Because she usually didn't go out of her way to look for these, Xiao Lori watched Chen Peisi's sketch for the first time, and saw that every time Chen Peisi ate a bowl of "non-existent" noodles, it brought her a completely different laugh, and made her laugh from time to time by grabbing Lin Mu's arm and rubbing her belly, the kitten in her arms couldn't understand, just lying in Xiao Lori's arms, and her tail flung back and forth on Lin Mu's stomach.

"Brother, look at him, there are no noodles in the bucket, and he is still holding up like this! It's funny......"

Lin Mu put down his mobile phone and looked at the TV, and saw that Chen Peisi was performing with a "support" face, so he naturally laughed incomparably, even if he had watched this scene one or twenty times, every time he saw it, he still couldn't help but watch it again.

"It's called 'non-physical acting', and it's a method of actor training, especially in dramas. ”

Lin Mu watched and explained to Little Lori that the child is scattered, and if she wants to teach her more things, it is best to have something to say like now.

While talking and watching, Lin Mu couldn't help but sigh secretly, he is indeed a good actor!

Little Lori listened to it, and suddenly her eyes lit up: "I know, I know! A few years ago, I saw an uncle surnamed Feng who was also like this, he kept drinking water, and finally he drank it! No, no, that uncle surnamed Feng was really drinking water......

After thinking about it, Lin Mu remembered it and knew that Xiao Loli was talking about Feng Gong.

After the new millennium, Feng Gong also performed a sketch in the Spring Festival Gala, playing a scene of the Eighth Route Army helping the fellow to work, and the villager kept giving him a big bowl of water to drink......

It's just that Lin Mu doesn't remember the name of this sketch, or even the main content in it.

I just sighed in my heart, if I want to watch a good sketch to relax, it's really getting harder and harder!

The same framework, one uses "non-physical performance" to penetrate into the hearts of the people, and still remembers the specific lines after a decade or two, and the other exerts a lot of effort and pours water one by one, but only gets a "hard work" applause, and forgets it in a blink of an eye.

is like the film and television industry, which was originally a series of wonderful good dramas, but in the end it only became a bunch of bad dramas.

In fact, like "Eating Noodles", which shows different levels of comedy effects by eating again and again, is not uncommon in the music circle, and the more recent and popular one is Zhao Yishan's apprentice Song Bao, who has performed "eating horseradish noodles and drinking beer" in the Spring Festival Gala of Provincial Satellite TV in the past two years.

By tossing oneself, to show that "there is no merit, there is hard work" is a common technique used by artists, and there is nothing to spit on.

The cross talk actor said a large list of "names of dishes", small bunting turned around for four hours in one go, and Song Baolian poured N bottles of beer......

Lin Mu respects these artists on the stage, but he just misses the bald Chen who held a bucket of non-existent noodles, ate with a round stomach, and was sent to the hospital......

It's a pity to have such a superb performance......

……

Just when Lin Mu was thinking about things, "Eating Noodles" had been released, Lin Mu was looking for the resources of Station B, it was a Chen Peisi sketch bag, after "Eating Noodles" was finished, he waited for four or five seconds, and the next sketch was automatically played.

The name of this sketch is "Rushing to the Scene".

Lin Mu hadn't seen this sketch before, or even heard of it, but this sketch was just at the beginning, and the name of Chen Peisi's sketch flashed in Lin Mu's mind: "The Prince and the Postman".

"The Prince and the Postman" is a sketch of the Spring Festival Gala in the previous life of 98, and it is also the last time Chen Peisi appeared in the Spring Festival Gala.

98 years, this is a dividing line, the following year he refused to participate in the Spring Festival Gala, and in 99 Chen Peisi left the Spring Festival Gala, two years later in the new millennium Zhao Lirong died of illness, Zhao Yishan has the right time and place, and officially opened his own "sketch king" era, which is two years of change in the sketch circle.

The comedy effect is not as good as Chen Peisi's other works, and many people have seen it in his previous life, Lin Mu has heard that a lot of baggage in the original script was cut by CCTV, and I don't know if it's true or not, but the irony of this sketch is really heavy, don't say that those who worship foreign people and foreign slaves are numb when they see it, even if ordinary people watch the performance of the flag man and the slave, they often feel uncomfortable, the irony is greater than the comedy effect, maybe it is not suitable for the atmosphere of the Spring Festival Gala, but it is indeed a good sketch.

"Rushing to the Scene" is about Chen and Zhu driving to the Spring Festival Gala in the wilderness, because the car is not powerful, and the various unexpected plots in the middle can be regarded as the prequel to "The Prince and the Postman".

In the first shot, the two sat in the car and made a phone call, with constant contradictions, grabbing the steering wheel, not to mention, the car turned off again.

In the great wilderness, it is like a desert.

What to do?

When Lin Mu saw this, he admired the performance of the two very much, and the dialogue in the script between them can be said to have no baggage at all, and there is no laughing, but the two rely on their own skills to hold up the table, maybe a small change in tone, or a bickering, which can always make people smile, and it is indescribably relaxed.

And when Chen Peisi pushed the cart under him, and when he ran to chase the car after the car started, the upper half of his body got into the window and sunroof, and the lower half of his body kept fluttering, Xiao Lori was amused, but Lin Mu's eyes were condensed, and he was nervous.

The speed of the car is not slow, so chasing the car, but also drilling the window, and in a short time you have to pounce under the wheel, how dangerous is it?

This is a sketch with his life!

The next plot proves Lin Mu's feelings.

Chen Peisi set fire to the car, but was ignited by the sparks emitted when the car ignited, igniting the clothes on his body.

When Zhu Shimao was chasing the car, the car was suddenly dragged back by Chen Peisi with a rope, and his whole body smashed heavily on the front glass of the car, smashing the glass to pieces......

"Brother...... Isn't this too dangerous?" There are so many shots like this that even little Lori can see something unusual.

Lin Mu touched her hair and didn't speak, just sighed.

Such a dangerous plot design certainly amazed Lin Mu, and this kind of open-ended "outdoor sketch" is not the most daring innovation?

In other sketch actors, stage performance has become the foundation, especially on the Spring Festival Gala, no one dares to take risks.

But here in Chen Peisi, he seems to be making breakthroughs and innovating all the time.

The outdoor speeding sketch "Rushing to the Scene" is just a microcosm, there is a sketch of the same name created in the form of "Focus Interview", and there is also a fast-forward, dialogueless sketch "Two Carpenters", which can be called a childhood nightmare.

Just said that in the Spring Festival Gala, in addition to those normal sketches, there are also "Pepper Noodles", which integrates silent films and non-physical performances, the sports genre "Cosmic Gymnastics Trials", and the magic sketch "Big Change".

These breakthroughs have many failures and few successes, but just from this change, we know that he is a person who has never given up on innovation......

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