"So, can you ask Kim Yong Taixi to make a move?"

Yamashita changed the subject of his consultation, and asked tentatively again. Pen & Fun & Pavilion www.biquge.info

It's just that the look of embarrassment on this face is no less than that of Liang Yunhao.

In the category of supernatural thrillers, Liang Yunhao can be called a veteran of the Korean film and television industry. Because of this, his concerns are completely different from those of Liang Yunhao.

In his opinion, the plot of the movie "Parasite" can only be described by simple and old-fashioned words.

First of all, in terms of theme, the concept of "resentment of children" is not new at all, and secondly, it may be because she has only served as an assistant screenwriter a few times before, and the inexperienced Kim Yoo-ra lacks a sense of hierarchy in the setting of plot advancement, and the development and changes of the personalities of several main characters lack foreshadowing, which seems a bit "capricious".

How to describe it?

For example, Lu Bu in "Romance of the Three Kingdoms" once deterred the ill-intentioned Dong Zhuo under Ding Yuan's account, but it didn't take long for him to slaughter Ding Yuan to defect to the other party; although he was a latecomer, he easily stood at the pinnacle of the military attache in Dong Zhuo's group, and in Dong Zhuo's rebellion, he did his best to make a lot of efforts for the new master, but in the end he turned against Dong Zhuo.

For these two incidents, Luo Guanzhong gave a reasonable explanation that can be logically and basically self-consistent in the story - there is a Li Su under Dong Zhuo, and Lu Bu is a fellow villager who has known each other since childhood. Because of this, he could easily ask to see Lu Bu, who was already in the hostile camp, and even when they got along with each other, they could be called brothers.

With this level of relationship, coupled with the gift of the red rabbit horse, a divine horse that every military general dreams of, it is not surprising that Lu Bu, who originally had a character of forgetting his righteousness, would change his court.

As for Lu Bu's "rebellion" again, it was because of Wang Yun's serial scheme, Fengyi Pavilion and other popular bridges, and there are more large sections of pen and ink descriptions in the book, which clearly explain the causes and consequences.

We might as well imagine that if we take away the roles of Li Su, Wang Yun, Diao Chan and others, then Lu Bu, a capricious character, does not look like an ordinary person with character weaknesses, but more like a deranged madman.

In the script of "Parasite", this kind of "necessary foreshadowing" is lacking.

Therefore, in the eyes of Kim Yong-tae, who has the ability to create supernatural movie scripts, this script is really unattractive.

From a purely technical point of view, he is fully capable of changing this script for the better. Unfortunately, in life, people inevitably have to face various practical factors caused by concerns.

As far as Kim Yong-tae and Kim Yo-ra are concerned, the former is a senior who has already achieved fame in the field of supernatural movies, while the latter is just a fledgling newcomer with no name.

The two were originally plain and simple, and Kim Yong-tae had no reason to be a senior to promote his juniors, and as the saying goes, "I cherish myself", the other party may not be willing to accept the interference of others in his creative works.

It's not that I can't write my own original good book, so why should I lose the reserve I should have as a predecessor and a successful person in front of an inherently unintelligent script?

Kim Yong-tae was worried that if a similar conflict occurred in the crew, the news would spread outside the group and ruin his reputation. With this in mind, he also rejected the temptation to direct "Parasite" himself.

And after Yamashita Minoru clears Kim Yo-ra out of the crew, if Kim Yong-tae is to take over the script, the messages that may come out may become even more ugly-

Originally, it was just the seniors suppressing the juniors, but now it can be directly understood that the seniors used their connections to squeeze the juniors out of the crew.

Therefore, Kim Yongtai expressed his position in tactful language: I'm sorry, I can't carry this pot, I really can't help it......

When Minoru Yamashita turned his gaze for help to the last filmmaker present, Takaishijin's expression was very embarrassed.

Unlike Yang Yunhao and Kim Yongtai, his position in the Korean film and television industry is almost negligible in front of those two - he has not yet had a resume as an independent director, but has existed as an assistant director with Yang Yunhao for a long time.

The positions of the two directors who were avoided became a once-in-a-lifetime opportunity in his eyes.

As the name suggests, the assistant director is the director's assistant.

There are so many things to do in the film, and expecting a director to take full command and control is a misinterpretation that only unrealistic laymen would have.

At this point, the director needs the assistance of the assistant directors.

Generally speaking, there is often only one director in a film and television drama work, but there can be several assistant directors who cooperate with him, each assisting the director in different fields to complete the filming work.

There are so many things to do to shoot a movie, and expecting a director to take full command and control is a misinterpretation that only unrealistic laymen can have.

According to the functions, there are shooting assistant directors who are responsible for on-site camera positions, sets, lighting and other factors, there are also acting assistant directors who are responsible for the main supporting roles and even dragon sets and group performances, there are also casting assistant directors who are responsible for selecting these main supporting roles, dragon sets and group performances, and there are also storyboard assistant directors who are responsible for adapting the screenwriter's literary script into a storyboard script......

Gao Shizhen has experienced these functions one by one, and it can be said that he has made all the preparations to become a director.

Necessary ambition is often one of the prerequisites for human success.

A soldier who doesn't want to be a marshal is not a good soldier, and an assistant director who doesn't want to be a director is not a good filmmaker.

Gao Shizhen doesn't plan to be Liang Yunhao's deputy for the rest of his life, he also wants to try what it's like to sit in that high director's chair.

On the other hand, Liang Yunhao also hopes that his family can have a unique day.

It's just that as Liang Yunhao's deputy, although Gao Shizhen has participated in the filming of many excellent works, as a director, he has not yet proven his ability. Therefore, the producers, that is, the investors, will inevitably have doubts about whether he is qualified for this position.

Generally speaking, it is impossible for a commercial film with a large investment and a large production to hand over an important directorship to Gao Shizhen. He can only look for opportunities to prove himself in low-budget small-scale film and television dramas.

"Parasite" is one such "suitable" work.

Therefore, it is not that he can't see that the quality of the script is not so ideal, but he knows very well that the ideal script is basically not his turn to direct.

In his opinion, a supernatural thriller movie doesn't have to be a great plot to be successful, as a horror movie, as long as it is scary enough, it can attract a lot of audiences with this orientation into the theater.

He is confident enough to use the language of the camera to shape this terrifying atmosphere technically. The quality of the script is relatively unsatisfactory, and this flaw is not so important in his eyes.

However, Gao Shizhen was only a technical assistant director before. He has no confidence in writing scripts and adapting scripts (not the kind of adaptations that change film literary scripts into scripts).

He really wanted to change the script for the better, but unfortunately, it was beyond his ability.

Therefore, when Minoru Yamashita turned his gaze for help to him, he showed a helpless embarrassed wry smile.

P.S. After a few twists and turns, the dust has finally settled on the work mentioned earlier. Tonight's train will arrive in the imperial capital tomorrow afternoon, and then go to the company to report.

Again, this book will not die or be completed in a hurry, but the update will be slower.

In the next period of time, it will probably become a weekly or monthly change......

I'm sorry for those who liked and supported this book.

It's just that we have to look at it this way -- and the good thing about it is that I don't have to think about the pressures of life, and I will continue to focus on the quality of the work, rather than thinking about whether or not I will go against my will to cater to the mainstream audience.

As for those readers who don't like to chase more and are more accustomed to "fattening up and killing" a book, I can only say - hehe, then everyone will "raise" it slowly.

Finally, to explain, the chapter name dictionary is the ancient famous couplet "Qin Se Pipa, the general appearance of the eight kings; (To be continued.) )