the plot, this play is really brilliant, from the singing lyrics to the shape, but too much Guangweizheng preaching interferes with the logic of the plot and affects the depth of the work.

chose this play, Wang Yao is indeed puzzled.

But after watching it for a while, Wang Yao suddenly understood.

They changed the original script and added a character to it, an inexplicable priest, who began to help Ah Qing's sister-in-law fight against the Dongying people.

"Hehe, it's really interesting, I don't want to please my face. He Saifei sneered.

Wang Yao was also confused, thinking that this editor was indeed a talent.

"It's different from what I've heard before. Sun Tianming also said confusedly.

But fortunately, the more classic passages in it have not been changed, and Guo Jianguang, played by the descendants of the Tan faction, is also deeply rooted in the hearts of the people, and Hu Chuankui played by Li Zhuo also performed a little bit of style, but after all, he is a 'traitor'.

However, watching Li Zhuo's performance, he wanted to whitewash Hu Chuankui.

There is a section of singing lyrics in it that is extremely majestic, sung by Guo Jianguang

"The Good Mountains and Rivers of the Motherland Do Not Let an Inch of Land"

'The morning glow is reflected on Yangcheng Lake, and the reed flowers are lined with rice and willows,

With the hands of the working people, the Jinxiu Jiangnan Fish and Rice Township was painted.

The good mountains and rivers of the motherland do not allow an inch of land, how can the Japanese invaders be ferocious!

Wounded in battle and left the battlefield, recuperating from his wounds in Shajiabang,

For half a month, I missed my comrades-in-arms and chiefs, and I didn't know where to move.

The soldiers and civilians fought day and night, and they slashed jackals with their swords.

The wounded were looking forward day and night in good health, so that they could return to the front early. ’

When the heirs of the Tan faction were singing, Wang Yao unconsciously followed along, and He Saifei also disliked Wang Yao for disturbing her to listen to the play.

There is also a more classic passage, which is the source of the folk saying 'people walk tea cool'.

Many people think that this sentence is an ancient saying, but it is actually the source of the Peking Opera "Shajiabang".

This is a joke between Aqing's sister-in-law fighting Hu Chuankui and the chief of staff, Diao Deyi and the three, the rhythm is urgent, and the actors have performed the kind of inner turns and thousands of times in the hearts of the three people, compared with the last opera, Peking Opera can better let the audience enter the play.