Felt has been around since ancient times, but it was also popular in the Yuan and Ming dynasties, and the calligraphers of the Tang and Song dynasties all put a piece of silk and cotton on the desk, so it is not that without felt, Zhong Yue will not be able to find other substitutes.

After the red scarf was spread on the table, Zhong Yue took out the inkstone, ink ingots, pen curtains, and shengxuan in an orderly manner.

A little mineral water was added to the inkstone, and the ink ingots were ground lightly and agreeably. After pouring the ground ink into the ink dish, Zhong Yue flattened the raw energy with a paper balance and began to write and write.

In the venue, some students have reached the end of their creation. This kind of competition that only tests copying, and does not need to create, is simply too simple, and there is no need to use your brain at all, just pick up the pen. However, people who often fall into such a state of mind are wrong.

Whether it is creation or copying, in addition to the presentation effect, what is the most important thing in the final calligraphy work? When the creation is erased, it's the details that make or break it.

Zhong Yue is no longer picky.

The system holographic projection of the full text version of the Lingfei Sutra was opened.

Zhong Yue was engrossed in it and began to write the Lingfei Sutra.

Turning on the holographic projection of the system, it is not that Zhong Yue wants to win by copying the book, but although he has been copying this world's first small book for so long, this Daomen scripture is still not easy to memorize. In this way, Zhong Yue will save a lot of time, and he will not have to go to the front to ask for the content text.

Zhong Yue's pen speed is extremely fast. The gods and men have nine potentials, and pay attention to one potential word. Wen Zhengming can do twists and turns, and Zhong Yue can now combine the nine potentials of gods and men to make strokes twists and turns! Don't underestimate this extra fold, which represents a breakthrough in Zhong Yue's brushwork.

As for why Xiaokai's proficiency is only 70% of the proficiency, instead of 100%, Zhong Yue feels that the requirements of the system are no longer simply calculated by using Wen Zhengming's sample of Xiaokai, but by integrating all Xiaokai calligraphers, a judgment method has been made, otherwise with his twists and turns of penmanship, not to mention completely surpassing Wen Zhengming, at least he can already look at it.

Brushwork cannot determine everything, but it is also indispensable.

The brush is a dragonfly and a little water, and the ink rhyme flows on the tip of the pen. Zhong Yue's brushwork remains the same, and the art forms presented are indeed ever-changing. Jumping off the cliff is sweeping, flying across the river is sweeping, and rising in the air is also sweeping.

Hiding the front hook, going against the front, turning a degree, Zhong Yue is now wielding the pen, just like a military advisor.

"Horizontal" is like a thousand miles of clouds, faintly tangible.

The "point" is like a peak falling stone, and the bump is really like a collapse.

"Apostrophe" is like a rhino elephant.

"Folding" is like a hundred crossbows.

"Vertical" is like a long live withered vine.

"Pounding" is like a crashing wave and thunder.

The "cross-fold hook" is like a crossbow joint.

The mind and mind are united, the strokes are linked, Zhong Yue's attention is highly concentrated, and he has completely ignored the noise around him, and in his eyes, except for calligraphy, there are no other distracting thoughts.

This is a rare concentration, and it is also a concentration that only calligraphy that has been in the way of the law for more than ten years or even decades can be achieved. Often focused people, the aura exuded from the body is the most powerful.

It was a basketball court, but it temporarily served as a battlefield for literati. Still, moving, in Gu Qin's eyes, this silhouette of the pen is so charming.

The full text of the Lingfei Sutra has more than 3,000 words, and it is definitely impossible for Zhong Yue to copy the whole text, even if time allows, the size does not allow it. On the four-foot folio rice paper, the most suitable is the content of the forty-three lines.

In one go, Zhong Yue remembered the most important sentence that Xiaokai was difficult to be more than lenient.

Each word, it is independent and a whole. To be more than sufficient, then it is necessary to have a clever layout in the structure.

The way of calligraphy, on the paper is kung fu, and outside the paper is the meaning and spirit.

Zhong Yue's quick writing made the audience in the venue stunned.

Because Zhong Yue writes so fast, it doesn't look like he's writing, it looks like he's scribbling casually.

"This young man, who used to sit calmly as if he was nothing, is too late now, so he coped with things like this, he is still too young. ”

An old man pushed his reading glasses, although from his point of view, he couldn't see what Zhong Yue wrote, but he could be sure that it was not a big word, and sighed: "The young man is still young, this kind of competition, the time is tight, and he writes this kind of small print, and the length is not pleasing either, I really don't know what he thinks, and he doesn't have a lot of experience in participating in the competition." ”

No matter how others understood it, Zhong Yue had his own thoughts about the grasp of the Lingfei Sutra.

When the Tang people wrote this book, they definitely did not do it in the form of calligraphy creation, but simply copied the scriptures. Taoism, due to the relationship of Lao Tzu, developed to its peak in the Tang Dynasty. Therefore, some famous calligraphers in the Tang Dynasty believed in Taoism, such as Wei Zheng, Wu Daozi, He Zhizhang and so on.

Therefore, Zhong Yue also did not copy it as a calligraphy work, but wrote it as a Taoist scripture and wrote it religiously.

The air conditioning was turned on inside the venue, which quieted the hot air.

Everyone is coming to an end.

Signed, stamped.

Zhong Yue has also written about the payment. He was nearly an hour less than the others, and it was so tight that it was enough to see how fast he could write. Xiaokai, it does not mean that you have to work slowly and carefully, you must do it smoothly where it should be fast.

The forty-three lines of the Lingfei Sutra are not very long, Zhong Yue has copied them countless times, and he has already been familiar with them, and under the holographic projection of the system, the structural layout is clearly emerging in front of his eyes, which is ridiculously fast.

Call.

Zhong Yue put down Xiao Hao in his hand. My wrist was slightly sore, and I looked at the time, and it was only half an hour of work, and I really wrote quite fast.

He stamped the seal and checked one side for anything wrong.

In fact, this step is also a psychological comfort, calligraphy is different from others, wrong, and then to change it will add to the snake. After writing how it should be, it will be unsightly to revise and revise.

Zhong Yue sat in his position like this, waiting for the judges to come over.

One after another, many people have completed their works. Zhong Yue looked at the audience and found Gu Qin's puzzled eyes, Zhong Yue smiled back.

Although the process was a bit tortuous, it was smooth for Zhong Yue.

The ink gradually dried, and Zhong Yue suppressed it with paper. Looking sideways, the calligraphers on the judging bench had already stepped down from the stage and began to score.

Zhong Yue turned his neck and yawned a little tiredly.

This kind of competition is really boring.