Chapter 335: Don't Become a Pig

Granny Tang's sister Granny Qian, who has the same appearance, but has a completely different personality, lives in a remote area, lives a pure-hearted life, and her biggest hobby may be to go against her sister Granny Tang, who seems to want to correct each other's mistakes. Pen ~ fun ~ pavilion www.biquge.info

This image is the image of the savior that everyone prefers, and it is also the idealistic image that everyone hopes to live the most.

The author compares the gap between reality and ideals through the comparison of two twins, completely different personalities, as well as reflections on right and wrong.

There is another important character, Bai Long, a male protagonist in all Mary Sue plots, with strong strength, a gentle smile and a kind heart, willing to sacrifice himself to help Chihiro who accidentally broke into the soup house return to the normal world, this is not love, Wang Yao feels that this is a kind of person who has experienced hardships, but finally compromised with life, but is unwilling to fall and still has good intentions.

Being in the dark, his heart is towards the sun, so after seeing the innocent Chihiro, he knows that he may not be able to escape his fate, but he is willing to protect Chihiro from being eroded.

The white dragon is understood from another point of view, that is, the author's Dongying country, Granny Tang symbolizes the influence of the American occupation period on Granny Tang, the white dragon is also Dongying while learning magic from the powerful Granny Tang, it is the transformation of Dongying during the Meiji Restoration period and the seal stolen from Granny Qian, which represents the original culture and spirit of Granny Tsuei, and Granny Tang hopes to be able to use the seal to resist the magic of his own bedroom.

That is, the control of Dongying when it resisted the invasion of American imperialism and spiritual culture.

In the end, Chihiro helps Hakuryu return the seal to Granny Qian, and breaks Granny Tang's curse, so that the soup house restores order, and Hakuryu also remembers his name and sends Chihiro away.

Chihiro means the future world of Dongying from this angle, and the white dragon did not leave with her because it is already a relationship between two eras through time and space.

Another character with a strong sense of presence and a bit of horror and gloomy characteristics, the faceless man, this character's presence in the soup house is extremely low, because of the stealth, almost everyone doesn't know about his existence, and he stands on the arched bridge leading to the soup house when he appears, and he can't see his face, nor does he know his expression, and it's not worth thinking about what he's thinking.

He was like a spectator, standing there watching the play, until Chihiro, who was a human being, was brought into the soup house by the white dragon, and the faceless man began to take an interest in Chihiro and seemed to be attracted.

The faceless man symbolizes another kind of child besides Chihiro and Fang Baobao, according to class, Fang Bao is a child of the aristocratic class, Chihiro is a child of the ordinary middle class, and the faceless man is a child of the lower class.

Fang Bao has everything, but there is no freedom, Chihiro has freedom at first, but then her freedom is restricted, and the faceless man has nothing but a mask on his face that can hide all emotions and expressions.

He didn't dare to communicate with the people in the soup house, because the people in the soup house were all adults, until Chihiro's peers appeared, and he became eager to communicate because of loneliness and loneliness, and then he began to set foot in the soup house and wanted to stay with Chihiro.

The faceless man exists in the society of the soup house, but he has no sense of existence, and no one cares about him, perhaps this is a way for him to protect himself and integrate into the society of the soup house.

It wasn't until Chihiro came that he realized that there might be another way to integrate into this society.

He used stealth to help Chihiro get the brand of the medicated bath, hoping to please Chihiro to communicate with her, but after learning the rules of the soup house, the faceless man learned the rules of adults, and used gold to gain the popularity of others, this pursuit made him forget his original intention, his desire made him a monster, he wanted to talk, ate frogs, cannibalism can understand other people better, under this distressing bewitchment he became dissatisfied, greed made him a man-eating monster.

In the end, Chihiro saved him with the pill of the river god, and the faceless man who regained himself officially followed Chihiro, until he finally stayed with Granny Qian to have a home.

The author's portrayal of the faceless man is from another angle that is the generation of Dongying children who were distorted and affected after being collided by two cultures within Dongying, and the local culture of Dongying represented by Granny Qian is their home, he does not belong to the future of Chihiro's generation, nor does he belong to the past of Bailong's generation, he may belong to the present, and now should stay with tradition.

Behind the mask came loneliness and loneliness, as well as the hunger of the year.

What the future holds, that's Chihiro's choice to go out.

The remaining supporting characters, the polluted river god, are the excessive damage to nature by humans after the advent of the industrial era, and when Chihiro cleans out all kinds of garbage and waste from the river god's body, I believe everyone will have a sense of self-blame.

The author reflects the relationship between humans and nature through Hebo, pollution makes the river god stink, and after Chihiro cleanses him, he kindly gives Chihiro a life-saving pill.

The other one is Chihiro taking the elevator, and she was almost discovered by the guests, but, in the elevator, the old radish protected her, and the big radish guest obviously found out that Chihiro was a human and still protected him.

This symbolizes that some of the elderly in Dongying society, they are old, they can do very little, and many things are open, but when they can, they will still lend a hand, which is their love for future generations.

The frog that was eaten by the faceless man symbolizes a type of person in society who is greedy for a small bargain, and finally almost died because of greed, this kind of person can be seen everywhere in society.

Chihiro's parents who became pigs because of greed, this character symbolizes the adults who have lost their original intentions, and Dad feels that as long as he gives money, it doesn't matter if he eats first, although Mom thinks it's not good, but he hasn't resisted the temptation of deliciousness, only Chihiro, a child, feels that it's a little bad to do so.

This also symbolizes the gap between the way of thinking of adults and children, and the reflection on what adults have lost after social baptism, and the meaning of becoming a pig is even more.

Too many people live like pigs in order to make ends meet, pigs eat and sleep, sleep and eat, humans work and eat and sleep, and they don't think about anything else, and there is no difference from pigs.

