Chapter 232: "Sympathetic Companion"

Chapter 232

Kong Ping's excitement made Wang Yao very scared. Pen × fun × Pavilion www. biquge。 info

The corners of Wang Yao's mouth twitched, and he smiled, "Calm down, calm down, you listen to me first." ”

"If you don't listen, you don't listen, I don't listen.,It's decided.,You have a book.。 Kong Pingjiao said with a smile.

Three black lines appeared on Wang Yao's forehead: "I really haven't strung Dan." ”

"Last time I heard you raise your voice, okay, don't struggle, do you have leg hair?" Kong Ping's whisper carried excitement that made Wang Yao blush.

Wang Yao's face became darker and darker, "Senior sister." ”

"Do you have a book? Kong Ping asked with a smile.

Wang Yao sighed, "I have a 34-year-old book here, when did you get it over there?"

"It's an old book from the last century.,I'm not sure about a lot of pronunciation now.,I have to change it.,You can handle it directly.,I'll let the old gentlemen see it when the time comes.,That's it.。 Kong Ping smiled, "No, why am I so excited when I think of your makeup?"

"I'm so tall, it's so disobedient. Wang Yao finally struggled.

"That's not right, you remember to shave your leg hair. Kong Pingmei smiled.

"I don't have leg hair. Wang Yao snorted depressedly, "Where are you going to rehearse?"

"Come to Sioux City, the old gentlemen are here. Kong Ping smiled.

was teased by Kong Ping for two more sentences, and Wang Yao hung up the phone a little depressed.

"What's wrong?what's wrong, your face is so bad?" Liang Chaowei didn't look very good when he saw Wang Yao coming back, and asked with a frown, and the others also looked at Wang Yao.

"It's fine. Wang Yao waved his hand and said with a smile, "I have to take a leave of absence for a while, and the troupe needs me to do a favor." ”

Director Zhang raised his eyebrows slightly, "How long will it take?"

"It's only a month. Wang Yao smiled, "Kunqu Opera has been successfully inscribed on the World Heritage List, and I want to go abroad to have a performance." ”

"World Heritage application?" Maggie Cheung was stunned.

"Intangible Cultural Heritage of Humanity. Wang Yao explained, "It has always been certified by the United Nations, and it has a role in promoting the protection of Kunqu Opera. ”

"That's a good thing. Zhang Dao Zhengse said, "You are busy, you don't have to worry about it here." ”

Wang Yao smiled and nodded, "I don't have to worry about it." ”

"I'm afraid that the director will leave you, and you will be upset. The international chapter quipped, "But I really haven't heard of Kunqu Opera." ”

"If you want a ticket, just say it. Liang Chaowei smiled.

"I really don't know if I can get a ticket for this, but if I have a ticket, I invite everyone to see it. Wang Yao agreed, but he was complaining in his heart, so he couldn't let them see his appearance.

After handing over some things of the crew, Wang Yao took a car to Sioux City overnight, and sorted out the book of "Sympathy Companion" through the system during the night's journey.

In Chinese opera, Tang Xianzu is the Oriental Shakespeare, and there is another one who is also considered to be the "master of world comedy" is comedy, not drama, because he is the first playwright in the history of Chinese opera to write comedy scripts.

Moreover, he is also the ancestor of Chinese opera theory, the pioneer of the first generation of cultural industry, and a world-class cultural figure, on a par with Shakespeare, Tang Xianzu and so on.

His name is Li Yu.

He is a genius, he cannot be said to be a full-time playwright, his other identities are equally important, he was born in a merchant family, and his ancestors were very wealthy, so he is considered a genius born with a golden spoon in his mouth.

In the past, the status of businessmen was low, so Li Yu's father hoped that Li Yu could gain fame and glory to his ancestors.

But such a genius failed in the imperial examination, and after he lost his family's career, he resolutely gave up his career and turned around and chose another kind of "hidden in the world" hidden in the city.

In the second year of the list, he wrote "Phoenix Stage: Remembering the"

'Last night and today, seize the moment, and divide the old and the young.

I asked what time it was?

