Chapter 171: The Way of Nursing Students

Moreover, the form of Chinese comics is different from the Western stick figure and Dongying's fine brush painting in terms of painting, and the style of brush and ink painting is too unique. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

But perhaps because of this kind of too special and unique Chinese-style comics, in the era when Western comics and Dongying comics are gradually compatible, this form of Huaxia has gradually been marginalized, so that the current Chinese animation has also followed the Western stick figure form.

At the beginning, the comic styles with Chinese characteristics such as "Little Tadpole Looking for Mother", "Deer Bell" and "Little Carp Jumping the Dragon Gate" are almost invisible now, which is the subtle influence of aesthetic marginalization on later generations.

'Because everyone else is like this, then you should be like this' is a kind of minority subordination to the majority that influences the aesthetics of all.

Children and teenagers are the flowers of the future of the motherland, so cartoons, a means of conveying values and ideologies from an early age, must be valued by the state, which is why compared to the film industry, the animation industry has been losing money and the state has been vigorously supporting.

Because if the entire animation industry is all influenced by the values of the West or the Eastern Ring Goryeo ideology, then the local three views that originally belong to China will be hit by the roots, which is not conducive to the development of the nation and the country.

Therefore, in the animation industry, talent delivery and cultivation are particularly important, and the animation industry is actually excluded by mainstream literati painting, although there are many top international painting masters in China, but their influence on animation and comics is not great, thinking of passers-by.

In other words, the animation industry in China really developed from the time of Master Feng Zikai, but it inherited some of the heritage of ancient Chinese paintings.

And this time, Mr. Qigong helped to ask if there was an idle animation factory, which attracted the attention of many people, because Mr. Qigong is a pivotal figure in both the literati circle and the field of calligraphy and painting.

The idle animation factory was not found, but it caused a trouble, and it happened that Jiangsu and Zhejiang officials wanted to build a memorial hall for Master Feng Zikai's master, Master Hongyi, that is, a famous new cultural movement and patriot in modern times, Master Li Shutong.

As the reincarnation elders who are most familiar with Master Hongyi, Mr. Qi Gong was targeted.

It is an unshirkable obligation to repair a memorial hall for the deceased, so Mr. Qigong took Wang Yao and set off in time to Pinghu City, the hometown of Master Hongyi.

Pinghu City is an ancient cultural city with a long history, and the cultural relics unearthed from the ruins of the Great Tomb Pond confirm that there were ancestors living in this area 6,000 years ago.

Among them, Master Li Shutong is the most well-known big man in Pinghu City, Master Hongyi is not only authoritative in the academic circles, but also a guiding light for the people in the civil and revolutionary periods, praying for the people in the war-torn era, saying the law, preparing disaster food and so on.

Previously, he accompanied Mr. Qigong around the Hupao Temple, where Master Hongyi had been a monk for a period of time, and Wang Yao heard a lot of stories about him.

Mr. Qigong is a master of Buddhist research, so Wang Yao also has some involvement in Buddhism, worshiping the Buddha and worshiping the Buddha, which are quite easy to do, but Wang Yao knows that he has no Buddha fate, and Mr. Qigong can also see it, so he did not mention the matter of letting Wang Yao practice Zen, at most he asked him to copy some Buddhist scriptures from time to time and meditate.

But Master Hongyi is different, Mr. Qigong said that he is a natural Buddha with a deep affinity, and a practicing bodhisattva with the fruit of reincarnation.

Master Li Shutong was born in a wealthy family, his ancestors were big businessmen, his father was a Qing court jinshi, an official of the ministry, and later resigned to inherit the family business, and was the third richest man in Tianjin.

And because he was born smart, and he was a merry boy when he was young, and he was taught traditional Confucianism since he was a child, and later went to Dongying to study abroad to accept the new era thinking of the West, so that he could understand it well.

In the history of modern Chinese painting, Li Shutong is the originator of Chinese oil painting, the first person to follow the teaching of Western mannequins, and at the same time organized the Western Painting Research Association, which translated and discussed Western painting methods, painting techniques and painting styles, and made great contributions to the history of modern painting.

At the same time, like Mr. Qi Gong, he is an educator, or a teaching craftsman, he taught for several years in his life, and cultivated Feng Zikai, Pan Tianshou, Liu Zhiping, Wu Mengfei and other painting and music masters.

At the same time, it has a vital help for the painting enlightenment of the great painter Xu Beihong.

Mr. Qi Gong described Li Shutong's teaching as the background of advanced teaching concepts, forms and personalities, just like a Buddha and Bodhisattva with light, and the students were in awe from the bottom of their hearts and studied hard from the heart.

Uncle Li taught in Jiangsu and Zhejiang for six years, from sunset oil painting to sketching, composing, all made exemplary innovations for modern education, and he loved his students, Feng Zikai had a good temperament when he was studying, and was not treated well by teachers, and many teachers wanted to expel him at that time.

