The completion of the display of the works of the members of the second group does not mean that the recording of the program has been completed, because there is still a third group of works that have not yet had time to appear.

After reading the first two sets of works, Lin Zhengrong has no expectations for the works of the third group.

If he could, he would definitely choose to leave the scene directly, and now, he can only sit obediently under the stage as a background board.

There is still a third group left, and no one is sure which group will advance directly with the best results, which two groups will produce pending players, and which three players will leave in the end.

Because the works of the third group have not yet been displayed, but today's recording of the show has begun to see the real chapter, and there will definitely be three contestants who will be eliminated.

It is not necessarily the three people with the worst results in the first recording, but it may also be other players, no one knows this, but when the host emphasized this point again, a group of contestants were full of nervousness, and no one wanted the eliminated places to fall on themselves.

In this way, when the third group takes the stage, all the attention it receives can be imagined.

The third set of design themes - night primrose!

A very intuitive and subtle name, it does not refer to the nightshade itself, but to the old Zhonghai, because this is a familiar old song.

Written and composed by Mr. Li Jinguang, it was originally sung by Li Xianglan and was considered one of the songs of the Japanese invaders to anesthetize the people of the occupied areas at that time, so it was classified as "the sound of beauty".

However, because the tune is beautiful, and there were many cover singers later, when Teresa Teng sang the cover of the song, the work once again caused a boom in the Chinese society and Japan, but it was mistakenly regarded as "spiritual pollution" and "traitor songs" by the mainland in the early 80s of the last century, and was once banned.

Being banned is not such a heinous thing, and there will always be limitations in that era.

However, now the ban on "Night Fragrance" has been lifted.

It has also become the most habitual song that sounded in the ten-mile foreign field in the Republic of China, and it will be used in a large number of film and television dramas.

Using the song Night Fragrance to express the night scene of the Ten Mile Ocean Field is also another angle, and even in Lin Zhengrong's view, it is more interesting than the fireworks blooming topic of the first and second groups, because this group can also better represent the characteristics of Zhonghai.

However, the quality of the work is not that there is a good design theme that can crush everything, whether it is good or bad or not depends on the work itself, not just the theme, a good theme can add points, but sometimes it can be counterproductive, because a high-minded theme will infinitely raise the expectations of the judges, if this expectation is not met, then the score may be lower.

Lin Zhengrong also looks forward to what good works they can design.

However, when the first model of the third group appeared, Lin Zhengrong couldn't help but shake his head.

Because the work worn by the model did not surprise him, although it is no longer a suspender nightdress, but it is still impossible to leave to be sexy, or to be coquettish.

Their first work is a cheongsam remodel, and it is not a traditional cheongsam, because although the work is a short cheongsam style, the fabric is made of leather, and the black tight leather cheongsam style is also innovative, but this innovation feels very ingenious and chicken-thief.

It seems that their designers are very fond of leather, and it is also a black leather style, which has always been used throughout their group's design style.

It doesn't matter if it's good or bad, but in terms of color choice, it's the same idea as the second group, that is, black represents the night.

There seems to be no problem at all with black to bring out the mystery of black clothes, but the same black theme design style can easily make the audience and the judges have aesthetic fatigue.

But there is no way to do it, after all, the theme given by the program team is the night scene, although they have different ideas, but the design style must revolve around the theme, so it can't be said that they are wrong, only that their group does not have as much connotation as their theme name in the design of the work.

However, in the end, the cheongsam element was used.

Cheongsam, the traditional clothing of Chinese women in China and the world, is known as the quintessence of China and the national dress of women.

Although there are still many controversies about its definition and time, it is still one of the most splendid phenomena and forms of China's long-standing clothing culture.

The cheongsam was formed in the 20s of the last century, and some scholars believe that its source can be traced back to the deep clothes of the pre-Qin and Han dynasties, but this statement is only a part of the scholars, and even Lin Zhengrong thinks that it is a bit nonsense, because the history of Chinese clothing is too long.

If you really want to get involved in history, there will always be a little bit of a margin.