Many adults will think that this is a magic or rule at the beginning when they see the transformation of pigs, but after the whole cartoon, they will remember the plot vividly and cry bitterly.

Because they used to be teenagers, they used to have dreams, and they were not pigs.

There are some lines in it that are very meaningful.

Hakuryu tells Chihiro that if humans eat the food here, they will turn into pigs, and if they don't eat it, their bodies will slowly disappear, unless they become Yu's subordinates, but that will make them forget their names.

What seems to be an account of the rules of the soup house is actually an accusation against modern society.

In the tide of global capital, in the assimilation and conspiracy of modern civilization, which is highly materialistic and lacks spiritual life, if you do not join this trend, you will become an isolated person like a faceless man, who has no sense of existence and no place in this society.

If you give in, you will go with the flow, enslaved by capital, and you will either become a pig to be slaughtered, or you will become a laborer, day after day.

On Chihiro's train, there are a lot of invisible people like the Faceless Man, they are constantly getting on and off the train, the carriages are empty, and they stand on the platform, but they don't know where their destination is.

Because there is no conductor to announce the station.

The story of "Spirited Away" is more like a story of a child who has just entered society and begins to grow up slowly, all the characters in the animation are growing and changing, all because of Chihiro, and Chihiro in addition to symbolizing the hope of the future, a greater symbol in the story, Wang Yao feels that it should be the original intention.

Chihiro was not seduced by magic, not crushed by work, did not change her kindness, was not tempted by gold, and did not retreat because of fear, she always believed that she would return to the original world with her parents, and she has been working hard.

is full of inspirational and moving original intentions, and it is indeed a good movie full of positive energy.

But for adults, this is an inexplicably sad movie, at least after Wang Yao and they went to watch it, except for Director Zhang, everyone came out with red eyes.

This is more than just a fairy tale and a story for children.

This is a tribute and memory for adults.

And a gentle hint of encouragement.

Don't become a pig, don't eat too much, because you'll be killed.

This is a profound cartoon from the humanities, art, criticism, reality, education, and implication, and perhaps with the passage of time, this cartoon will still move many people.

However, the deep sense of the era in animation will become weaker and weaker, because people who do not understand the experience of animation creation in that era will not be able to understand this profundity.

Because this is exactly the tenth year of the Great Depression, and many people have forgotten it, except for Miyazaki.

Hayao Miyazaki extracted this history and integrated it into a fairy tale to show the audience, hoping not to fall in the same pit for the second time.

What makes Wang Yao sigh even more is that the style of the animation is really good-looking, and he is a little about to retract his conceit, this animation is not weaker than him in terms of painting.

"Do you want to pay a visit?" After watching the staff prologue at the end of the movie, Director Zhang asked Wang Yao.

"Forget it, there's a chance. Wang Yao smiled.

"Explain, explain. International Chapter said with a sober nose.

Wang Yao smiled, knowing that she was joking that she was sharing the viewing experience of "Crouching Tiger, Hidden Dragon" when she met for the first time, but Wang Yao was afraid that he would expose the pessimistic core in this animation too much, so he thought about it.

"Mr. Miyazaki's research on the traditional culture of Toei is really in-depth, almost to the level of a scholar. Wang Yao said. There is a close-up at the beginning of the animation is a two-faced god.,It's the god of land protection in the myth of Toei.,The architectural style of the church when crossing is European.,The outside is the scenery of Toei.,It's because the U.S. emperor built a lot of buildings in Toei.,Some haven't been demolished after the war.,Chihiro was blown away by the wind.,The wind should be the wind god of Toei.,The entrance to the soup house is a commercial street in the 30th year of Showa.,It should be the author's memory when he was a child.,The dusk when the sun sets.,In the Toei culture, it is the time when the ghosts and gods go out.,That is' The beginning of the 'Hundred Ghosts Night Walk', so when the sun sets, the guests of the soup house appear, and the guests come from the boat because in the Dongying culture, the gods come by boat from across the sea, which is mainly recorded by ancient Dongying, and some scholars suspect that it is because Xu Fu crossed to the east and established Dongying, known as the god: the boiler grandfather is not a spider, but a thousand-armed Guanyin, roasted salamander is a medicine in Dongying, Uncle Radish is introduced to Dongying in the thirteenth century, known as the god of agriculture, Xiaoling and Chihiro are Dongying's apprentice system, and ours are somewhat different, the white dragon gives Chihiro's rice balls, in Dongying culture, the person who makes the rice ball will inject personal energy into the rice ball, and the person who eats it will get strength, The image of the faceless man is Dongei's Kabuki, and the story is set in the Great Depression ten years ago, so the gold of the faceless man is fake, suggesting a bubble economy. The three heads in Granny Tang's room are the cow ghosts in the Dongying ghosts, which means castration and symbolizes Granny Tang's absolute power. ”

"Wait, wait, what are you watching when you watch a movie?" interrupted Wang Yao, embarrassed.

Wang Yao said so much, she didn't see any of it, how ignorant she looked.

"It's like, it's a strange focus. Liang Chaowei put on his sunglasses and looked at Wang Yao.

"It's you who is talking about serious nonsense. Maggie Cheung also pursed her lips and smiled.

Wang Yao shrugged his shoulders and looked at Director Zhang.

Director Zhang looked at the sky and shrugged: "I think what they said is right. ”

"Brother Li, you won't be so superficial. Wang Yao looked at Li Lian.

"Huh. Li Lianlian laughed dryly, "I have a friend here who opened a restaurant, go try it?"

PS: Thanks to the 500 of the lost tip.

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"Spirited Away" is really an adult animation that makes people cry even if they can't understand it.