Feng Zikai's book that was a treasure in his life was the "Human Genealogy" given to him by Li Shutong back then.

If you want to be a good artist, you must first learn how to be a good person, a person without knowledge and measure, no matter how exquisite the skills are, it is not enough. ’

This is Feng Zikai's motto to remember, and later agreed to write a collection of paintings for his master Uncle Li, and it took 30 years, no matter how the world changes, even if the mountains and rivers are broken and the catastrophe is at the head, Feng Zikai will keep his promise.

In the turmoil of the past ten years, Feng Zikai was regarded as a typical example and was the first of the top ten critics of Mingzhu.

The "Red Fighters" not only raided his home, but also criticized him day by day, pouring hot paste from the pot on the old man's back, and then pasting big-character posters on the streets to demonstrate.

Naturally, the old man could not bear the toss, and the pain was so painful that he could not walk, so the group of people brutally whipped him with leather whips, from the street to the end of the street.

Despite this, Feng Zikai is still strong, those people cut off the old man's beard, and these mustaches were grown by Feng Zikai in order to commemorate his mother, how cruel and sad and angry?

But unexpectedly, Feng Zikai smiled at those people, "The weeds can't blow, and the spring breeze blows and grows." ”

Later, Feng Zikai was sent to the suburbs to work in the fields, and the optimistic Feng Zikai hid it from his family, saying that the discipline people saw that he was old and took good care of him, so he lived well.

Until one winter, when it had just snowed heavily, his daughter Fengyi Yin went to bring him warm clothes. The daughter found Feng Zikai in an endless field, he stood alone in the cold wind, with a snakeskin bag hanging on his chest, picking cotton little by little, and his whole body was shivering with cold.

Later, at Feng Yiyin's repeated requests, Feng Zikai took her to his own residence, an old cowshed thatched hut that could no longer be broken, because the roof was in disrepair, and the daughter clearly saw that there was a pile of unmelted snow on the side of the straw pillow on her father's bed.

The daughter couldn't cry.

Even in such a simple bedroom, it is difficult for the old man to sleep soundly - the person who disciplines him often suddenly blows the assembly call in the middle of the night, Feng Zikai is old, and his hands and feet are not flexible, so naturally every time he gets up, he can't be as quick as others, so it has become a common thing to be pushed and scolded, and later, he simply sleeps without taking off his clothes.

Despite this, Feng Zikai never gave up on promising his teacher, and insisted on completing the "Nursing Picture Book".

"Nursing is to protect the heart, compassion is in the heart, you can paint anywhere", during the labor reform, he took suffering as happiness, as long as he had the opportunity, he would try his best to continue the painting of the "Nursing Student Painting Collection", and was able to complete the 90 paintings in the fifth episode.

But the harsh environment finally knocked down the old man, Feng Zikai, who suffered from severe pneumonia, was allowed to go home to recuperate, at this time he was already a 76-year-old old man, but Feng Zikai, who returned home, did not follow the doctor's requirements, rested well, and actively cooperated with the treatment, on the contrary, he even secretly threw away the medicine prescribed by the doctor, but threw himself into the painting.

He got up at 4 o'clock in the morning every day and began to draw the 6th episode of "Nursing Student Paintings", at this time there were still 6 years left for the last episode agreed with his teacher, but Feng Zikai seemed to vaguely feel that he would die soon, so he painted desperately.

The children were afraid that he would be tired and hidden, so Feng Zikai begged them: "You want my old life, give it back to me quickly." ”

At the end of 1973, Feng Zikai finally completed his teacher's re-order and ended the 100 paintings in the last episode of "Nursing Students' Paintings", which was 45 years after he gave his teacher the first episode of "Nursing Students' Paintings".

Two years later, the old man passed away with satisfaction and no regrets.

No one had painted before him, and no one had painted since.

Later generations commented on Feng Zikai's unique comics: his paintings are very cheap, everyone can afford them, and everyone can understand them, whether you are a common person, a small trader, or an illiterate, old and coarse, he uses elegant and common lines, a few strokes to outline a noble personality and far-reaching thoughts, and a simple and simple painting of compassion and benevolence.

"Nursing Life Picture Collection" is the lifelong hope of Master Hongyi and Master Feng Zikai, and it is a story of mutual rescue between humans and animals to exhort human beings to cherish life and do less killing.

Through the stories of humans and animals in Buddhist texts, it shows a spirit of respect and love for life.

Nursing students are caring for the heart.

Although it is a blueprint for Buddhism, its significance has long gone beyond the Buddhist scriptures themselves, and has a great enlightening effect in the field of art and human education.

This is Master Hongyi's Buddha's fate, the way to protect all sentient beings.

Bless the people.