In the final analysis, the rise of cheongsam is still the Republic of China period.

After the 20s of the Republic of China, it became the most common women's clothing, and was established by the government of the Republic of China as one of the national dresses in 1929.

So if you really want to choose a national costume, the cheongsam is the best representative, and the tunic and cheongsam in the Republic of China period are the best match.

However, after the founding of the People's Republic of China, due to various reasons, this tradition was not continued in the end, and even in a special historical period, it was once regarded as "feudal dross" and "bourgeois sentiment" and criticized.

Then until the 80s, after the 80s, with the re-emphasis on traditional culture in the mainland, as well as the influence of film and television culture, fashion shows, beauty pageants, etc., cheongsam not only gradually revived in the mainland, but also spread to all fashion places in the world.

Even in '84, the cheongsam was designated by the State Department as a dress for female diplomats.

It can be regarded as an impact of the country's traditional culture on fashion in that era.

Many times, whether it is diplomacy or going to participate in various important occasions, Chinese women will choose cheongsam, in a certain period, cheongsam has also shined on the international fashion stage, but now that the concept of fashion is so common, it is difficult to talk about cheongsam is fashionable.

Even the cheongsam has been broken by a large number of domestic and foreign designers.

Changing the cheongsam into a tight leather skirt, in Lin Zhengrong's opinion, this is a hellish design.

Of course, it's not that tight leather skirts are bad, tight leather skirts are very good, on specific occasions, mature women wearing tight leather skirts can indeed bring out the other party's wonderful figure, under the wrapping of leather skirts, show off sexy, full of temptation.

But on the design theme of Nightshade, it has aroused everyone's expectations, but getting a tight leather skirt and then starting to be coquettish is a bit spicy.

For the insider, it is spicy eyes, but for the layman, for the people who eat melons, isn't this design an alternative temptation?

Especially if the wearer's hips are wider than the shoulders, the skirt is too tight and feels like it is about to explode, and the return rate is absolutely explosive.

If the first work is a cheongsam facelift, then the second work is completely a tight leather skirt design, and then add some unnecessary cumbersome designs on the shoulders or waist, at least in Lin Zhengrong's opinion, it is a cumbersome design, but in the eyes of the designer himself, this is carefully arranged.

But Lin Zhengrong is a little annoyed by this kind of show-off design, which does not have much effect.

The structure and beauty of the garment do not make it look good and beautiful by adding ornaments and petals on the shoulders.

Too much unnecessary decoration will make the work look vulgar, and what you want to express, everything you want to pile up, it will look nondescript.

But this is people's design, and the theme of nightshade is not very elegant, because seeing this theme will remind people of the bright lights and drunken gold fans of the Ten Mile Ocean.

So there seems to be nothing wrong with their group using this element to represent the design theme.

The third piece is also a tight leather skirt, except for the difference in details, the overall structure is basically the same, if you have to say anything different, that is, there is an extra black leather long glove on the model's arm, which really takes the leather temptation to the extreme.

The fourth piece is finally not a tight leather skirt, but a leather tie-neck sundress, and a pair of skinny leather pants on the lower body.

There is really no problem with a short skirt and leather pants to stretch out on tall models, who makes their legs long enough, because the skirt is slightly open, and the focus of the work is not on the hips, but on the chest.

No matter what the fabric of the sundress, the final focus of attention is still on the chest, and the snow white on the chest and the black on the body form a good contrast.

As black as the leather skirt is, how white the chest is.

The very white and clear boundaries set off the model's incomparably deep career line, which can indeed arouse the viewer's exploration psychology, and they all want to get a glimpse of it, and the designer has a good psychological control of the public.

Lin Zhengrong could only sigh at their intentions.

It's just that I don't pay much attention to the work itself.

After the fourth work is completed, the model has not returned to the backstage, and the last female model has begun to show her work on stage.

The last work is still a leather skirt, but it is a cheongsam remodel, not a tight leather skirt or a sundress and a long skirt that mops the floor, and it is not appropriate to say that it is a long skirt that mops the floor, it should be said that the front is short and the back is long.

