The paper of the Jin Dynasty has not been as bright and white as it is now. Zhong Yue saw the preface to the Lanting Collection from the jade slip, the paper was yellowed, and it looked plain and elegant.

"It's so small, how can you see it clearly......"

No matter how good Zhong Yue's eyesight is, he can't look at a work that is only 70 centimeters long and more than 20 centimeters wide from a distance of three or four meters.

"The host can control the size distance and font size with its consciousness. ”

So user-friendly?

Zhong Yue tried to move his gaze closer, and sure enough, with the subjective manipulation of his thinking, the length slowly enlarged.

Nowadays, the world is considered to be the closest to the original trace of the dragon Benlan Pavilion set of prefaces, there are constantly people inscribed, viewing, from the original seventy centimeters, has become a more than two meters long scroll. In the past dynasties, calligraphy, collections, emperors and generals, all left inscriptions, views, and seals.

Calligraphy can not be compared to the calligraphy of the saint Xizhi, and it is also a blessing to be able to be listed on the same work as the masterpiece of the calligraphy and pass it down through the ages. As a result, the original clean, smart and elegant masterpiece was ruthlessly printed with more than 180 seals.

Among them, if you say the most shameless, it is naturally Qian Long, the words are not well written, you have to insert green onions in the pig's nose, "Jin and Tang Dynasty Heart Seal" four big characters, more conspicuous than all famous inscriptions, but also framed at the beginning, there is a kind of I write the biggest, I am the first in the world momentum.

But Zhong Yue's current work is different.

Clean and plain.

In addition to the signature seal and a few idle stamps, the volume looks very comfortable and tidy, and before he can see the words in it, it already makes Zhong Yue feel relaxed and happy.

"In the ninth year of Yonghe, the age is ugly, and at the beginning of late spring, I will be in the Lanting of Huiji Shanyin, and I will repair things. The sages are all over the place, and the young people are salty and ......"

Zhong Yue looked at it slowly from the beginning, and the traces of scribbling and alteration were very natural, and he used a pen to wipe it if he made a mistake, and there was no trace of artificiality. For the first time, Zhong Yue looked at the chapter and layout.

Many of the ancients' paper was without squares and lines, but some hand-me-down works were often not created as works hanging on the wall, or ordinary manuscripts for writing articles and poems.

Zhong Yue couldn't imagine it, and he used other words to express the shock in his heart. Every line of words is like a beating note, full of rhythmic beauty, and before you look closely, you already feel that it is a masterpiece of the world.

It is this sense of fluidity that is all about calligraphy. Before, the old man said that Zhong Yue's writing was too stiff, which did make sense, and when he took out a single word to look at it, it was true that he had good muscles and bones, but when he stacked it in a line, it looked very stiff. This is the so-called penmanship to the home, the chapter, the text, and the structure have not arrived at home.

Zhong Yue has seen the flowing water, and the grand scene of the gathering where the poetry was written back then, and only in such a state of mind can he write such an elegant and handsome work, just like a fairy descending to earth. I'm afraid that if the book saint comes to the Lanting collection for the second time, he won't be able to have the style of the first time.

Twenty-eight lines, after reading it, Zhong Yue took a deep breath, and then went back and looked at it again. This time, his gaze moved closer.

Talk about the art of painting and calligraphy in the Wei and Jin dynasties. People will always associate it with the aesthetic taste of the "debate between form and god", and it has developed from "both form and spirit" to "detached from the form and god", emphasizing nature.

In accordance with theology, in art, this is the relationship between formal expression and spiritual connotation, which has both the "elegant" of Taoism and the "literary quality" of Confucianism. The combination of beauty and simplicity has resulted in the artistic character of "both form and spirit" of traditional Chinese calligraphy and painting art.

Zhong Yue took a closer look, and felt that his words really hadn't learned yet. Even the facsimile of the Orchid Pavilion Collection Preface of the Divine Dragon Book cannot be compared with this original image.

With every stroke, Zhong Yue felt that the slightest movement would affect the entire text, which was simply a miraculous skill! Book saint, no wonder he could sit at the top of the book world for thousands of years, and no one could surpass it.

Nature, harmony and smoothness.

Zhong Yue's eyes were a little dry when he saw it, so he withdrew from the jade slip and sat on the green grass with a long aftertaste.

In the past, he always thought that because Wang Xizhi was a Jin man and a gentleman, no matter how much success the later generations of calligraphers had, they could not compare with the sage of calligraphy, but after reading the original photocopy of the preface of the Lanting Collection, Zhong Yue felt that he was wrong. This masterpiece is placed in any dynasty, it is the most brilliant pearl.

When he looked at the Nine Potentials of the Gods again, Zhong Yue's mentality was different.

Yin and Yang creation, he saw what harmony was from the Orchid Pavilion Order. It seems that if the stroke is more rigid, it will be out of balance, and if it is more soft, it will be poor.

Black and white, yin and yang.

Zhong Yue watched Mo Yun fall on the grass, take root, and the flowers were brilliant.

In line with yin and yang, Zhong Yue closed his eyes and carefully experienced the rhyme of the nine potentials of the gods.

The way of calligraphy, Zhong Yue is destined to create a new world under the loss of penmanship! This road is still very long, and more efforts need to be made.

He got up and entered the place where the Langya Wang clan gathered.

Wang Xun looked at Zhong Yue's burning eyes, and said with some surprise: "You ......"

"Wang Shangshu, I'm fine. ”

"Well, go ahead. ”

Zhong Yue walked firmly past the Wang Ancestral Hall, sitting cross-legged on the wooden bridge and watching the geese.

In line with yin and yang, it is like a dragon.

Zhong Yue looked at the rippled water ripples, and felt more and more interesting.

He seemed to really understand something.

……

……

Skyscrapers in Shanghai

The upstairs scenery is beautiful, the Yangtze River Delta, the prosperity of the city, and you can see it all in sight.

"Mr. Wang, please. ”

The middle-aged man was wearing a long shirt and looked out of place in the world. Wearing a long shirt to eat Western food, it is estimated that only this Xiaokai King will not be made fun of.

The bewitching woman on the opposite side smiled, "Mr. Wang, I heard that a few days ago, you almost got into a fight with someone from the Book Association because of an unknown junior?"

"Hmm. ”

"Can you tell me?"

King Xiao Kai cut off a piece of beef, stuffed it into his mouth and chewed it carefully, "I want to take him as an apprentice." ”

"Really, that's really the honor of that little friend!" The woman looks like a person of some status, and her dressing taste and temperament are not comparable to ordinary rouge fans.

"Fapherd elf, I know what you're thinking, I can warn you, don't touch him. The person I want Wang Ge, if you dare to move, in the cultural industry in the future, you Mu clan will not want to get involved!"

The woman smiled coquettishly: "Yo Yo Yo, the person King Xiao Kai wants, how dare I move." Hey, you're not going to have that kind of ...... That fetish, okay?"

Wang Ge wiped his mouth, "His family background, talent, and speed of progress are worth my doing." ”

"Hehe, that's congratulations. ”