Yesterday was not far from the double ten, and he was still young. Sigh that although it is difficult to call old today, it is difficult to be young.

The girl is also a year old, but God wishes me in front of me, and the clouds are green in the morning.

Wait for the flower seal to be anxious and forget the birthday. Listen to me sigh with my cup, bend my fingers, and brow without browning.

Seal the marquis, and Hugh mentions, drunk and oblique'

Then I got rid of the idea of a career, did my own thing with peace of mind, and was chic in the world.

At the end of the Chongzhen year, the situation was turbulent after the Qing soldiers entered the customs, and Li Yu was even more disheartened about his career when he was in a national disaster.

'Three moves have a god's relatives, how ashamed, a life without glory and no talent.

People's tears and peach blossoms are blood, and paper money and hearts are turned into ashes. ’

used the allusion of Meng's mother's three moves to express his father's expectations for himself, but he regretted that he did not fulfill his last wish.

Later, the Ming Dynasty fell, Li Yu went into hiding, and the first thing in the Qing Dynasty was to 'keep his hair without his head', and expressed strong dissatisfaction with this kind of violent fishing, but he was helpless to write about the world

'Crazy slaves, come to plough the grave and go to the field. After the house was left behind, he was on the edge of the battlefield. A few places are extinguished, and who has all the flesh and blood? borrow someone to comfort themselves, and spend a peaceful year. 's verses to express anger.

Li Yu's genius lies in his brilliant writing, and he carries forward this talent, as a literati, or a person who has won fame, he may be the first to rely on 'selling to make a living', but it is also the time when he has the greatest desire to create, he wrote many novels, and the drama has been handed down to the world.

His vernacular novels are popular among the people, and they are almost sold out of stock when they are published, and the word 'piracy' is also related to Li Yu, because his books are so popular that some thieves specially wait for him to finish writing the book, and steal the engraving when he takes it to engraving and printing, and then there is the word 'piracy'.

Also because of piracy, Li Yu was the first writer in China to be aware of copyright.

Li Yu's genius is also reflected in the spirit of pioneering and reform, and he pursues that his writing is a 'book of new eyes and ears', that is, he does not attach himself to other people's themes, nor does he repeat his own ideas.

Write about things that have not been seen before, imitate the feelings that have not been seen, and describe incomplete states.

His works are also about asking for the lives of the people at the bottom, praising the free love of men and women, opposing feudalism, persuading the good and punishing the evil, and criticizing realism, which are deeply loved by the general public.

In addition to being talented, Li Yu can also be described as coquettish, not only words, but also coquettish, after all, a man who can write a strange book like "****" must be coquettish.

In addition to maintaining copyright, Li Yu is also the pioneer of the first star effect, although Li Bai was the star effect of the entire literati circle at that time, but compared with Li Yu, a national male and female idol, the audience is still smaller.

Li Yu took advantage of this 'star effect' to create a series of cultural industries, in addition to novels and dramas, there are also beauty, health, cooking, and 'sexology' and other peripheral industries, becoming a strange person who is not literate and business.

Li Yuhui has studied more than a dozen ways to eat tofu, and has also compiled it into recipes, which shows that he is a wonderful person.

In addition to these, Li Yu's contribution to opera is also huge, almost groundbreaking, he wrote a book "Idle Love and Occasional Mail", from the structure, word selection, rhythm, binbai, scientific translation, pattern of six aspects of opera literature, to the selection of opera, change of tone, teaching of music, self-teaching, out of the set of five aspects of opera performance, can be said to be a textbook treatise on opera.

has both literary and artistic accomplishment and interest in life, and may be regarded as the first coquettish person in ancient and modern times.

And Li Yu is the first in China, the author of a publicly published, gay genre novel, "Sympathy Companion" is a story about the love between women.

"Sympathy for the Fragrance Companion" tells the story of a scholar who is a student of Guozijian, whose wife Cui Jianyun is newly married and full moon, goes to the temple to burn incense and pray, and accidentally meets another squire's daughter, Cao Yuhua.