The skirt dragged behind was finally not leather but began to be replaced with black tulle, which was a bit similar to a small trailing wedding dress in structure, but the design of the chest and waist was indeed very weird, and there were two more black petals.

I don't know if it will be named the Flower of the Other Shore or Manzhu Sahua, anyway, it looks very weird.

But now, the third group of five works have been fully displayed, and after the last catwalk model has completed a circle of display, he began to return to stand in a row with the four models in front of him, and the five models have come to the collective display again, so far, all three groups of works have been displayed.

The model returned to the front of the stage and stood, and the host Ni Hui took the stage again, "Thank you models for your frequent performances, now let's invite the third group leader to take the stage, and listen to the comments of the judges and teachers on the first two groups, are you not confident or nervous about your own group of works?

The third group is also four people, 5, 6, 12 (Zheng Chuwei), 14, of which No. 12 Zheng Chuwei is the team leader.

For this unlucky buddy, Lin Zhengrong still has an impression, who made him rank behind him.

Although it is not as eye-catching as the No. 10 grassland girl Xue Kaiyue, as an unlucky buddy like No. 9 Li Wei, it is still difficult for Lin Zhengrong not to pay attention to him.

This guy made a wedding dress style dress before, and made a big veil on the top of his head, but he was sentenced to death by judge Pan Hong, and the latter's evaluation of him was a vulgar word.

It is precisely because of this that he has the opportunity to be the leader of the third group.

This time the design, he also maintained his own design style, the third group of the last short trailing gauze skirt is his work, even if the theme is the leather skirt series, he is still reluctant to his wedding dress shape, so this time, the work, also has its own personal style.

Of the remaining three players, Lin Zhengrong is more or less impressed, such as the No. 5 player, who is a female player.

The look is similar to the last time, and he is still wearing a long brown knitted jacket outside, with sunglasses, and a ball head dressed neutrally, but his height is a little short.

In the first competition unit, her work was an off-white sleeveless one-piece A-line dress, the color is very harmonious with the surrounding buildings, it blends well, it is not dazzling or eye-catching, it is very low-key, but it will make people look more comfortable.

Of course, her figure is also relatively monotonous, and there are gains and losses, which is her own choice.

Contestant No. 6 is a short-haired girl, ******, jeans, hands in the pockets of a black sweater, walking with her model, because of her short legs, similar to running.

The work of the first competition unit, the style is more economical, the upper body is wrapped in yellow fabric, if her upper circumference is wrapped tightly enough, it is a bit like the chest cloth used by girls dressed as men in costume dramas.

Then the lower half of the body is a long green tulle slit skirt, which is so elegant.

The styling is also very simple.

According to her style, it doesn't take half an hour, but more than ten minutes, Lin Zhengrong can get it done.

I don't know what this girl thinks, but the female model wears it on her body and walks, and it does have its own special effects.

Long skirts are fluttering, and there is no need for a blower, which is very environmentally friendly and power-saving.

The third skinny leather dress with long gloves is her creation.

The only thing that impressed Lin Zhengrong was No. 14, a player with a low sense of presence.

Her work is the fourth leather sundress, and Lin Zhengrong will never forget the leather pants he matches, because he is the only player in the third group with a leather pants plot.

Such players are indeed rare.

For this group of players, Lin Zhengrong shouldn't have much to say.

Among the five works, the one he admires more is No. 12 Zheng Chuwei, the first cheongsam remodelling and the fifth wedding dress style of the short trailing skirt are also his works, both of which are considered styles that Lin Zhengrong appreciates more.

Because these two pieces more or less incorporate some of their own ideas, although this idea is a bit simple and crude, but it is also a good attempt.

Anyway, whether it's good or bad, the judges have their own set in their hearts.

The eyes of the masses are bright.

Lin Zhengrong felt that the sky would not spare anyone, and he blindly showed off his coquettishness, even if he would not be eliminated this time, he would not go far.

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