Cui Jianyun was attracted by the body fragrance on Cao Yuhua's body, Cao Yuhua was impressed by Cui Jianyun's poetry, and the two secretly fell in love, and made a private decision for life in front of the Buddha.

And in order for this relationship to continue, Cui Jianyun designed her husband to be a concubine, so that the two of them can 'justifiably 'dream together, wear makeup, look and face in the mirror, and sing along with each other step by step'.

The core of the story is full of reflection and criticism, the promotion of same-sex love, combined with the deformed feudal society of male superiority and inferiority of women at that time, the two women serving together and becoming a husband have become extremely ironic and helpless.

What's even better is that the love between the two was supported by Cui Jianyun's husband, supported by their parents, and supported by the emperor, this kind of absurd plot was almost unheard of at that time, and it was really a 'comedy'.

Among them, Cui Jianyun has a line, that is, when the two of them got married in front of the Buddha, the two not only wanted to marry in this life, but also in the next life, but they thought that brothers and sisters could not be together for a lifetime, and only if they were married could they be together for a lifetime.

"Do you want to be a woman for the rest of my life?"

This sentence was said in the context of the time, which was to degrade and hate one's own gender, as if it was a mistake to be born a woman, so it is obvious here to express the tragedy of gender in that era.

At the same time, it also recognizes true love, which should be regardless of gender.

Wang Yao chose this play because he felt that the irony of this 'comedy' was very explicit, and the love expressed was very pure, love at first sight, and hardships, and more importantly, this is a book that expresses same-sex love.

Regarding homosexuality, Wang Yao started from filming "A Dream in the Garden" with director Yang Fan, and then saw Leslie Cheung and Mr. Tang, so that he, who originally knew nothing about love, first understood this kind of cross-gender love.

Wang Yao didn't know what love was, but he felt that it should be a kind of satisfaction, satisfying everything of the other party, being tolerant or open-minded selfless, and having the courage to wait for a lifetime without thinking.

At least this condition must be used to be able to say that it is true love.

If gender becomes an obstacle, it can only mean that it is a problem in this society.

The continuation of offspring is the need of the species, but human beings, as a higher species that is beyond animals, can only be said to have not fully evolved if they are still viewed by this impression of gender reproduction.

The fundamental difference between humans and animals is that they are emotionally sound, and in terms of family affection, animals also have some family affection, but in love, most animals do not have this concept of love, only the concept of companionship.

However, the concept of human love is very rich, small love lingers, big love lets go, etc., all kinds of love-derived emotions.

The reason why there are these emotions, so sometimes, love can make people feel great.

For it is a sacrifice that does not harm the body, a fulfillment on a spiritual and spiritual level.

Since it is a performance on the World Heritage List, Wang Yao hopes to express something different, "The Peony Pavilion" is great, dreamlike and beautiful, but it is not special enough, because now that the tiger shooting has progressed, the relationship between men and women has gradually become commonplace, and what needs to be expressed more is same-sex love.

Wang Yao thinks "Sympathy Companion" is very suitable.

In particular, some of the sentences in the original text are very moving, and when sung out, they are even more beautiful.

When I first saw it, Cui Jianyun was attracted by the body fragrance of Cao Yuhua, and after finding a beauty, she wrote a stunning poem.

"Tracing the temperature and doubting the roasting cage, it seems to be cold and suspicious of the wind in the water palace.

Cui Jianyun's poem moved, Cao Yuhua, who was worshipping the Buddha, replied to the poem, "The powder musk fragrance is not enough to guess, and the fragrance makes Xie Jiacai.

The first meeting between the two is the purest mutual attraction and admiration, which comes from the fate destined by God, which makes people's hearts pound.

What's even better is that Wang Yao really admires Li Yu's sequencing skills.

'The legend of ten parts and nine lovesickness, the Tao is infatuated and not yet infatuated.

This strange person is the only one who has not been passed on, and he is ashamed to fill in the words. ’

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Solemnly recommended, in the 5ing website, search for the Kunqu opera excerpt of "Night with Dreams", which is an excerpt from "Sympathy Companion", and it is good to hear the trembling 2333